Archive for the ‘My poems’ Category

potted purple petunias poem @kenchawkin pays homage to @W_C_Williams’s red wheelbarrow

August 2, 2017

Norman and I get into my car parked across the street from Thai Deli where we just had lunch. It’s hot so we wait for the AC to kick in and cool down. He points out the beautiful petunias on the sidewalk in front of us. They’re purple, planted in pots, and placed on both sides of a doorway. Playing with the ‘p’ sound, I come up with a line that has seven syllables in it. I’m reminded of The Red Wheelbarrow by William Carlos Williams and think of a similar opening. Noticing the backdrop, I finish the last line of the haiku. Coincidentally, I later discover it has the same word ‘white’ in it. I return the next day to take this photo to go with it.

potted purple petunias

Potted Purple Petunias Poem
Haiku in Homage to William Carlos Williams

there’s something about
potted purple petunias
by a white brick wall

©Ken Chawkin
July 31, 2017
Fairfield, Iowa

For Us—a tanka honoring Sali and what we shared

June 30, 2017

Sali with MaharishiHere is a picture of Sally Peden showing Maharishi a photo that may have been taken during their trip To Jyotir Math with western scientists in the spring of 1975 to tell the Shankaracharya about the Dawn of the Age of Enlightenment. I think it was a picture of the 2,500-year-old banyan tree under which Adi Shankaracharya used to meditate. She had a blurry one of Jerry Jarvis sitting under the tree, but I never saw the framed photo.

Kenny & Sally in Columbia 2007This photo was taken in late May, 2007 at Sali’s step-mother, Petch Peden‘s house in Columbia, MO. I never would have imagined sharing a loving relationship with such a pure, brilliant devotee who had worked closely with Maharishi for so many years. There was obviously a very deep level of recognition between our souls. How else could such a thing have happened?

Sally+Ken bldg opening

At inauguration of Veda Bhavan May 27, 2003

These words, “We’re buddies,” had come into my head when we were introducing ourselves at MUM (another story) around 10 years after we had first met in Washington, DC, summer of 1993, but had both forgotten. She had registered some of us at a large group meditation course there.

Years later, not long after she had to move into Parkview Care Center (January 19, 2010), I recalled that incident during one of my visits, and reminded her of it. I also shared the two thoughts that had entered my mind at the time, when she walked up to me to ask my name and check it on her list. I never forgot them—Too bad I just got married (again); Too bad she’s on Mother Divine. She paused, remembered it too, and smiled. What a surprise for both of us!

A Jyotishi, Indian astrologer, who came to town with ancient palm leaves, told us of our past lives together. He said we shared a deep bond of friendship and spirituality, this was a karmic repayment, I was now going to fulfill the promises I had made to her in ancient Vedic times, and that she should be with me at all times—her life depended on it. Many adverse situations would spring up over time to test that bond, but I was there for her, right up to the end, and beyond.

Adversity—she experiencing and me watching the challenging changes she would go through in her mind and body due to Dementia—drew us even closer together. I lovingly cared for her, and experienced joy when we were together, even as I continued to grieve and worry about her when we were apart. It also fulfilled a lifelong desire to experience what devotion, spiritual love, was about. It was transforming, to say the least!

I joked that she was making me look good because her friends were calling me a saint, and we both laughed. Early on, when she was going through neurological imbalances that affected her mental stability, I remember saying, “It’s so intense, Sal, what you’re going through, but look at it this way, you must be burning off a lot of karma; you’re evolving quickly.” She looked up at me and quipped, “Hello? So are you!” And we both cracked up laughing. She was my little munchkin.

Sali never lost her sense of humor. Years later, when she could no longer speak, she would still smile and giggle, bringing joy to some of the nurses and aides who looked after her. Her inner nature remained the same; it was always uplifting to be with her.

It will be 9 months on July 1st, 2017 since my sweetheart passed. Sali was a fellow devotee on the spiritual path, my best friend and muse. I have written many poems for, about, and because of her. Most of them are on this blog. They trace a lot of what we went through together. As difficult as it was at times, I would not change any of it.

Our friends would often say how lucky she was to have me in her life, but I always told them I was the lucky one. We both acknowledged the blessing we were given—loving each other at that transitional time in our lives. It’s summed up in this Haiku for Her, repeated here with the hoku from The Rare Gift of Love, now put together in a new tanka.

For Us
A tanka honoring Sali and what we shared

You gave me a taste
Of true Love and Unity
For Eternity

What we shared was glorious
A Gift from God and Guru

Jai Guru Dev

© Ken Chawkin
June 30, 2017
Fairfield, Iowa

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Cliffhouse and Arbutus blossoms inspire haiku by Ken Chawkin and paintings by Betsy Randel

May 15, 2017

Today, I posted this haiku and the story behind it with these images on a website page about Arbutus Tree blossoms. I kept expanding and refining the story and decided to post it here as well. It’s approved and ready to be shared: Arbutus Flower Inspires Haiku.

The Cliffhouse Cottage deck

About 20 years ago, a friend of mine took me on a holiday weekend getaway to Galiano Island. We stayed at The Cliffhouse Cottage. It was beautiful there! I remember sitting on the deck at dusk looking out over the tranquil ocean. Everything was completely still. Quiet. I heard a small sound, like something had fallen from somewhere, and wondered what it was. I bent down and found a small white flower beside my chair. It resembled a tiny bell. I then looked up and saw a cluster of flower blossoms in the tree above me. My friend said it was an Arbutus Tree. That experience inspired this haiku.

Cliffhouse Deck at Dusk

Tiny bells call me
Arbutus blossoms falling
Sounding the Silence

© Ken Chawkin

The poem was later included in a grouping titled: 13 Ways to Write Haiku: A Poet’s Dozen, and published in The Dryland Fish, An Anthology of Contemporary Iowa Poets, December 12, 2003.

Galiano Island Art Cards by Betsy Randel

My friend, Betsy Randel, made these beautiful watercolor cards of the Arbutus Tree and Cliffhouse. You can see them, and more, with related poems, in the Island Life Art Cards section of her website, Art that Heals.

Growth, a spontaneous haiku/tanka @kenchawkin

April 11, 2017

Here’s a little poem that came about as I was waking up on a Saturday morning, April 1, 2017. Around 7:15 a.m. CT, I reached for my journal and started writing it down. It took about 3 minutes. I had been thinking about life and how we all go through a series of lessons, a process of self-realization, whether we know it or not, and this poem started forming itself in my mind, first as a haiku, and then extended to a tanka.

Growth
A spontaneous haiku/tanka

Whatever happens
to and by you is also
happening for you

Everything is a lesson
for you to learn and grow from

© Ken Chawkin

Celebrating Poetry Month with one of my poems, Poetry—The Art of the Voice, and what inspired it

April 10, 2017

Since 1996, the Academy of American Poets have designated April as National Poetry Month as a way to increase awareness and appreciation of poetry in the United States. Since 1998, National Poetry Month has also been celebrated each April in Canada. Being a Canadian living in the United States, I have 2 reasons to celebrate it with a poem I wrote on the subject 17.5 years ago. I’d also like to share what inspired me to write it.

One morning, while recuperating from a cold in my room, I had been listening to the Diane Rehm Show. At the end she announced her guest for the next day, Bill Moyers, who would talk about his latest poetry project. I tuned in and recorded it on Tues, Oct 05, 1999, 10-11 a.m. ET.

In that episode of the show, Moyers discussed his upcoming PBS poetry special: Fooling with Words with Bill Moyers, the result of a visit to the Dodge Poetry Festival, which featured readings by US Poet Laureate Robert Pinsky and other leading poets. He also mentioned his accompanying book, Fooling With Words: A Celebration of Poets and Their Craft (William Morrow). You can actually see Part One and Part Two of Fooling With Words, produced by and archived at Moyers & Company.

Moyers mentioned that television lends itself well to the human voice reading poetry. He said, “Poetry is music for the human voice,” but what really made an impression on him was watching “people listening to poetry.” His cameras focused in on both the poets reading their poems, and members of the audience listening attentively.

What Bill Moyers said about this dynamic caught my attention: “Poetry is reflected in the face of the listener, in the eyes, and in the intensity of the listener’s response. It’s like a mirror to the poet’s own face. And you watch these faces and you really see that poetry is sinking in, and meeting an audience in that individual listener.”

Diane and Bill then invited 3 poets on the show to read a poem and explain how they came to write it: Marge Piercy, Mark Strand (16:44), and Jane Hirshfield (32:57). After listening to the ideas and images expressed in the conversations and poems, I was so inspired that I wrote a poem about it called: Poetry—The Art of the Voice.

Poetry—The Art of the Voice

How fine will your breath become
from listening to these words?
How soft will they seem to be
as they settle through the mind
like silent snowflakes falling
from a windless winter sky?

I often marvel at the mystery—
how words can work
on a listener’s heart and mind,
upon hearing a poet’s thoughts,
a poet’s breath, flowing
from an inner voice—

a windless wind, speaking
through a voiceless voice.

© Ken Chawkin

Years later, when Freddy Fonseca put out a call for poems from Fairfield poets for This Enduring Gift-A Flowering of Fairfield Poetry (2010), I sent it in along with some other poems.  At Freddy’s suggestion I changed one word, which caused me to refine it even more, taking it to the intended level. He published it, five haiku, and a tanka, and later selected it as POEM OF THE DAY: Poetry – The Art of the Voice, by Ken Chawkin.

Over the years, Bill Moyers has welcomed some of America’s best poets to share their works and inspiration. Many of those writers have performed at the Geraldine R. Dodge Poetry Festival, which Bill and his colleagues covered for television specials including Fooling with Words (1999), The Language of Life (1995) and Sounds of Poetry (1999). Enjoy Poets in Performance, a showcase of such poetry from past and recent productions from Moyers & Company, performed by the poets who dreamed them up, or by other artists who, like Bill, simply adore poetry.

The film Arrival asks: If you could see your whole life from start to finish, would you change things?

March 12, 2017

The main question posed in the 2016 sci fi film Arrival is, If you could see your whole life from start to finish, would you change things?

Arrival (2106)

When mysterious spacecraft touch down across the globe, Colonel Weber (Forest Whitaker) recruits Dr. Louise Banks (Amy Adams), a renowned linguist, and Dr. Ian Donnelly (Jeremy Renner), a theoretical physicist, to try and communicate with the Aliens and find out why they have landed on Earth. Dr. Banks races against time to decipher their intent. As tensions mount between fearful governments, she discovers the Aliens’ true purpose and, to avert global war, takes a chance that could threaten her life, and quite possibly humanity. This mesmerizing masterpiece has a mind-blowing ending that will leave you wondering what happened and how.

That’s the external story, but the essential message of this movie is more internal. It’s about love, determinism and choice.

Based on the award-winning science fiction novella, Story of Your Life, by Ted Chiang, it was convincingly transformed into a screenplay by Eric Heisserrer. Having read the book and been moved by it, director Denis Villeneuve wondered how it could be turned into a science fiction film, a genre he had been thinking about for years. When he received the script he decided he finally had to make this film, but with Amy Adams in the lead as Dr. Louise Banks. Even though she was taking a break from filmmaking, after reading the script, she was in. Everyone involved with making the film read the book and loved the story.

In the opening scenes we learn that Professor Louise Banks is losing her daughter Hannah to a rare disease. As a child, Hannah asks her mother how she chose her name. Louise tells her she has a special name, because it is a palindrome. It’s spelled and read the same way, forwards and backwards.

This is a clue that may help you make sense of certain events in the film that appear as flashbacks. Or are they flashforwards? Yet, in retrospect, it’s not the beginnings and endings that are important to Louise, but how she lived her life, the choice she made to love, regardless of the outcome.

Watching this movie was a right-brain experience; it’s non-linear. Dr. Banks goes through changes as she learns the Alien language. Their images communicate ideas in circles without reference to tense or time. Comprehending their language transforms Louise’s brain. She begins to experience the events in her life from a less sequential, more holistic perspective.

This is reality parsed and put together from a female perspective. She is the only one who can save the situation when she finally understands why the Aliens are here. The other challenge now is communicating it to a male-dominated world intent on destroying itself. This Chinese quote is another important clue: “In war there are now winners, only widows.”

Towards the end of the film, having collaborated with and seen how brilliant, brave, and compassionate Louise has been throughout their encounter with the Aliens, and the Army, Ian realizes he’s fallen in love with her. As much as he was amazed by his encounters with the Aliens, his “greatest surprise” he tells her, “is you.”

To love is human. It takes us out of our time, because Love Is Eternal. It always Is. We participate in It. If we are lucky enough. I wrote this as a comment to my son who purchased the film and sent me the link. I couldn’t help turning it into a tanka.

After watching “Arrival” (2016)

To love is human
It takes us out of our time
Love Is Eternal

We participate in It
If we are lucky enough

© Ken Chawkin
Mon Apr 6, 2017
Fairfield, Iowa

You should see this film twice to better understand and appreciate it. Below is the trailer, followed by the Featurette on the DVD Extras.

This DVD Featurette gives you a perspective of what went into the making of the film: Arrival (2016) | Behind the Scenes | Understanding Arrival | Full Extras | Full HD.

Better to see the film first before seeing these explanations. Nick Statt wrote a great article for The Verge on living with the power of choice: How the short story that inspired Arrival helps us interpret the film’s major twist. ScreenPrism offers an intelligent explanation of the ending of this film. And ChewingSand shares good insights in this video: Why ARRIVAL is Great Sci-Fi. There are more explanations on YouTube.

See a fun, informative post-screening SAG-AFTRA Foundation interview: Conversations with Amy Adams and Denis Villeneuve of ARRIVAL.

Links to the beautiful Arrival Soundtrack – On The Nature Of Daylight by Max Richter and Jóhann Jóhannsson – Heptapod B [From “Arrival” Soundtrack / Pseudo Video].

Wikipedia gives a comprehensive review/explanation of the film, which might include some spoilers if you haven’t already seen it yet.

Also see these favorite romantic films of mine. They reveal the transformational power of love over time.

Haiku for Her, a new poem for Sali, @kenchawkin

March 12, 2017

I was reading this two-tanka poem again, Sali’s Shakti, and realized it was mostly written on March 12, 2012, five years ago today. Synchronicity? It was completed and posted the next day, March 13. Even though she passed Oct 1, 2016, Sali still inspires me. I miss her, but This Quiet Love we shared doesn’t diminish. Here is a new poem for Sali:

Haiku for Her

You gave me a taste
Of true Love and Unity
For Eternity

© Ken Chawkin
March 12, 2017
Fairfield, Iowa, USA

Though my mother died 31 years ago, March 12 this year is also the 100th anniversary of her birth. Another coincidence? A good day to remember two very special women in my life.

Update: March 13, 2017: I had a hunch I would add something the next day, as I did on the earlier post about Sali referenced above. Last night the older of my two younger sisters emailed to say she was made a TM Teacher on March 12, 1972. All 3 of use were in Europe with Maharishi on our Teacher Training Course. But the strangest coincidence dawned on me this morning. Both Sali and my mother died in their 69th year!!

Final entries leading up to and after Sali’s passing

March 1, 2017

Here are 4 entries—two leading up to Sali’s passing; a poem describing it, written 7 weeks later from India, 5 days after having spread her ashes in the holy Narmada River; and one poem composed a few days ago in remembrance of Sali, and the gift of love we shared together.

Ahead of the Game
Friday, September 23, 2016

You’ve been practicing for your next journey. With the dementia and a possible stroke that rendered you almost speechless, how can you communicate, except with inaudible sounds, and even those you no longer bother to form or utter.

But you can still smile and giggle, communicating great joy like the angels, with pure feeling and silence, where words are no longer needed or used.

You’ve been practicing for your upcoming journey. You’re way ahead of the game.

###

Not the End Game
Tuesday, September 27, 2016

The nurse called this afternoon to tell me you seemed to stop swallowing. You haven’t been able to eat or drink. The Hospice nurse who knows you started putting things into action to get you back on Hospice care. Will know by tomorrow morning after their evaluation and direction from your doctor.

So it looks like this is it. No more rehearsals. You’re going for the final homerun sliding into heaven. I think we’re better prepared now, having read The Grace in Dying. We have a better understanding and appreciation for the end game, which, as it turns out, will not be the end.

To be continued…..

(Sali would soon pass, on Saturday night, 11:17 pm CT, Oct 1, 2016, first day of the Nine Days of Mother Divine. Her glorious Memorial Service and blissful Vedic Cremation Ceremony took place on the 5th day, Wed, Oct 5, 2016. See Celebrating the glorious life of Sally M Peden.)

###

Five days after spreading Sali’s ashes from a boat on the Narmada River in India during a most auspicious day, I started to write about our final moments together back in Fairfield when she passed, around 7 weeks earlier, during the first night of the Nine Days of Mother Divine, Navratri. The answer to a question of what had happened came in one word during an evening meditation at the Brahmasthan. It became the title and last line of this poem.

UNDIFFERENTIATED
The Peace that Passeth Understanding

The final feeling
Between us was a Great Peace
Deep within the Heart

All that remained was Silence
After you took your last breath

Where was that Peace coming from
In your heart, mine, or ours
Beyond my comprehension

UNDIFFERENTIATED

©Ken Chawkin
Nov 19, 2016
Bijouri Campus
Brahmasthan of India

Contained within An early attempt at some kind of closure with a poem on Sali’s passing and auspicious times. Included are some of the inspiring tributes to Sali we shared during her Memorial Service and Vedic Cremation Ceremony on that very special send-off.

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The Rare Gift of Love
A Tanka in Remembrance of Sali

Your heart opened up
Time and illness tempered you
Then, the Surrender

What we shared was glorious
A Gift from God and Guru

©Ken Chawkin
February 27, 2017
Fairfield, Iowa

###

Addition on March 22, 2017

On March 12th, I wrote a new poem for Sali, Haiku for Her. Five years earlier, on the same day, I had written the two-tanka poem, Sali’s Shakti.

Celebrating the Glorious Life of Sally M Peden

January 17, 2017
Sally Peden - 1992

Sally Peden, May 26, 1947 – October 1, 2016

A repost celebrating the glorious life of Sally M Peden, which includes descriptions of her peaceful and graceful transition, memorial service, and Vedic cremation ceremony. Many beautiful tributes were added that give a glimpse of how special she was. Included is a poem I wrote about Sali’s passing, and descriptions of the auspicious times of her death, and spreading of her ashes in India’s holy Narmada River. May she reside in the highest heaven.

Source: An early attempt at some kind of closure with a poem on Sali’s passing and auspicious times 

Recently added: Final entries leading up to and after Sali’s passing

Most recently added, June 30, 2017, 9 months after Sali’s passing: For Us—a tanka honoring Sali and what we shared.

An early attempt at some kind of closure with a poem on Sali’s passing and auspicious times

December 28, 2016

Celebrating the Glorious Life of Sally Monroe Peden

Sally Peden, May 26, 1947 – October 1, 2016

Sally M. Peden, May 26, 1947 – October 1, 2016

This photo of Sali was taken in the summer of 1992, about a year before we would meet. She arrived to register us for a large advanced meditation course in Washington, DC. When Sali came up to me to ask my name and check it on her list, two thoughts immediately entered my mind: Too bad I just got married (again); Too bad she’s on Mother Divine (a course for single women). Our lives would drastically change—my second marriage would end and I would eventually return to Canada, later leave to join Purusha (a course for single men) and travel the world; she would leave her way of life and end up at MUM in Fairfield, Iowa working for John Hagelin’s ISTPP and the NLP. We would meet there 10 years later in the fall of 2003, as if for the first time. A beautiful friendship would grow and transform our lives, a story worth writing one day.

Sally M. Peden, passed peacefully and gracefully on Saturday, October 1, 2016, 11:17pm, during the evening of the first day of the Nine Days of Mother Divine, the start of a new moon. Her Memorial Service and Vedic Cremation Ceremony were held on Wednesday, October 5, 2016, at the Behner Funeral Home in Fairfield, Iowa, USA.

Sali had devoted her life in personal service to Maharishi Mahesh Yogi since 1971. She traveled the world with him as a personal assistant and lived for many years at the International Capital for the Transcendental Meditation movement in Seelisberg, Switzerland working on many important projects. Sali was very humble, the sign of a great soul. She accomplished untold tasks for Maharishi, which pleased him, but never felt the need to draw attention to herself, just pure dynamic devoted service.

Many emails from around the world poured in praising Sali. I’ll reference a few here.

Sheila Chalmers had worked closely with Sali at International on several projects. In her tribute to Sali, which was read aloud, Sheila described Sali’s brilliant mind, amazingly focussed work ethic, and how much she learned from her.

Emily Levin, a close friend of Sali’s, sent this wonderful tribute to Sali, which was also read aloud. Maharishi had paired them up early on, and Emily shines a glorious light on Sali and their fun-filled friendship.

Some other people who used to work with Sali spoke at her Memorial Service. Alarik Arenander, a neuroscientist from the early days of Maharishi Eureopean Research University in Seelisberg, described an incident when they were recording an EEG of a meditating subject. Maharishi happened to enter the lab with an important guest. The scientists showed Maharishi the EEG brainwaves being printed out from the moving ink pens. Maharishi asked, “What is that?” Researchers again explained the brainwaves. After asking several times, since the researchers were not ‘getting it,’ Maharishi pulled apart the long ream of neatly folded EEG paper emphatically pointing to the long non-fluctuating line at the bottom below the EEG. The researchers had an ‘aha’ moment when they examined the breath rate signal, which indicated extended periods of no breathing. They had been looking to find a marker for transcending in meditation and there it was, right in front of them, unnoticed, until Maharishi pointed it out. Sali was meditating in the next room, and it was her clear orderly mind and refined nervous system that brought out the understanding of breath suspension during Transcendental Meditation as an indicator of transcendence! That, along with the orderliness of coherent brain functioning producing relaxed alpha waves. The rest is history!

Gerry Geer, an MUM faculty member and ISTPP director of publications, described her extraordinary personality and some of the amazing things she had accomplished early on in her career. Gerry first met Sali around 1970 when he dropped into the Cambridge TM Center to find out what it was all about. She inspired him to learn TM and to become a teacher. Decades later they would work together at the ISTPP. Read Gerry Geer’s tribute to Sali. In it he mentions a very special incident he witnessed between her and Maharishi. It speaks volumes!

Valerie Gangas, a friend and author, posted a personal reaction to that very special day celebrating Sali, and our relationship, on her blog: Life in Love with You. It was a powerful revelation for her! I am so thankful she wrote it. Also definitely worth reading!

Dying, Dharma and Devotion

In the weeks leading up to Sali’s transition, I was reading two books to her. The first was an enlightened description of the nearing death experience, clearly delineated by Kathleen Dowling Singh in her reassuring book, The Grace in Dying: How We Are Transformed Spiritually as We Die. I believe this book prepared us for what was to come, to both let go and allow it to happen naturally.

Sali would soon be put back on Hospice for added care, and moved to a private room, which gave us the needed privacy for such an intimate experience. She would pass within a few days, at an auspicious time in the Vedic calendar.

The second book was The Ramayana: A New Retelling of Valmiki’s Ancient Epic–Complete and Comprehensive, written by Linda Egenes, a friend, and Kumuda Reddy. It is an inspiring story as relevant today as it has been throughout the ages, of dharma, duty, triumphing over evil; enlightened leadership; and an ideal love between an evolved man and woman. Listening to that story kept our attention focused on something spiritually elevating during her final days.

I got as far as the end of Chapter 36, where Hanuman, after finding Sita, consoles and reassures her that Rama is preparing an army to free her from her abductor, Ravana, king of the rakshasas. This comes as a great relief to Sita who was at her lowest with no hope in sight.

For the previous two days and nights, Sali’s breathing pattern consisted of short quick breaths, in and out. It was at this point in the story that her breathing began to change. It became softer, slower, and then, stopped. I waited for another, very feeble attempt, then put one hand over her heart and the other on her head. Not finding any sign of life in the body, these words came into my mind: “It’s done. The karma is over.” With a sense of relief and finality, I said: “Peace, Peace, Shanti, Shanti,” and lovingly kissed her forehead, our last goodbye. I felt a profound peacefulness deep within me, which I could not fully comprehend. The answer would come later, in a word, while meditating in India, where I wrote this poem.

UNDIFFERENTIATED
The Peace that Passeth Understanding

The final feeling
Between us was a Great Peace
Deep within the Heart

All that remained was Silence
After you took your last breath

Where was that Peace coming from
In your heart, mine, or ours
Beyond my comprehension

UNDIFFERENTIATED

As promised, I did continue reading the rest of The Ramayana to Sali, wherever she might be, that evening and the following morning, finishing it at the funeral home, after they had picked up her body and brought it there. Her memorial and cremation would take place a few days later, still within the auspicious Nine Days.

Narmada River, Brahmasthan, Atirudrabhishek

At the luncheon in Revelations following Sali’s cremation, one of our friends, Sheila Ross, suggested I take the cremains to the holy Narmada River, where some of Maharishi’s ashes had been placed. She said it was also close to the Brahmasthan, geographic center of India, where meditation courses were being held, and thousands of Maharishi Vedic Pandits were reciting Atirudrabhishek, an ancient Vedic performance to create world peace.

At the invitation of my family, I did go to India, a little over a month after Sali’s cremation, to spread her ashes from a boat at that location near the Gwari Ghat. It turned out to be during a most auspicious time—a celebration of the holy day of Kartika Poornimah, November 14, 2016, also known as Devi Dipavali, the Festival of Lights of the Gods—one of the most spiritually significant days in the Vedic calendar, during the biggest full moon in 70 years, the supermoon! Truly befitting someone of Sali’s spiritual merit.

Staying at the Brahmasthan afterwards for three weeks was healing for me. It was a powerful and blissful experience visiting the Maharishi Vedic Pandits in their large meditation hall, listening to them perform their Vedic recitations! You can sample some of them in these eCards, enhanced with audios, videos and slideshows.

To get an example of Sali’s sweetness and our special relationship, see this previous post from December 8, 2016—Capturing an authentic moment in writing—about Being with Sali on August 1, 2012, during another full moon.

I am so thankful for the support of our families, the Slusers, Kaplans, Mitchells, and Petch Peden and Robert Harper, and for many of our friends who helped handle so many details, especially Kate Ross and Jennifer Hamilton! I also appreciate acupuncturist Sarah Brooks, the staff at Parkview Care Center and Hospice Compassus for their tireless care of Sali, and sometimes me.

Recently Added

Celebrating the Glorious Life of Sally M Peden; Final entries leading up to and after Sali’s passing; and this new poem, Haiku for Her. Most recently added, June 30, 2017, 9 months after Sali’s passing: For Us—a tanka honoring Sali and what we shared.

 


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