Spring Haiku Inspired by Radim Schreiber’s photos Pink dogwood flowers Delicate tender beauty Captured by the lens April 21, 2023 Fairfield, Iowa © Ken Chawkin
Related posts: Japanese culture: poetic aesthetics, artistry, and martial arts, inspired me to write haiku and tanka || Radim Schreiber captures the magic of fireflies in beautiful award-winning photos and films
In the previous post, I was impressed by what Brendan Graham said about being chosen for a song to go out into the world. “I had learned to keep out of the way, let the song write itself. … The truly special songs write us; we don’t write them. We don’t find them; they find us.”
The video clip concludes with him saying: “I am grateful to be merely the conduit, an accident of time and place through which something I don’t fully understand is given voice and is heard.”
This reminded me of some of my own experiences in the past writing certain poems. As he said, it was more like they wrote me. I just put them down on paper as they were being given to me. I was the conduit—the intrinsic reward. Here are 4 poems and how they came to be written.
ODE TO THE ARTIST Sketching Lotus Pads at Round Prairie Park
The first magical interaction I remember was with an artist friend. While driving around the Fairfield, Iowa countryside we noticed signs to Round Prairie Park. It turned out to be the first park the Jefferson County Conservation Board had developed. We drove on and found the entrance. A small historic schoolhouse on the left and a pond on the right were the first things we noticed. We continued on around the bend past the campsites and picnic tables to the end of the road and parked the car.
After a short walk, we discovered a bigger pond. It was filled with large lotus pads and pods. A drought that summer of 1988 had lowered water levels everywhere, including the pond. As a result, some of the lotus pads stood even taller. My friend pulled out her notepad and began sketching them. I asked her for a page and a pen. I made a few attempts at writing a poem about them, then gave up.
We spoke about The Secret Life of Plants and how they can sense what you’re thinking. She went back to sketching. I decided to switch perspectives—what I later learned is ‘reverse seeing’—and tried again. This time I felt a heightened awareness and quickly wrote down the words as they came to me. When it was over, I looked down and saw a poem on the page, but it was written in a voice other than my own. At that moment, a bird in the tree above me dropped a turd. It landed on my writing hand! A blessing from nature?
ODE TO THE ARTIST Sketching Lotus Pads at Round Prairie Park
Black lines briefly sketched on paper capture our appearance but not our essence. Your attention interests us, although others have never before. Your watchful eyes tell us we are apart of you. Can you feel our thoughts? Can you think our feelings? We do yours and we thank you for committing us to memory. For long after we’ve gone and transmuted ourselves back into nature our likeness will remind you that we were. And your response will touch our hearts.
I had entered the poem in a Sparrowgrass Poetry Forum competition that was announced in the local Fairfield Ledger and forgot about it. Eventually, the editor acknowledged receipt of the poem, which he appreciated, said it was in the competition, and had a question about the way I spelled ‘apart of’ in the last line of the second stanza.
I explained that I wanted to express both ideas of togetherness and separateness at the same time in the same sounding word—’a part of’ and ‘apart from’. A language professor friend suggested I italicize ‘a‘ and ‘of‘ to give it that appearance and meaning in ‘apart of you’. It felt right.
The following summer, a postcard in the mail told me to go to the Post Office to pick up a registered letter. I had no idea what it was about. When I opened it, the letter announced that I had won Sparrowgrass Poetry Forum’s Distinguished Poet Award, which included a $100 check. The plaque would be mailed in a few days. What an unexpected surprise! It also happened to be Guru Purnima Day 1989, making it extra special to me! I was so grateful for this honor and recognition, especially since I had been going through a challenging phase of my life.
I told the writer at The Ledger about it and she said to come in with the plaque. She interviewed me and they took a picture of me holding the award. She thought The Ledger would need permission to publish the poem and asked me to check with the publisher. He said I owned the rights to my poem and could approve them printing it in the paper. The article had already come out, so they published the poem the next day. These unexpected events were signs encouraging me to keep writing.
Sometimes Poetry Happens
The editor wanted a follow-up poem, which made me nervous since I felt I hadn’t really written that first poem. So, I thought about the dynamic between us and the lotus pads, wondering what had really happened between the two—the observer and the observed—from both sides.
When I put pen to paper, surprisingly, it flowed effortlessly, even blissfully. The middle part of the poem reiterated what Brendan Graham had said about the truly special songs—in my case, poems—finding us and writing us, not the other way around.
But, when I tried to make a statement, nothing worked. I gave up, let go, and lay down on the couch to take a break. In a few moments the conclusion to the poem composed itself in my mind. I quickly got up, went back to the kitchen table, and wrote it down.
It was written in such a comprehensive poetic manner. I never would have imagined such a perfect answer to the posed question of what had happened between the two. I explained that in a reply to an appreciative comment on the poem.
The editor was pleased to have received the poem and published it. Besides being a memory of what had been heard, the poem became a kind of commentary on the creative process, that, if we’re lucky enough, sometimes poetry happens.
Sometimes Poetry Happens (Sequel to ODE TO THE ARTIST) Some poets can write from reflected experience referring back to what was written. Others need to be there, in full view of their subject, opening up to what’s being given. Sometimes poetry happens between the two. It’s then you don’t really write the poem. It writes you! You just put it down on paper. When you see it there, You’ve captured it. Or, rather, it’s captured you. What really happened between the two? To explore that space between you and me is to discover who we are. For deep within, at the source of the gap lie the togetherness of the three— the seer, the seen, and the poetry … in between.
Being in Nature—a gift from a tree
Other poems would start with a seed idea, then grow and unfold while writing them down. One short poem resulted from a surprising interaction with a tree on the UBC Endowment Lands in Vancouver. I had moved back to Canada during the 1990s.
I was standing with an artist friend closely admiring the bark of a tree in front of us. The tree reciprocated the attention with a ray of words entering my heart-mind: “the realness of natural things, the nearness of you.” I immediately wrote them down.
The next morning, I looked at the two-line stanza wondering where it would go next. The poem answered my hunches and completed itself as I wrote it down in my journal. It felt like a collaborative process.
The repetitive end rhymes and number of syllables per line created their own matching patterns, like a little gem. The title would come much later, while thinking of the word ‘being’ as both a subject and a gerund.
Being in Nature a gift from a tree The Realness of Natural Things The nearness of you The Beauty that Nature Brings When seeing is true The Silence that Inward Sings When hearing is clear The Harmony Between all Beings It exists right here!
Indonesian Mystery Poem
This reminds me of the start of another poem that was given to me a few days after having arrived in Jakarta, Indonesia in early June 2000. I had joined our group there on a project. They told me to just rest (meditate and sleep) in my room for a few days to get over the 17-hour jet lag.
It was very early in the third morning, while I was still asleep, when I heard these words softly spoken in my mind: “He hides within the rock of three dimensions and cannot be found in this world.” I woke myself up and wrote them down. The rest was like taking dictation. I had no idea who or what the poem was about, so I titled it Indonesian Mystery Poem.
When I shared it with an older Indonesian gentleman on our team, he recognized the mythic Queen of the Southern Seas in the poem and told me about her. So did two expats, after I taught them to meditate. In a book on Indonesia I later bought for my son, I discovered the story about Nyi Roro Kidul and the annual celebration taking place at that time.
The leaders of our group—a Canadian and a Dutchman—had been invited by our sponsors to West Java for the holiday weekend. In the Samudra Beach Hotel where they were staying was a room with a shrine dedicated to the mythic queen featuring a portrait of her painted by a well-known Indonesian artist.
When I read the poem to the Dutchman, he shared a few unusual experiences that had happened to him while they were there—before and after meditating in that hotel room, later when swimming in the ocean, and before they left. It’s all in the post of the poem, with various paintings of the queen.
Indonesian Mystery Poem Honoring Nyi Roro Kidul Queen of the Southern Seas He hides within the rock of three dimensions and cannot be found in this world When night comes she rises like a moon to shine her light upon the mountain The sea dances rising and falling like a lover in her arms What pull does she have on his life as she looks for a partner to dance with The moon bows before the rising sun and he is left breathless
All these confirmations made me feel grateful, as if I had been chosen as a conduit, but for what purpose I did not know. Maybe, as Brendan Graham said, “through which something I don’t fully understand is given voice and is heard.”
The Indonesian poem was mentioned in an interview I did with TM Home. They included the first two poems and how they were written in their profile: PR to poetry – how things sometimes happen to Ken Chawkin.
Postscript
Talk about being a conduit in a poetic way, B. Nina Holzer’s final entry in her journal shows us how she is an innocent instrument for writing.
EVENING One day I walked on the mountain and the flute song went through me. That’s all. I became the reed and the wind went through and I wrote it down in my journal.
I recommend her book—A Walk Between Heaven and Earth: A Personal Journal on Writing and the Creative Process—to anyone interested in wanting to express themselves in writing. I found it very inspirational.
In a post following this one, newly appointed U.S. Poet Laureate Ada Limón describes what Ranier Maria Rilke reveals can happen if you give yourself fully over to a Thing, how it can respond if your attention is completely devoted to it.
An earlier post discusses negative capability, reverse seeing, beauty & the desire for transcendence & unity in life & poetry.
Added Nov 2, 2022: What the Living Do—Marie Howe’s ‘letter’ to her brother—an elegy to loss and how she lives with it.
— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.
Many years ago, at a local bookstore I used to frequent, I came across a profound little poem on a poster with a beautiful image from nature. The name of the poet, Kiyo, appeared under the poem. It may have been the first type of Japanese poetry I’d ever read, in English translation of course. I had discovered haiku—a 3-line poem of 5-7-5 syllables respectively. I had written it down and recently found it. Here it is.
Softly unfolding,
Beauty awakens each heart
to wonder … to life.
I’d never heard of Kiyo. Did a search and found Ungo Kiyo (1582–1659), a Japanese Rinzai Zen master and poet. Couldn’t find any more poetry, just a quote on enlightenment in an antique book of calligraphy.
Even though we can’t adequately translate haiku into English due to the syntactical differences of a pictorial language, an important aspect of it was explained to me by a Japanese TM teacher I had met on an international course. Haiku was part of his educational upbringing. They usually have a seasonal reference. To be effective, the first 2 lines describe something in nature, but the 3rd line brings in another element that causes the mind to skip a beat, have an ‘aha’ moment of realization.
Kiyo’s beautiful short poem inspired me to start writing haiku and then tanka, a 2-stanza poem combining haiku with 2 lines of 7 syllables each. The second part would continue the theme of the first part, but give it a slightly new angle. In olden times, the Japanese court poets used to compete with each other in rounds of tanka called renga, linked verses.
I wrote my first haiku after a walk-and-talk about relationships with a lady friend. I noticed a furry caterpillar crawling on the ground. It became the metaphor for a poem on commitment and spiritual transformation.
Caterpillars spin
increments of commitment;
Butterflies fly free!
I wrote many haiku and tanka over the years. I even wrote Haiku on The Nature of Haiku, which was very meta. These first 4 haiku—Defined, Discovered, Transformed, Translated—were among the 13 Ways to Write Haiku: A Poet’s Dozen, published in The Dryland Fish, An Anthology of Contemporary Iowa Poets.
Five Haiku, selected from The Dryland Fish; Cold Wet Night, a tanka; and Poetry—The Art of the Voice, a poem; were published in This Enduring Gift—A Flowering of Fairfield Poetry. The University of Iowa’s “Iowa Writes” program also published Five Haiku on The Daily Palette.
Defined
3 lines, 2 spaces,
17 feet to walk thru;
then, the unending
Discovered
a poem unfolds
as words take their place in line
this one’s a haiku
Translated
(Inspired by Gareth Jones–Roberts’ painting “Egrets in Morning Light”)
on the edge of space
two egrets in morning light
woken from a dream
I recently came across a poem I had written a while ago, but never posted it. A photograph of cranes flying in a snowstorm inspired this Japanese Haiku.
Three Japanese cranes
Soar above trees in snowstorm
Grace under pressure
I discovered other aspects of Japanese culture, which inspired tanka poems. Click on the titles below for more information and images.
The first is about kintsugi, the Japanese art of repairing broken pottery with gold or silver lacquer thereby making it appear more beautiful than the original. Robert Yellin had tweeted an image of a repaired bowl to show this art, which is how I discovered it.
kintsukuroi
turning obstacles into
opportunities
life’s lessons build character
what was broken is now whole
The Japan Ministry of Foreign Affairs selected Robert to introduce Japanese craftsmen to the world in a special documentary, Takumi: Japan’s artisan tradition. Because of his expertise, Robert became a cultural ambassador. His film inspired people from all over the world to visit the country, and helped boost Japanese tourism.
How Robert ended up in Japan is revealed in the documentary film, Jerry’s Last Mission, about his father, Jerry Yellin, who was the last WWII fighter pilot, an author, and proponent of TM for veterans with PTSD.
On a visit to see my son in California, I wrote this tanka after watching his Aikido teacher demonstrate how to defend oneself from attack. She stood in one spot and effortlessly deflected the repeated charges from her students. It was mesmerizing! It took me a while to process what I had seen before writing the poem. I had emailed it to my son to read to her on her birthday. A volunteer at the dojo found the poem and posted it with a photo of a leaning tree as a screensaver on the office computer. It’s beautiful. Click the title and scroll down to see it.
Rooted to the ground
She repels her attackers
Flowing, not moving.
In storms, trees bear great burdens
Bending, not breaking.
Speaking of trees, this tanka is from the perspective of a willow tree. Click the title to see a photo of a special one, and links to audio clips of me reading the poem on different media platforms.
Willow Tree
An Overflowing Fountain of Green
Willow Tree Whispers
People say … Weeping Willow
But I’m not crying
Just bowing down … to the Earth
Kissing the ground … with my leaves
Another tree tanka resulted when I saw the willow that inspired the previous poem, and the honey locust next to it, intertwined on top! They were on each side of the entrance to the place I was living in at the time.
Trees like to hold hands
Bending branches to link leaves
They forge deep friendships
Swaying with the wind—they dance
Under the moonlight—romance
When it comes to a committed relationship, this two-haiku poem turned out to be prophetically true.
when the tide rolls in
bows of boats bump each other
tethered to the dock
with our ups and downs
we remain tied together
solid as a rock
© Ken Chawkin
See more haiku and tanka archived on The Uncarved Blog.
Jane Hirshfield’s 29-page essay about the life and poetry of Matsuo Bashō—recognized as a master of concise, compelling Japanese haiku—is worth reading. The Heart of Haiku was named “Best Kindle Single of 2011.” It was the first Kindle I ever bought, and described it in a post, Haiku on The Heart of Haiku, with links to interviews and more.
Author and translator Harold Stewart‘s essay On Haiku and Haiga in A Net of Fireflies: Japanese Haiku and Haiku Paintings, was very edifying.
This classic was recommended to me: Unknown Craftsman by Soetsu Yanagi. I see it’s been updated and illustrated by Bernard Leach and Soetsu Yanagi: The Unknown Craftsman: A Japanese Insight into Beauty.
Although not Japanese, Creativity and Taoism: A Study of Chinese Philosophy, Art, and Poetry by Chang Chung-yuan was also worth reading. A 2nd Edition is now available. I reference the Taoist concept of the uncarved block explaining How The Uncarved Blog got its name.
You may also find this post from nine years earlier also interesting: Singing Image of Fire, a poem by Kukai, with thoughts on language, translation, and creation.
And this later post: Hokusai says—a poem by Roger Keyes—inspires us to notice, to feel, to care, to live fearlessly, fully.
— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.
December 29, 2020, my son Nathanael emailed to say he was planning to go offline and take some downtime to close out this crazy year. I sent him this haiku, and he replied: GOOD MEDICINE. I used it as the title.
Good Medicine Haiku
Trust inner feelings
Let go; settle in silence
Honor your essence
© Ken Chawkin
So if you’re wanting to forget 2020 ever happened and are looking to refresh for 2021, think of this Good Medicine Haiku as a prescription to take a much-needed, guilt-free time-out. Try a digital diet, meditate, go within—take quality time for yourself. We owe it to ourselves. Peace out.
Here’s a little backgrounder on this poem, which I wrote around 20 years ago while on a course at Heavenly Mountain in Boone, North Carolina. The first part was originally just a haiku. It was a fun way to point out the need to increase awareness as a preparation to write. Years later, an idea presented itself extending the metaphor to its logical conclusion. The phrase, taken literally, was an unexpected surprise, along with the irresistible pun. I added them as a hoku, completing the poem, transforming it into a tanka on writing. Enjoy reading “Preparing to Write.”
PREPARING TO WRITE
a tanka on writing
.
Railroad Crossings Are
Places To Become Aware—
STOP! LOOK! And LISTEN!
.
If you hear a train of thought
You’ll know you’re on the write track!
.
© Ken Chawkin
.
Also see Haiku On The Nature of Haiku.
We often hear about the the benefits of being in nature. I remembered an experience I had with a tree when I went for a winter walk with a friend on the University Endowment Lands in Vancouver during the mid-1990s. I’ve now updated that blog post with what had happened and how a poem came to be written around 25 years ago. The post contains links to other poems written about trees, and advice from Mary Oliver.
We often hear about the the benefits of being in nature. I remembered an experience I had with a tree when I went for a winter walk with a friend on the University Endowment Lands in Vancouver during the mid-1990s.
I stopped in front of a particular tree to admire its intricate bark structure up close. I felt a ray of loving attention come from the tree into my heart-mind with these words: “the realness of natural things, the nearness of you.” It was an unexpected intimate experience and I quickly wrote the words down for further exploration. The next morning, I rewrote them as a two-line stanza, and then sequential stanzas naturally unfolded sharing its wisdom. It was as if I had been given a creative seed and it sprouted into a poem.
This gift from the tree was much appreciated. The experience reiterated what Mary Oliver described in…
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The perception of time is strange. Memories of certain events remain with us long after they’ve gone. They become part of our story. I still remember a unique experience I had over 20 years ago. I found the poem I had written about it trying to understand what was happening at that time. But first, a backgrounder on what led up to it.
Saturn (Shani) was exerting its influence during an Antardasha, or sub-period. I was also in the last third of a 7.5 years-long period of Shani influencing my Moon (Chandra), which governs the mind and emotions. It is a challenging time known as Sade-Sati in eastern astrology. We go through this transit at least once or twice during our lifetime. The texts say that “persons under this influence are betrayed in their financial, personal, social and marital matters.” I often recalled what Nietzsche said about life’s suffering: “That which does not kill us, makes us stronger.”
My life wasn’t that bad, yet I had been under a lot of different pressures going nowhere. I was given the opportunity to join the Maharishi Purusha Program. It was something I had thought about, but life’s decisions had taken me in other directions. I reconsidered my current situation and decided to give it a try.
At one point the Maharishi Jyotish office offered astrology readings and recommended remedies for what might be coming down the proverbial karmic pipeline. This was something I had always wanted to do but could never afford to. Since I was on this special program for single men, the cost for the reading and remedy was more within reach. The main recommendation was to have a double level Maharishi Yagya done for both Shani influences. I decided to go for it, not knowing what to expect.
While an ancient Vedic performance was being conducted in India, I was feeling something in North Carolina! The experience was abstract, yet so real! The only way I could make any sense of it was to put it into words. This poem came out and surprisingly defined the moment for me.
Awake Before The Dawn
Another sun has risen
this morning
not one of light
but of wakefulness
I find myself
strangely silent inside
not feeling anything
but lightness
So this is what it’s like
to be alive
awake at last
to the Dawning of Eternity
Written on Saturday, July 10, 1999
In honor of my Shani Yagya
Ken Chawkin, SCA, Boone, NC
Aside from what Nietzsche said, having that Yagya and being on Purusha helped lighten the karmic load considerably!! Eleven months later I volunteered for a project and found myself in the exotic land of Indonesia. An unusual experience greeted me there early one morning. I woke myself up to write down this Indonesian Mystery Poem.
Interestingly, during that year abroad, I would spend time in 5 different countries: Indonesia, Singapore, Malaysia, India, and Australia. I later discovered that when I left Boone to travel to Jakarta, Jupiter (Guru) had started a 13-month transit across my 12th house, which indicated a loss of homeland. Amazing how this all works!
I’m currently undergoing a Maharishi Yagya for an upcoming major Mars period, Mangal Mahadasha. It brought up memories from that time at the Spiritual Center of America where I wrote this poem and the journey that would later unfold. Another incredible story that would take volumes!
I found a beautiful painting on Colossal by Vietnamese freelance illustrator Xuan Loc Xuan. Titled, Walking Lily, it is also posted on her Instagram page. Her work is available at Toi Art Gallery.
“Life creates art while art changes life.” – Xuan Loc Xuan
Xuân Lộc Xuân was born in Vietnam. Her name means “Spring.” She lives and works in Ho Chi Minh City, Vietnam. Xuan Loc Xuan studied Fine Arts at HCM University, the biggest art school in the south of Vietnam. She’s been working as a freelance illustrator for several years. She uses traditional and digital tools to draw. Her designs tend to be minimalistic and the use of color is a main factor in her artworks. For her, “life creates art while art changes life.”
Independent journalist & editor of The Floating Magazine/TFM Studio, Payal Khandelwal interviewed Xuan via email. She introduces her: Xuan Loc Xuan dresses up melancholy in vibrant colors in most of her artworks, and the results are breathtaking. Having grown up as an introvert child in a large family, Xuan always felt an inherent sense of loneliness and sadness. And the essence of those feelings drips down into most of her work. Her subjects are always shying away from the audience. They are either glancing sideways or have their back to the world, and are always lost in their own thoughts. Most of Xuan’s work also has a very ethereal feel to it. Read the interview: People: Xuan Loc Xuan.
This is a magical, mystical image. I love the various shades of green in the picture, their textures, especially the girl’s dress, the different colored flowers. She appears contemplative, in her own world. This work holds an otherworldly, timeless silence. I found a companion piece, Water Lily, of a boy sleeping among the same water lilies, or lotuses.
Lily could be the girl’s name and/or the lilies, but these are lotuses. Their larger pads and flowers rise high above the water, whereas most water lilies, pads and flowers, float on the water, with some flowers rising a few inches above it. Maybe the word means the same for both in their language, but these are different species.
I learned that distinction over three decades ago in the fall, when a friend and I encountered many tall, large lotus pads and pods at the second Round Prairie Park pond in Fairfield, Iowa. There had been a drought that summer, and many stood high above the lowered water level. She began sketching them, and I attempted to write about the process in a poem as an observer. After several attempts, I gave up, switched perspectives, and surprisingly, the poem wrote itself; we had become the observed! You can read the poem and more about what happened afterwards in Ode to the Artist Sketching Lotus Pads at Round Prairie Park.
I submitted the poem to a poetry competition at Sparrowgrass Poetry Forum and forgot about it. Much to my surprise, on a very special day, I found out by Registered Mail that I had won their Distinguished Poet Award, which included a $100 check! They mailed the plaque separately, published the poem, and sent me a copy of Treasured Poems of America, their anthology, which contained my award-winning poem.
The editor requested a follow-up poem. The only thing I could write about was that mysterious, creative interaction that took place between us and the lotuses. He published Sometimes Poetry Happens in their next issue. Those experiences gave me the confidence to keep writing, and a flood of poems continued to flow from me, for which I was very thankful.
I like Walking Lily so much I ordered a large print of it to hang in my entrance way on the wall above the small antique green cabinet. I was given a 20% discount on my first order and free shipping, a nice surprise!
Another beautiful artwork is of a stunning sunrise or sunset in “A Fjord” painted by Norwegian artist Adelsteen Normann.
Xuan Loc Xuan later posted a new painting on her Instagram called Ocean Blue. It would make for a nice companion piece to Walking Lily. Both girls appear in magical realms where nature and imagination live together in one seamless reality. I love it!
Donna Warwick posted this digital painting on her Instagram artsfusionist: “Happy Valentines Day Everyone ! I Love Hue!”
Good homonym! This is so vibrant, like a beating heart! Can you feel it?
Hope you all enjoyed a Happy Valentine’s Day. Whether you were with someone or by yourself, Love Is Love. I emailed most of this content below for Valentine’s Day and decided to post it afterwards with some additions.
For those alone, here is an uplifting poem reminding us to love ourselves: Love after Love, by Derek Walcott, resonates deeply when you first acknowledge yourself. Includes videos of him reading his poetry.
For those sharing love, [i carry your heart with me(i carry it in] by E.E. Cummings is a most beautiful poem about the intimate unity of the lover and the beloved within his heart.
And Emily Dickinson succinctly describes the eternal nature of Love in this short but powerful poem.
Since it was Valentine’s Day, again, I thought I’d mention last year’s post. The audio links have been updated: Dan Fogelberg’s song, Longer, and my 3 love poems complete today’s Valentine’s Day Show. The poems were written for and inspired by my muse and sweetheart Sali. The first two were written earlier in our relationship, the last one after she passed.
When it comes to art, one artist stands out for me—Marc Chagall. The love for his wife is expressed in his art; his art expresses love in color. He says, “In our life there is a single color, as on an artist’s palette, which provides the meaning of life and art. It is the color of LOVE.”
In our life there is a single color, as on an artist’s palette, which provides the meaning of life and art. It is the color of LOVE. — Marc Chagall
This blog post contains the Canadian documentary film, Marc Chagall: The Colours of Love, and 2 short videos. They cover his life and work, and the love of his life, his muse and wife, Bella. Marc Chagall’s paintings contain beautiful colors of love and a joyful floating lightness of being.
These images are from those films: closeups from an early painting of Chagall’s then fiancée Bella Rosenfeld; of Bella and Marc Chagall in Les Amoureux [Lovers] (1928); and in L’Anniversaire [The Birthday] (1915).
The Chagall documentary ends with these words about the poet-artist: “He has painted the unity of the universe in all things. His song of songs is really a song of love, like a bouquet of flowers. Marc Chagall’s light, his message, his life, has been a gift to us all.”
May Love Always Be—within and among us expressed in poetry and art.
These 4 short lines by John O’Donohue describe how he lived his creative life—amazed by each revelatory moment, turning them into poems.
I would love to live
Like a river flows,
Carried by the surprise
Of its own unfolding.
— John O’Donohue
Enjoy 3 more of his lovely poems: A Blessing of Solitude (Anam Cara: A Book of Celtic Wisdom); The Inner History of a Day and For a New Beginning (To Bless the Space Between Us: A Book of Blessings).
Mary Oliver lived her life that way: “To pay attention, this is our endless and proper work,” and put it into a 3-line poem, Instructions for living a life: Pay attention. / Be astonished. / Tell about it.
William Stafford expressed the same notion in his talks and poems of being innocent, spontaneous, and responding creatively in the moment: A Course in Creative Writing, You and Art, and When I Met My Muse.
This poem my son wrote when he was in 6th grade epitomizes this idea: INSPIRATION, a poem by Nathanael Chawkin.
These poems I wrote on the process share in that same sentiment: Writing; Storytelling; and Sometimes Poetry Happens, which turned out to be a commentary on this revealed poem, ODE TO THE ARTIST: Sketching Lotus Pads at Round Prairie Park.
In our efforts to fluently express ourselves, writing, primarily, is a process of self-discovery. Burghild Nina Holzer says journal writing allows us to discover who we are and what we have to say.
Talking to paper is talking to the divine. Paper is infinitely patient. Each time you scratch on it, you trace part of yourself, and thus part of the world, and thus part of the grammar of the universe. It is a huge language, but each of us tracks his or her particular understanding of it.
WHO ARE YOU?, a poem in the film, Words and Pictures, invites us to write and discover who we are. There’s a fascinating story behind it.
In the words of Donald Hall, “Writing is the process of using language to discover meaning in experience and to communicate it.”
In this collection of Writers on Writing–What Writing Means To Writers, Hall also wrote:
A good writer uses words to discover, and to bring that discovery to other people. He rewrites so that his prose is a pleasure that carries knowledge with it. That pleasure-carrying knowledge comes from self-understanding, and creates understanding in the minds of other people.
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