One of the first books of poetry I ever bought for myself was You Must Revise Your Life by William Stafford. It was part of The University of Michigan Press series of Poets on Poetry. His poems, essays and interviews on writing, teaching, and performing were a revelation!
I was discovering the writing process at the time and how to facilitate it, and found Stafford’s poems and his thoughts on the teaching of writing poetry to be very relevant. Here are a few that caught my attention: When I Met My Muse, You and Art, Ask Me, and A Course in Creative Writing.
I reread his poem, Rx Creative Writing: Identity, and decided to include it.
Rx Creative Writing: Identity By William Stafford
You take this pill, a new world springs out of whatever sea most drowned the old one, arrives like light.
Then that bone light belongs inside of things. You touch or hear so much yourself there is no dark.
Nothing left but what Aquinas counted: he—touched, luminous— bowed over sacred worlds, each one conceived, then really there—
Not just hard things: down on a duck as real as steel. You know so sure there burns a central vividness.
A writer is not so much someone who has something to say as he is someone who has found a process that will bring about new things he would not have thought of if he had not started to say them.
New York poet laureate Mary Howe’s experience captured in her poem, Annunciation, and her conversations with On Being’s Krista Tippett and The Millions’ Alex Dueben, reveal a profound understanding of how poetry vividly comes to and through us.
Mary Oliver’s poem, Messenger, was written in her own unique voice, but it must have been influenced by her favorite American poet, Walt Whitman. It’s a perfect poem to share for Thanksgiving, since her poetry is a thanksgiving for being alive in the world, appreciating every living thing in it, and singing their praises. “My work is loving the world…mostly standing still and learning to be astonished…which is mostly rejoicing…which is gratitude…a mouth with which to give shouts of joy.”
My work is loving the world. Here the sunflowers, there the hummingbird— equal seekers of sweetness. Here the quickening yeast; there the blue plums. Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn? Am I no longer young, and still half-perfect? Let me keep my mind on what matters, which is my work,
Doug Rexford sent me a link to an interview on The Sigurd Vedal Show. Sigurd Verdal is an American-Norwegian tech entrepreneur, successful multi-business owner, investor, and CEO of Vedal Media Group. Sigurd invited his TM teacher, Lakos Antal, on his show for a lively discussion on how to build a better life with Transcendental Meditation. The names of the host and his guest were unfamiliar to me, but as soon as I saw and heard the TM teacher speak, I recognized him as Tony.
Sigurd Vedal interviews Tony Antal:How to build a better life with Transcendental Meditation.
I had met Tony, as we knew him, and his friend Peter, around 20 years ago on an international TM course for men in the Blue Ridge Mountains of North Carolina. They were friendly young TM teachers from Hungary who had worked on international projects. Coincidentally, years later, Peter had become a student here at MIU, married a fellow student, had a son, and is now completing his doctoral thesis on a TM research study.
Tony had learned TM in high school when he was 15. Within 3 weeks he noticed it gave him added energy and clarity of mind. He was a straight ‘A’ student and was expected to follow his family’s tradition of becoming a medical doctor. During his first year of medical school Tony would come to realize that the medical profession only dealt with treating diseases, not preventing them.
Becoming a TM teacher instead of a doctor
After a year of medical college Tony felt it really wasn’t what he wanted to do with his life and followed his heart’s desire instead to become a TM teacher. Turns out it was the right decision for him. One of the things he did was give Introductory talks to medical students. Many of them started as they needed something to help them deal with the stressful challenges of their chosen profession.
Tony told Sigrud that when he was a student in Budapest, meditation was a foreign concept. Today, millions of people of all ages and backgrounds around the world have learned to meditate, including famous celebrities who praise the benefits of TM. With hundreds of scientific studies verifying its efficacy, TM is part of wellness programs and recommended by doctors to patients with high blood pressure and other stress-related diseases. TM has been shown to help veterans suffering from PTSD.
I emailed some questions to Tony and he said he taught TM to Sigurd in August. Since Sigrud has business ties to Hungary, the interview took place in his Budapest apartment. They had both tested negative for COVID before they got together. Sigurd shared how TM has helped him to maintain a more even perspective in stressful situations, and that he is now able to fall asleep without the aid of sleeping pills.
Sigrud asked Tony some practical questions prompting him to go into more detail, which he did by sketching his ideas out on paper. They also edited in graphs and animated sequences illustrating Tony’s points, as well as video footage of people meditating in different situations.
One story Sigrud really wanted Tony to share was his interaction with TM founder Maharishi Mahesh Yogi at the end of his TM Teacher Training Course. Based on Tony’s answer to a particular question, Maharishi suggested that he contact the president of his homeland, Hungary, with a solution to his governmental problems. Maharishi even gave Tony a message to relay to the president on his behalf! How such an improbable meeting could occur, and how the president would respond to the presentation and Maharishi’s personal message were beyond Tony.
Listen to how it all unfolded, halfway through their conversation. It reveals a fascinating insight into the workings of leadership and collective consciousness—the highlight of this discussion for me. Tony told me that the story about the president made him realize that the government is really just an innocent mirror of the collective consciousness of the nation, as Maharishi had taught us. He explained the mechanics of this concept to Sigurd in the podcast video.
This week, Nov 9-13, 2020, is ‘Jerry Fest’, a 5-Day free, Sneak-Peak Screening and Virtual Celebration of Veteran’s Day, honoring the life of Jerry Yellin with the release of a new documentary film, ‘Jerry’s Last Mission’.
Here is a press release that was sent out announcing this week’s activities: Ed Cunningham Announces David Lynch Foundation and Regnery History to Host ‘Jerry Fest’. 5-Day Virtual Festival Celebration of Veteran’s Day and WW2 Fighter Pilot will include free screenings of the Feature Documentary ‘Jerry’s Last Mission’ and Q&A sessions with the filmmakers.
The two virtual Q&A sessions take place on Veteran’s Day, Wednesday, Nov. 11 at 8 pm ET hosted by Regnery Publishing, and on Thursday, Nov. 12 at 8 pm ET hosted by the David Lynch Foundation. Both will include Yellin’s family, producers Ed Cunningham and Melissa Hibbard, and director Louisa Merino. Check the film’s website for zoom links.
When the Japanese bombed Pearl Harbor, a young Jerry Yellin signed up to become a fighter pilot. He flew P-51 missions over Iwo Jima, including the last official bombing raid of the war over Japan. He was the only one left in his squadron to survive. He returned home a hero, but suffered for decades from what is now known as PTSD. Thanks to his wife, Helene, Jerry learned the Transcendental Meditation (TM) technique, which transformed his life.
Decades later, when Jerry heard about the high rate of suicides among today’s veterans, he inspired the David Lynch Foundation to start Operation Warrior Wellness, which provided scholarships for veterans and their families to learn Transcendental Meditation.
So Jerry’s last mission was not only at the end of WW2, but also decades later during the latter part of his life, when he made it possible for American veterans of foreign wars to heal their PTSD by learning TM.
I posted many wonderful poems under this blog’s Poetry category. Also saved comments about poetry written by poets throughout the ages. These three made an impression on me years ago that I’ll share with you.
Hazrat Inayat Khan(1882–1927): The Music of Life,Poetry (pg. 327)
The one who reads poetry, the one who enjoys poetry, and the one who writes poetry must know that poetry is something that does not belong to this earth: it belongs to heaven, in whatever form one shows one’s appreciation and love for poetry, one really shows one’s appreciation and love for the spirit of beauty.
Yang Wan–li (1127–1206) Sung dynasty poet: What is Poetry?
Now, what is poetry? If you say it is simply a matter of words, I will say a good poet gets rid of words. If you say it is simply a matter of meaning, I will say a good poet gets rid of meaning. “But,” you ask, “without words and without meaning, where is the poetry?” To this I reply, “Get rid of words and get rid of meaning, and still there is poetry.”
Wei T’ai (5th Century BC) Chinese Song Dynasty poet and scholar
Poetry presents the thing in order to convey the feeling. It should be precise about the thing and reticent about the feeling, for as soon as the mind responds and connects with the thing the feeling shows in the words; this is how poetry enters deeply into us.
It’s sometimes serendipitous how one thing can lead to another while surfing the internet. I came across this tweet by Alicia Keys about her recent conversation with Sue Monk Kidd. They were discussing each other’s books. Alicia had just published, More Myself, and Sue, The Book of Longings. A previous book, The Secret Life of Bees, was made into a movie (2008). Alicia posted the podcast on her YouTube channel AliciaKeys.lnk.to/AKSMK.
Sue Monk Kidd is a novelist, essayist, and best-selling author. She has received wide acclaim for her books on feminine spirituality and theology. Her inspiring lectures explore the intersection of writing, creativity, and soul. I wanted to know more about this author and found an intriguing title to a talk she gave in Saint Paul at a Westminster Town Hall Forum. The live talk, Sue Monk Kidd: Life is a Story, was sponsored by SPNN on February 11, 2014.
Sue Monk Kidd (SMK) gave a profound talk about how she became a writer later in life, what the act of writing means to her, and how it can be used to shine a light on injustices, particularly with issues of women and race, giving readers a window into the lives of her female characters. Her spirituality is connected to justice and compassion. For her, one of the important purposes of literature is to enhance empathy, allowing readers to enter what Emerson called “the common heart.”
She mentions her favorite authors and books, and had stenciled some of their quotes on her walls, which informed her life and work as a writer. I transcribed some of her many inspiring comments from the talk. The hyperlinked phrases will take you to those segments in the video.
creativity and the writing life
Introducing the idea of creativity and the role of writing in her life, SMK says, “Well, creativity, I think, is essentially a spiritual experience, at least it is for me. I think it is a conversation that one has between one’s self and one’s soul. It’s not always a good conversation, but it is some kind of conversation.”
She then references the poet Rilke from Letters to a Young Poet, where he tells a young man who’s written him for advice: “So, dear Sir, I can’t give you any advice but this: to go into yourself and see how deep the place is from which your life flows; at its source you will find the answer to, the question of whether you must create. Accept that answer, just as it is given to you, without trying to interpret it.”
moments of being…a silence beneath my words
She reiterates this notion. “I think there’s a realm inside us. We could call it the inner life, or the interior life, or the life of the soul or something else. Merton often referred to it as the true self. And I think my 30-year old self was trying to start up a conversation with this place. What I suppose I have in mind here is a kind of contemplative experience. It’s very easy to lose touch with this part of ourselves, especially in our contemporary culture. I think we often feel, at least I do, besieged by life.
I think the world seduces us with an artificial sense of urgency sometimes. But the soul doesn’t move at the same pace as the world. The creative life doesn’t, at least mine doesn’t. I think it has a completely different slower pace about it.
So contemplative moments, I think, moments of being, help us, help me cultivate this life I’m talking about. I often say to myself that there must be a silence beneath my words. If there is not a deep silence beneath my words, then my words are probably empty.
the real power of literature
When asked what does she hope readers would take away from her work, she references what the female protagonists go through in her books. “My hope I suppose, if I had to articulate that, would be that readers would have a felt experience of what it’s like to be an enslaved person in the 19th century; or a white woman without any rights, with shockingly few rights; or what it’s like to be a 14-year old girl looking for home and belonging; or a woman adrift in the middle of her marriage; or a 50-year old woman trying to find the 3rd act. What does it feel like?”
“And I’m talking of course about empathy, which is taking an other’s experience and making it one’s own. I think that is perhaps the most mysterious transaction in the human soul. And I think it’s the real power of literature.”
empathy…the common heart…an intrinsic unity with all of humanity
While in college SMK studied Ralph Waldo Emerson, which is where she learned about his concept of “the common heart.”
“So I began by saying that, for me, creativity is a conversation with one’s soul. And I think in that sense maybe writing has been my longest prayer. But I also think, that in this sense that readers go to the common heart, that they can find their way into the common heart, a portal through a book, that reading becomes their prayer too.”
The most difficult part of writing for her is the solitude—the paradoxical need for it and the isolation that it brings. She describes her process. “I find that, I have to find, particularly when I’m writing, ‘a contemplative rhythm’. I like to refer to it as ‘conscious loitering’. Because loitering is really a good thing in a lot of ways. It’s just to, to be, without any purpose other than being within oneself. And this centers me; it grounds me. It allows me most of all, the time and place to have this conversation that I need to have with this deeper part of myself, or to go to that deeper part of myself and to listen.”
She tries to avoid social media. “I think listening is so important. I don’t know how to do that with all of this, you know, Twitter and Facebook, and all of this that is going on. It’s kind of a whirlwind, and I think our attention span is shrinking dramatically with it. And I’m about the long form. So it’s attention, actually, I think for many writers, and it is for me. And I kinda go back and forth in these worlds and try to navigate both of them and sometimes do both of them poorly.”
In a previous post, famous songwriters have said a similar thing about the need to be alone undisturbed where the mind can idle (loiter). Ideas come along, get fiddled with, and inspire lyrics turning them into songs.
fundamental to writing is the courage to find and believe in your self
“You know writing, as I said, is an act of courage. It’s about having something to say and the ability to say it. But the real thing is about the courage to say it at all. And it has to do with some sense of truth in one’s self, and finding that truth, and being willing to have an authentic conversation with it.”
“So I think I would say that, believe in yourself, but first of all find the self you want to stand by, and then believe in that self, because that’s fundamental to writing.”
