A previous post dealt with poets and artists who were Touched With Fire and created unusually beautiful works of art. Their poems and paintings were thought to be fueled by madness rather than a uniquely creative gift, possibly combined with a type of manic-depression.
Claude Monet “Water Lilies” (1906) The Art Institute of Chicago
(Mr. and Mrs. Martin A. Ryerson Collection)
Lisel Mueller on Claude Monet’s vision
Here is a different twist on another kind of perceived abnormality. This poem’s title, Monet Refuses the Operation, leads the reader to believe that Oscar-Claude Monet, founder of French Impressionism, was in need of an eye operation because of the way he painted.
But Nobel laureate Lisel Mueller gives us a different take on what may have been clinically diagnosed as failing eyesight due to cataracts, for the growth of a more profound spiritual vision—a ripened appreciation of nature, and a deeper more unified understanding of life.
Monet Refuses the Operation
By Lisel Mueller
Doctor, you say that there are no haloes
around the streetlights in Paris
and what I see is an aberration
caused by old age, an affliction.
I tell you it has taken me all my life
to arrive at the vision of gas lamps as angels,
to soften and blur and finally banish
the edges you regret I don’t see,
to learn that the line I called the horizon
does not exist and sky and water,
so long apart, are the same state of being.
Fifty-four years before I could see
Rouen cathedral is built
of parallel shafts of sun,
and now you want to restore
my youthful errors: fixed
notions of top and bottom,
the illusion of three-dimensional space,
wisteria separate
from the bridge it covers.
What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and changes our bones, skin, clothes
to gases. Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
Source: Second Language (Louisiana State University Press, 1996)
The cataracts did cloud Monet’s vision, and hindered his perception, but he had reached a level of mastery that allowed him to paint with his heart. In the words of The Little Prince, “And now here is my secret, a very simple secret; it is only with the heart that one can see rightly, what is essential is invisible to the eye.” —Antoine de Saint-Exupery
Later in life, Monet discovered a different way of seeing and created a new way of painting. Another poet, William Stafford, wrote about youth and the mature artist in You and Art. The poem describes, in its own unique way, this spiritual transformation that takes place later in life.
You and Art
By William Stafford
Your exact errors make a music
that nobody hears.
Your straying feet find the great dance,
walking alone.
And you live on a world where stumbling
always leads home.
Year after year fits over your face—
when there was youth, your talent
was youth;
later, you find your way by touch
where moss redeems the stone;
and you discover where music begins
before it makes any sound,
far in the mountains where canyons go
still as the always-falling, ever-new flakes of snow.
In Mueller’s poem, these lines and conclusion hint at Monet’s expanded unified state of heart and mind: ‘to learn that the line I called the horizon does not exist and sky and water, so long apart, are the same state of being.’ and ‘how infinitely the heart expands to claim this world, blue vapor without end.’
The conclusion to this other poem by William Stafford, Something That Happens Right Now, reminds me of a similar unbounded perception: ‘but I would be everywhere, as I am right now, a thin tone like the wind, a sip of blue light—no source, no end, no horizon.’
Here is a collection of some of Monet’s paintings. See Water Lilies (1903).
Enjoy another beautiful poem by Lisel Mueller in this post: Lisel Mueller’s poetry offers us Hope.
Premiered last year at SXSW, with a theatrical run this spring, and now on DVD, Paul Dalio’s first full-length feature film, 
A friend loaned me a copy of Dewdrops on a Lotus Leaf, Zen Poems of Ryōkan, translated by John Stevens. A delightful little book, his poems are deceptively simple, yet go straight to the heart. A Zen master, 
The Uncarved Blog 