Archive for the ‘Poetry’ Category

Love after Love, by Derek Walcott, resonates deeply when you first acknowledge yourself

June 22, 2014

Just received this beautiful poem, Love after Love, written by Derek Walcott. To me it’s about coming back to yourself, discovering and loving your self. It can be a sweet, quiet awakening, when you recognize it, open your heart to it, to who you are.

I remember when it happened to me, living alone in a room I was renting in a house in North Vancouver. I finally let go of all the distracting reasons to search for happiness outside myself, in wanting to love another person or be loved by them, or some thing to do I thought would make me happy. I just stopped and discovered the loving stranger who was there, and accepted myself instead, as if for the first time. Took more than half my life for it to finally happen, but was quietly surprised and pleased when it did. Derek Walcott describes this process of self-recognition and acceptance so well, so powerfully.

Love after Love

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

A Blessing of Solitude by John O’Donohue, from Anam Cara: A Book of Celtic Wisdom, profoundly complements this theme by Derek Walcott.

After a little research I discovered Derek Walcott to be an amazing man, an artist, poet, professor and playwright. Acknowledged as the greatest living poet in the English language, he won the Nobel prize for Literature in 1992. He taught at Boston University for 20 years. Turns out he also taught in Canada. In 2009, Walcott began a three-year distinguished scholar-in-residence position at the University of Alberta. In 2010, he became Professor of Poetry at the University of Essex.

Born in Saint Lucia, Derek Walcott was influenced by his mixed racial and cultural heritage. He married a Trinidadian, raised a family there, and built the Trinidad Theatre Workshop. For someone who was in search of his own identity, both as a person and an artist, this poem represents a coming back to one’s essential self. It resonates deeply with the thousands who have read it. It was first published in Sea Grapes, and later in Derek Walcott, Collected Poems, 1948-1984, and The Poetry of Derek Walcott 1948-2013.

Here are a few videos worth watching: a BBC documentary, Derek Walcott; an interesting Canadian TV interview, Nobel Laureate Derek Walcott on his life and work; and a poetry reading: Derek Walcott: The Perpetual Ideal is Astonishment | 92Y Readings. Here is a more recent poetry reading at the 92nd Street Y: Derek Walcott with Glyn Maxwell and Caryl Phillips. He reads Love after Love at 26:25.

Listen to this excellent July 13, 2014 BBC Radio 4 interview where Nobel Laureate poet Derek Walcott talks about his life and work at home on St Lucia: Derek Walcott: A Fortunate Traveller (28 mins).

Here is an excerpt of Derek Walcott reciting his poem, Love After Love, in a new documentary film about him, POETRY IS AN ISLAND, by Ida Does.

You can see a short video of Derek Walcott responding to the World Premiere of POETRY IS AN ISLAND, uploaded Oct 2, 2013. You can also see an interview with Derek Walcott by DBSTV St.Lucia in May 2014 where he comments on the film. For more information visit www.walcottfilm.com and facebook.com/PoetryIsAnIsland.

Withdrawing into silence, being blessed by “a kind of fleeting grace”

I was surprised to see these comments from Derek Walcott in the Paris Review, Issue 101, Winter 1986: Derek Walcott, The Art of Poetry, No. 37. Since Walcott seems to equate poetry and prayer in this discussion, interviewer Edward Hirsch asks him how he writes. He describes it as withdrawing into a world of silence, and creating from there, as if in a trance, being blessed by “a kind of fleeting grace” if something happens.

“But I do know that if one thinks a poem is coming on—in spite of the noise of the typewriter, or the traffic outside the window, or whatever—you do make a retreat, a withdrawal into some kind of silence that cuts out everything around you. … I’m not a monk, but if something does happen I say thanks because I feel that it is really a piece of luck, a kind of fleeting grace that has happened to one. Between the beginning and the ending and the actual composition that goes on, there is a kind of trance that you hope to enter where every aspect of your intellect is functioning simultaneously for the progress of the composition. But there is no way you can induce that trance.”

Update: On March 17, 2017, Nobel laureate, poet, playwright, and painter Derek Walcott died at age 87. Here are a few of the many articles that appeared in the world press: The Guardian, The New Yorker, The New York Times, The Los Angeles Times.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

A wonderful birthday poem from John Burns — The Truly Great — by Stephen Spender

April 27, 2014

Thanks to John Burns for sending me this truly wonderful birthday poem! With reference to I turned 70 today!

The Truly Great
by Stephen Spender

I think continually of those who were truly great.
Who, from the womb, remembered the soul’s history
Through corridors of light, where the hours are suns,
Endless and singing. Whose lovely ambition
Was that their lips, still touched with fire,
Should tell of the Spirit, clothed from head to foot in song.
And who hoarded from the Spring branches
The desires falling across their bodies like blossoms.

What is precious, is never to forget
The essential delight of the blood drawn from ageless springs
Breaking through rocks in worlds before our earth.
Never to deny its pleasure in the morning simple light
Nor its grave evening demand for love.
Never to allow gradually the traffic to smother
With noise and fog, the flowering of the spirit.

Near the snow, near the sun, in the highest fields,
See how these names are fêted by the waving grass
And by the streamers of white cloud
And whispers of wind in the listening sky.
The names of those who in their lives fought for life,
Who wore at their hearts the fire’s centre.
Born of the sun, they travelled a short while toward the sun
And left the vivid air signed with their honour.

Stephen Spender, “The Truly Great” from Collected Poems 1928-1953.
Copyright © 1955 by Stephen Spender.
Reprinted by permission of Ed Victor Ltd.

John Burns is the Communications Director for TM Ireland.

Hafiz said to leave something in the marketplace, and Jesse Winchester sure did before he left us.

April 23, 2014

Hafiz’s poem, translated by Daniel Ladinsky, of leaving something behind in the world to inspire others, is exemplified in the singer-songwriting musical skills of the late Jesse Winchester. Read Hafiz’s poem, Leave something in the marketplace, then listen and be moved when Jesse sings this love song, Sham-A-Ling-Dong-Ding.

Leave something in the marketplace

Sometimes it can happen to these cheeks
when a poem visits my mind for the first time
and begins to look around.

They can wonder why rain is falling on them,
and causing my nose to run too.

O boy, what a mess love makes of me. But
there is nothing else right now I would rather

be doing . . . than reaping something from a
field in another dimension

and leaving it in the marketplace for any who
might happen by.

Leave something in the marketplace for us
before you leave this world.

A Year With Hafiz: Daily Contemplations
Daniel Ladinsky, March 20, page 88.
See more profound poems by Hafiz posted on this blog.

Jesse Winchester

Singer-songwriter Jesse Winchester (May 17, 1944 – April 11, 2014) left many beautiful songs for us in the marketplace (IMDb). Jesse appeared on Week 2 of Elvis Costello’s TV show, Spectacle. Elvis Costello, Ron Sexsmith, Sheryl Crow, and Neko Case joined Jesse Winchester to perform “Payday“. Jesse also a sang about the sweet shyness of young love. Listen to the poetic melodic musings of Sham-A-Ling-Dong-Ding as it wets your cheeks and lifts your mouth into a wistful smile.

April 26, 2009: Music Fog recorded Jesse Winchester singing this tender song at the opulent “Mansion on O” in Washington. MusicFog.com’s Jessie Scott spoke with Jesse about his new album “Love Filling Station,” growing up in Memphis, and the songwriting process.

Meeting Jesse Winchester

I first met Jesse in Montreal at a friend’s place during the summer of ’67. He had been drafted to fight in the Vietnam War, which he did not support, and came to Canada instead. He stayed and made a name for himself as a fine singer-songwriter.

Robbie Robertson of The Band produced Jesse’s first album. But he couldn’t return to the states to tour until after all “draft dodgers” were pardoned by President Carter. I remember him singing The Brand New Tennesse Waltz and Yankee Lady, which ended up on his self-titled debut album. I also liked Say What (Talk Memphis), which became a hit. Mississippi You’re On My Mind (Learn to Love It) is another beautiful, vividly-written song.

Many top recording artists would go on to perform Jesse’s songs, and he became known as a first-rate songwriter. Even Bob Dylan was famously quoted as saying of Mr. Winchester: “You can’t talk about the best songwriters and not include him. If you know me well, you know I think Jesse IS the very best.” Lyle Lovett also spoke highly of him. In 2007, a special musical tribute was given to singer-songwriter Jesse Winchester, when he was honored with The ASCAP Foundation Life in Music Award.

You can’t talk about the best songwriters and not include him. If you know me well, you know I think Jesse IS the very best. — Bob Dylan

Listen to Jesse sing I Can’t Stand Up Alone a cappella with Bonnie Raitt and Emmylou Harris in his 1977 special. Falconer Pictures created a Jesse Winchester Tribute with photos of him throughout his career and added his song, Ghosts. You can hear more videos on YouTube.

Decades later, I went to one of Jesse’s concerts on his tour through Iowa. He was surprised to find me here. It was sweet to see him again, now free to play in the states and accept the recognition for his great talent.

Remembering Jesse Winchester

jesse-winchester-memphis1-602x481

Here is some news coverage of Jesse’s recent passing, reviewing his life and career, in The Commercial Appeal, USA Today, Rolling Stone, The New York Times, and C-Ville Weekly. From all his fans, and friends who knew him, I’m sure they would agree with Hafiz that Jesse Winchester did leave a lot of good music in the marketplace, and love in their hearts. You did well, Jesse. We thank you!

Jesse Winchester Radio Special: Listen to a special 2007 radio interview and music special with Jesse Winchester recorded by Donna Green-Townsend for WUFT-FM before Jesse’s scheduled performance at the Butterfly Festival in Gainesville, FL. In this program Jesse talked about his early years in Mississippi and Memphis, the inspiration for many of his songs and what he thinks about the music industry today. He also talks about the number of artists who have recorded many of his songs including The Everly Brothers, Waylon Jennings, Wynonna Judd, Bonnie Raitt, Emmylou Harris, Reba McEntire, and Elvis Costello to name a few. RIP Jesse.

Roots Music Canada uploaded a Jesse Winchester interview on April 13, 2010 with RMC’s editor-in-chief David Newland, from Hugh’s Room, Toronto, a venue Jesse launched about a decade ago, and one for which he has the highest regard.

Roots Music Canada produced a show on April 16, 2014: Remembering Jesse Winchester, him and other artists singing his songs. To see the song list click on Playlist: Folk Roots/Folk Branches – Remembering Jesse Winchester. Jesse Winchester sings a slower version of Sham-A-Ling-Dong-Ding on his album Love Filling Station (Appleseed) with a backup group. I prefer the solo performance.

September 2, 2014: Rolling Stone: Hear the Late Jesse Winchester’s Chilling Dissertation on Dying — Song Premiere. “Every Day I Get the Blues” appears on the final album by Winchester, who died April 11th. A Reasonable Amount of Trouble, is a gentle collection of playful songs about love, memory and gratitude that amounts to one of the most moving, triumphant albums of Winchester’s 45-year career.

In November 2014 Jesse Winchester was posthumously inducted into the Memphis Music Hall of Fame.  Jesse and rockabilly legend Carl Perkins were among nine inductees with Memphis roots in the Hall’s third induction class.

Previous inductees include: Elvis Presley, Jerry Lee Lewis, Johnny Cash, Otis Redding, B.B. King, Isaac Hayes, Al Green, Howlin’ Wolf, Sam Phillips, Bobby ‘Blue’ Bland, Albert King, Rufus Thomas, Willie Mitchell, Carla Thomas, Booker T & The MGs, The Staple Singers, and the ‘Father of The Blues’ W.C. Handy.

Visit Jesse’s wonderful comprehensive website www.jessewinchester.com for his Albums / Lyrics, Interviews / Articles / Liner Notes / Obituaries & Remembrances / Covers of Jesse Winchester Songs / Videos / Photos / and more.

To see other inspiring artists featured on The Uncarved Blog, scroll through the Archive of the ‘Music’ Category.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

I turned 70 today!

April 20, 2014

Turning Seventy
(a tanka for my family)

Just another day
I made it to seventy
But I won’t be sad

Cuz you’re here to celebrate
And that’s what makes it special

April 20, 2014
Lake Tahoe, CA

Family Foto at Lake Tahoe

Laurie & Renee Sluser, Ken, Nathanael & Shara Chawkin

Here is a link to the beautiful chalet we stayed in. Renee posted a picture of me and the kids on a park bench by the lake. Shara posted some pics of Dad’s 70th at Lake Tahoe, including some I took. And someone offered to take the group photo of us on a dock, which I cropped for this post. Nathanael took a picture of me making a birthday wish. This early photo and quote of Maharishi was posted on Facebook by Mona Kägi-Causemann, which Renee forwarded to me.

Friend and poet Bill Graeser posted this poem for me on his blog: Turning Seventy and Other Tragedies.

See A wonderful birthday poem from John Burns — The Truly Great — by Stephen Spender.

Two kinds of knowledge about living and learning

April 8, 2014

I’m not young enough to know everything. ― Oscar Wilde (1854–1900)

By the time you’re eighty years old you’ve learned everything.
You only have to remember it. ― George Burns (1896–1996)

Two kinds of knowledge

There are two kinds of knowledge:
Youth knows it all, without having lived;
And having lived and learned, Old Age
Soon forgets what it’s come to know.

Then there’s the wisdom
Of knowing you know nothing;
But knowing your Self.

― Ken Chawkin (1944–still learning)

The Coming Of Wisdom With Time

Though leaves are many, the root is one;
Through all the lying days of my youth
I swayed my leaves and flowers in the sun;
Now I may wither into the truth.

― William Butler Yeats (1865–1939)

The only true wisdom is in knowing you know nothing.

― Socrates (469–399 B.C.E.)

Know thyself.

― Ancient Greek aphorism on the Temple of Apollo at Delphi

Those who know others are wise; those who know themselves are enlightened.

― Laozi (5th or 4th century BC. Tao Te Ching #33)

Yesterday I was clever, so I wanted to change the world. Today I am wise, so I am changing myself.

— Rumi (13th century Persian poet and Sufi mystic.)

Not being able to govern events, I govern myself.

— Michel de Montaigne (1533-1592, one of the most significant philosophers of the French Renaissance) 

When we are no longer able to change a situation, we are challenged to change ourselves.

— Viktor Frankl (Austrian neurologist, psychiatrist, philosopher, and Holocaust survivor, who founded logotherapy, a school of psychotherapy that describes a search for a life’s meaning as the central human motivational force.)

The older I get, the surer I am that I’m not running the show. 
—Leonard Cohen

Also see: Searching For The Meaning Of Your Life.

And this related poem: Seeing Is Being.

Newly added: Quotes from famous thinkers on the nature of truth, its rejection, and acceptance over time. One of the quotes is by Søren Kierkegaard (1813-1855) who said: Life can only be understood backwards; but it must be lived forwards. Life is not a problem to be solved, but a reality to be experienced.

Later added: These two famous quotes from an older more mature place in one’s life hold much wisdom.

When I was young, I admired clever people. Now that I am old, I admire kind people. — Abraham Joshua Heschel

I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel. ― Maya Angelou

WINTER HAIKU written by Ken for Sali his muse

February 11, 2014

Sitting with Sali on a cold winter Sunday afternoon at Parkview Care Center, looking out the window of her room at the powdered snow being blown off the white roofs in swirls. At one point, with the sun shining through in front of us, you could almost see a rainbow; only it was a snowbow! Made that up. We laughed. I had been in a rough mood, but what I saw, and the spontaneous playful art of composing a haiku, transformed me. The second and third lines came out first, and the first line last. I changed wind blows to winds blow to rhyme with snow. The rhythms, rhymes and meanings of the words sort of sound like what we saw. They’re powerful. Say them aloud a few times and see what happens. Sali seemed to like it. I love it! it’s fun! Here’s the poem.

WINTER HAIKU

The winter winds blow
Swirling whirling dervishes
Of powdery snow

© Ken Chawkin
Feb 9, 2014
Fairfield, Iowa

a new tanka: Dementia Blues

December 12, 2013

Dementia Blues
A tanka written after a holiday party at Parkview

Brain cell by brain cell
You’re disappearing from me
I’m alone again

How hard it must be for you
Disappearing from yourself

© Ken Chawkin
December 8, 2013
Fairfield, Iowa, USA

Related: An Unwanted Guest

The Curse of Dementia: On watching a loved one diminish before your eyes, poem by Ken Chawkin

Sitting with Sally: 5-haiku poem

Rage Against the Disease

Not the loss alone — a poem by Gregory Orr

October 22, 2013

Not the loss alone,
But what comes after.
If it ended completely
At loss, the rest
Wouldn’t matter.

But you go on.
And the world also.

And words, words
In a poem or song:
Aren’t they a stream
On which your feelings float?

Aren’t they also
The banks of that stream
And you yourself the flowing?

~ Gregory Orr ~

 (Concerning the Book that is the Body of the Beloved)

See two other poems by Gregory Orr from the same book:

Let’s remake the world with words

Concerning the Book that is the Body of the Beloved

 

New York poet laureate Marie Howe reads “Annunciation” to Krista Tippett On Being

September 22, 2013

New York poet laureate Marie Howe speaks with Krista Tippett about her poetry on the NPR show, On Being. Closing the interview, The Poetry of Ordinary Time, recorded In The Room, April 2013, Howe reads a poem in the voice of Mary, mother of Jesus, describing the Annunciation, which, her friend and mentor, Stanley Kunitz, said no one had ever gotten right. She wrote several versions, tore them up, and then this final one came through her.

Marie Howe said it had nothing to do with her. It just came through her, a reminder that the best poetry comes through us when we get out of the way. When we are emptied of our small self, “by being no one,” transcend our senses and turn within and are open to the higher Self, then that great creative force of Love within us creates, and the miracle of life, of poetry, happens. You can hear “Annunciation” by Marie Howe on SoundCloud. 

Thought this screen save from the video is most appropriate with the poster of Mother Mary holding the infant Jesus!

Marie Howe reads her poem Annunciation to Krista Tippett for On Being

Marie Howe reads her poem “Annunciation” to Krista Tippett for On Being

Annunciation

Even if I don’t see it again—nor ever feel it
I know it is—and that if once it hailed me
it ever does—

And so it is myself I want to turn in that direction
not as towards a place, but it was a tilting
within myself,

as one turns a mirror to flash the light to where
it isn’t—I was blinded like that—and swam
in what shone at me

only able to endure it by being no one and so
specifically myself I thought I’d die
from being loved like that.

This amazingly beautiful and profound poem can be found at 1:36:02 at the end of the interview, but she starts talking about it at 1:34:45. There are six audio clips of Howe reading her poems posted on SoundCloud recorded on March 16, 2003, at the College of Saint Benedict in Saint Joseph Minnesota.

On Being later recorded: Marie Howe — The Power of Words to Save Us.

Also see An Evening with New York State Poet Laureate Marie Howe.

This relates: David Whyte describes the mysterious way a poem starts inside you with the lightest touch. Whyte also uses a biblical reference, comparing poetic revelation to Lazarus walking to the light.

Enjoy reading: The Millions Interviews Marie Howe—Words Can Sustain and Save Us, published January 11, 2018, where Marie describes what the writing and reading of poetry has done for her, and what it can do for the rest of us. This Q&A particularly reinforces the point Marie Howe made to Krista Tippett when writing “Annunciation.”

TM: Do you think of writing as a spiritual act at its core?

MH: I do, because it involves a wonderful contradiction, which is, in order for it to happen, you have to be there, and you have to disappear. Both. You know, nothing feels as good as that. Being there and disappearing—being possessed by something else. Something happening through you, but you’re attending it. There are few other things in the world like that, but writing is pretty much a relief from the self—and yet the self has to be utterly there.

I know exactly what she means. I had a similar experience when “I wrote” ODE TO THE ARTIST: Sketching Lotus Pads at Round Prairie Park.

William Stafford in his poem, Rx Creative Writing: Identity, also writes about being open to “that bone light,” which “belongs inside of things.” And “You know so sure there burns a central vividness.” He reiterates this idea of being a recipient, a receptacle, and an attendant, a reporter: “It tells you; all you do is tell about it.”

In her poem, Mindful, Mary Oliver delights in the world around her, which leaves her “like a needle in the haystack of light. It was what I was born for — to look, to listen, to lose myself inside this soft world — to instruct myself over and over in joy, and acclamation.”

Oliver codifies this message in 3 short, powerful sentences in the 4th stanza of Sometimes, where she gives us “Instructions for living a life: Pay attention. Be astonished. Tell about it.”

Both poems are included in this post: Attentive to and delighting in her surroundings, Mary Oliver lived a life writing astonishing poetry.

Later added this article/interview by Kim Rosen for Spirituality&Health, Feb 16, 2014: Marie Howe: Holding the Silence. The acclaimed poet reflects on prayer, desperation, and letting go of what can’t be said. (PDF)

Newly added, Nov 2, 2022: What the Living Do—Marie Howe’s ‘letter’ to her brother—an elegy to loss and how she lives with it.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

Haiku of the Heart – for Sali

September 22, 2013

This past Thursday, September 19, 2013, turned out to be an early Full Moon night. For some reason I ended up visiting Sali 3 times that day, twice to drop off things. The first time I stayed with her as she and the other residents were going to be entertained by a country music band. Their gentle songs from the fifties brought back memories when I first heard them as a child. It was very relaxing and healing for us as we listened together. When I returned later that night to read to her, she was already in bed. I leaned in and looked closely into her eyes. We both started laughing out loud, with great joy in our hearts. While sharing this experience with a friend at lunch today, the day of the autumnal equinox, I spoke of experiencing an orgasm of the heart. She repeated that line, and said it was something special. I noticed it also had seven syllables and wrote it down. Later, when we all went out for a walk together, the rest of the haiku easily assembled itself. I shared it with her; it sounded powerful. She said it gave her goosebumps, from head to toe and back.

Haiku of the Heart
for Sali

♥ ♥ ♥

Such joy between us
An orgasm of the heart
Looking in your eyes

♥ ♥ ♥

© Ken Chawkin
Experienced Thursday, September 19, 2013, Full Moon Night
Written Sunday, September 22, 2013, Autumnal Equinox
Fairfield, Iowa, USA

I remember another joyful time Being with Sali, August 1, 2012, also on a full moon night: Capturing an authentic moment in writing.

On August 31, 2017 I posted this related entry: ‘In Our Loving Eyes’ a poem by @kenchawkin remembering a special love with Sally Peden.