Many years ago, at a local bookstore I used to frequent, I came across a profound little poem on a poster with a beautiful image from nature. The name of the poet, Kiyo, appeared under the poem. It may have been the first type of Japanese poetry I’d ever read, in English translation of course. I had discovered haiku—a 3-line poem of 5-7-5 syllables respectively. I had written it down and recently found it. Here it is.
Softly unfolding, Beauty awakens each heart to wonder … to life.
I’d never heard of Kiyo. Did a search and found Ungo Kiyo (1582–1659), a Japanese Rinzai Zen master and poet. Couldn’t find any more poetry, just a quote on enlightenment in an antique book of calligraphy.
Even though we can’t adequately translate haiku into English due to the syntactical differences of a pictorial language, an important aspect of it was explained to me by a Japanese TM teacher I had met on an international course. Haiku was part of his educational upbringing. They usually have a seasonal reference. To be effective, the first 2 lines describe something in nature, but the 3rd line brings in another element that causes the mind to skip a beat, have an ‘aha’ moment of realization.
Kiyo’s beautiful short poem inspired me to start writing haiku and then tanka, a 2-stanza poem combining haiku with 2 lines of 7 syllables each. The second part would continue the theme of the first part, but give it a slightly new angle. In olden times, the Japanese court poets used to compete with each other in rounds of tanka called renga, linked verses.
I wrote my first haiku after a walk-and-talk about relationships with a lady friend. I noticed a furry caterpillar crawling on the ground. It became the metaphor for a poem on commitment and spiritual transformation.
Caterpillars spin increments of commitment; Butterflies fly free!
I wrote many haiku and tanka over the years. I even wrote Haiku on The Nature of Haiku, which was very meta. These first 4 haiku—Defined, Discovered, Transformed, Translated—were among the 13 Ways to Write Haiku: A Poet’s Dozen, published in The Dryland Fish, An Anthology of Contemporary Iowa Poets.
on the edge of space two egrets in morning light woken from a dream
I recently came across a poem I had written a while ago, but never posted it. A photograph of cranes flying in a snowstorm inspired this Japanese Haiku.
Red-crowned cranes in Akan National Park, Hokkaido, Japan. Photograph by Vincent Munier. Click on image to enlarge it.
Three Japanese cranes Soar above trees in snowstorm Grace under pressure
Tanka on the Japanese art of kintsugi
I discovered other aspects of Japanese culture, which inspired tanka poems. Click on the titles below for more information and images.
The first is about kintsugi, the Japanese art of repairing broken pottery with gold or silver lacquer thereby making it appear more beautiful than the original. Robert Yellin had tweeted an image of a repaired bowl to show this art, which is how I discovered it.
life’s lessons build character what was broken is now whole
The Japan Ministry of Foreign Affairs selected Robert to introduce Japanese craftsmen to the world in a special documentary, Takumi: Japan’s artisan tradition. Because of his expertise, Robert became a cultural ambassador. His film inspired people from all over the world to visit the country, and helped boost Japanese tourism.
How Robert ended up in Japan is revealed in the documentary film, Jerry’s Last Mission, about his father, Jerry Yellin, who was the last WWII fighter pilot, an author, and proponent of TM for veterans with PTSD.
Tanka on the Japanese martial art of Aikido
On a visit to see my son in California, I wrote this tanka after watching his Aikido teacher demonstrate how to defend oneself from attack. She stood in one spot and effortlessly deflected the repeated charges from her students. It was mesmerizing! It took me a while to process what I had seen before writing the poem. I had emailed it to my son to read to her on her birthday. A volunteer at the dojo found the poem and posted it with a photo of a leaning tree as a screensaver on the office computer. It’s beautiful. Click the title and scroll down to see it.
Rooted to the ground She repels her attackers Flowing, not moving.
In storms, trees bear great burdens Bending, not breaking.
Two tree tanka
Speaking of trees, this tanka is from the perspective of a willow tree. Click the title to see a photo of a special one, and links to audio clips of me reading the poem on different media platforms.
Willow Tree Whispers People say … Weeping Willow But I’m not crying
Just bowing down … to the Earth Kissing the ground … with my leaves
Another tree tanka resulted when I saw the willow that inspired the previous poem, and the honey locust next to it, intertwined on top! They were on each side of the entrance to the place I was living in at the time.
See more haiku and tanka archived on The Uncarved Blog.
Suggested Reading
Jane Hirshfield’s 29-page essay about the life and poetry of Matsuo Bashō—recognized as a master of concise, compelling Japanese haiku—is worth reading. The Heart of Haiku was named “Best Kindle Single of 2011.” It was the first Kindle I ever bought, and described it in a post, Haiku on The Heart of Haiku, with links to interviews and more.
Our attention is the greatest gift we can give to someone, or something. It can transform our world. Mary Oliver’s poem, Mockingbirds, teaches us how to listen, and experience the wonders around us.
I’m back visiting my son for Thanksgiving in Santa Barbara. The first time I was there, a little over 2 ½ years ago, I wrote Threshold Haiku upon entering his house. Here’s a new haiku, which starts where the previous one ends, inspired by those pillars of jasmine plants.
Late Autumn in Santa Barbara
Pillars of jasmine
Stand dormant for the winter
Waiting to blossom
“What I stand for is what I stand on.” — Wendell Berry
I love the playful music in this brilliant little poem by Wendell Berry from Leavings: Poems. As if imitating the sounds and poetry of nature, Berry’s stepping over stones in a flowing stream demonstrates his own creative flow, the way he uses words to show us how he writes a poem, and takes a stand for nature and his place in it.
The Book of Camp Branch
How much delight I’ve known in navigating down the flow by stepping stones, by sounding stones, by words that are stepping and sounding stones.
Going down stone by stone, the song of the water changes, changing the way I walk which changes my thought as I go. Stone to stone the stream flows. Stone to stone the walker goes. The words stand stone still until the flow moves them, changing the sound – a new word – a new place to step or stand.
This week I went to my local Fairfield bank and picked up two copies of next year’s 2016 calendars for Sali and me. The pictures selected for each month were beautiful artistic photographs of local nature scenes. I recognized three of the photographers, friends of mine.
As I was showing and describing the pictures to Sali, one of them caught my eye and I was inspired to write a haiku, which happens around her! After many versions, here’s what I finally came up with.
Nature’s Jewelry A haiku based on a photograph by Jim Davis
tiny drops of dew
strung along a spider’s web
bright pearl necklaces
Jim Davis, the photographer and a longtime friend, gave me permission to include this spider web photo from the First National Bank calendar, sponsored in part by the Jefferson County Trail Council. It was used for the month of May, Sali’s birth month. You can see more of his beautiful photographs in the calendar, if you have access to it. Visit his website: Jim Davis Images.
I asked Jim when and how he was able to take such a magical picture and he explained it this way:
The conditions for such a photo generally occur in late August and early September. It is an intersection of more spider webs due to onset of fall and warm days with cool nights creating early morning dew that drops off as the heat rises. Within those few days where the dew is created, there is the rare time when the air is still and the webs do not move. Without perfectly still air the dew drops would appear blurry or out of focus.
I turned the calendar upside down and noticed what appears to be Jim’s head and hat reflected in the large clear dewdrop under the leaf. He confirmed it saying his image would appear upside down in the drop.
“I like to capture the magic.” — photographer Radim Schreiber
The little luminary pictured above was photographed in 2010 by award-winning photographer Radim Schreiber, of Fairfield, Iowa. The photo, entitled Amber Firefly, took 1st place out of 56,000 entries in “The Natural World” category at the 8th annual Smithsonian Magazine Photo Contest published in March 2011.
A designer, photographer and videographer, formerly for the Sky Factory, Radim has won several national and international photography competitions. Also in 2011 he took 1st place in the 41st annual National Wildlife Photo Contest in the “Backyard Habitat” professional category out of 27,000 entries. He won the 2010 Galapagos Conservancy Photography Contest, and the 2008 and 2009 Rainforest Alliance’s “Picture Sustainability” Photo Contest. Awards are listed on his website.
Radim Schreiber had rarely seen fireflies back home and was surprised and thrilled by their abundance here in Iowa. He started taking still photos and then made a movie of them.
“In the Czech Republic where I grew up, I only saw fireflies a couple of times, deep in the forest. When I came to the United States, I was shocked and thrilled to see the abundance of fireflies and their amazing glow. I was happy to encounter this firefly and photograph its magical bioluminescence.”
Read this July 2011 Iowa Source interview with Christine Schrum to find out how Radim braved ditches, swamps, mosquitoes, and chiggers to obtain his fantastic firefly photos: Stalking Fireflies in the Night.
Radim’s award-winning firefly images have been featured at CBS, NPR, National Geographic, Smithsonian Magazine, Iowa PBS (Iowa Outdoors, Ep. Aug 11, 2013, go to 13:15,Fireflies In Iowa) The Weather Channel, The National Wildlife Federation, and KEW – Royal Botanical Gardens. Read more in Mo Ellis’s updated profile of Radim on the MIU website.
The photo was taken mid-June 2014* at twilight in Great Smoky Mountains National Park, Tennessee. Radim was in almost complete darkness surrounded by fireflies and witnessed one of the most amazing and magical natural phenomena—fireflies that synchronize. He used the latest low-light camera technology and took several long exposures over several minutes and merged them together to preserve detail and clarity. He uploaded it November 2015 and it was selected as Shot Of The Day on December 24, 2015, then Editors’ Pick, Finalist, and now Altered Images Winner. Radim had used this photo for the cover of his Firefly Experience film described below.
The Firefly Experience on Film
This summer I saw a magical little film at the first annual Creative Edge Film Fest in Fairfield, Iowa. Made by fellow MUM alum Radim Schreiber, BFA, it was so beautifully put together visually and musically, the audience was spellbound. When it was over, the 2½-minute short elicited an extended exuberant response.
In this film, Radim Schreiber tried to capture his experiences with fireflies in Lamson Woods, a State Preserve and segment of the Jefferson County Trails Systemnear his house in Fairfield, Iowa. He wanted to document not only their beauty and magical glow, but also behavior in their natural environment, the Neff Wetlands section of the Fairfield Loop Trail.
“When I walk through a quiet forest in the middle of the night full of fireflies, I have an experience of a magical forest. When I see fireflies being a mere reflection of stars under the Milky Way, I feel connected to everything in the universe. They are communicating to me. I am listening.”
Radim chose to not do any digital manipulation to the video itself. The footage came straight from the camera. This is not time-lapse photography, but realtime footage of fireflies!
Radim Schreiber’s Firefly Experience is synchronistically edited with a beautiful soundtrack specifically composed and performed for the film by Tiko Lasola. Radim loves the song. “It is a perfect match for my photos. In fact I was shocked that it happened this way.” I agree! After watching the film you can hear Tiko’s full 3½-minute Fireflies piece here.
After the screening, Radim was selling HD and Blu-ray DVDs of his film. I bought the Blu-ray. I never tire of watching and listening to it; it’s beautiful! It produces a calming effect.
For optimal viewing, Radim suggests we watch the video at night in full screen mode with all lights turned off and the sound turned up.
Have you ever experienced the magic of fireflies? I’ve seen them around Fairfield, but never like what I saw in eastern Missouri during a summer Residence Course in the early 1990s. I had driven with three other Maharishi Ayurveda Health Technicians to a movement facility in Ste. Genevieve County, Missouri to provide rejuvenation therapies.
The building was located at the edge of the Mark Twain National Forest. The warm night air was thick with nature’s sounds and sights. Hundreds of frogs incessantly called out to each other from a pond behind the building. Swarms of fireflies dazzled me with their exuberant flashing lights as I walked around the grounds. Their colors and bubbly nature reminded me of Champagne! Inspired, I wrote this short four-line poem.
FIREFLIES
EFFERVESCENT FIREFLIES PHOSPHORESCENT HUE SPARKLING LUMINOSITY EVENING DROPS OF DEW
*In July 2018, I discovered CBS Sunday Morning was also there that same summer in 2014 when Radim was capturing his award-winning photographs of the synchronous fireflies. They posted their report on July 13, 2014: Tennessee fireflies: A summertime light show.
Iowa PBS posted this Aug 22, 2013 profile on Radim’s work in their Iowa Outdoors series: Fireflies in Iowa.
New: This summer, August 2020, a video and a magazine cover story came out about Radim Schreiber and his work.
Frances Figart, editor of Smokies Life Magazine, interviewed Radim for their spring 2020 issue, Vol 14 #1. They created a wrap-around glow-in-the-dark firefly cover with one of Radim’s images of the famous lightning bugs of Elkmont. The edition’s cover story featured a sidebar about Radim and showed many of his incredible photographs. They also included a special video introducing Radim and his work. See Illuminating the Magic and Mystery: An Interview with Radim Schreiber, Firefly Photographer.
Radim was hired to film fireflies for the new Netflix series Alien Worlds. In Janus, Season 1 Episode 2, you see his work from 31:40 – 36:19.
On the evening of the full moon in July (7/13/22), Radim posted this stunningly beautiful photo on his Instagram radimphoto and wrote: Lightning Bugs and Full Moon. Photo I took last night in Fairfield Iowa. Multiple exposures, about hour total. Repost freely ❤️
On March 5, 2023, Radim sent out a newsletter announcing that last summer he had photographed a very elusive and endangered firefly species in the cypress swamps of southern Illinois. The “Cypress Firefly” Photuris walldoxeyi, first described by Lynn Fast, displays a unique flashing pattern. It has been Red Listed as vulnerable and has only so far been found in a handful of locations in four states — IL, IN, MS, and TN. See a short video of Cypress Firefly – Red List Vulnerable Species.
Transcendence and a self-referral awareness are described by great poets when they interact deeply with nature. In the process, they experience their own inner nature. Their poetic expressions describe a state similar to what practitioners of Transcendental Meditationexperience, where the body is deeply restful, more than deep sleep, and the mind is highly alert, peaceful, unobstructed by thoughts, unbounded.
Kenneth Rexroth
Kenneth Rexroth describes this experience in his poem, The Heart of Herakles, (The Collected Shorter Poems of Kenneth Rexroth). Looking up into the night sky through a telescope, he sees the enormous constellations and soon loses his sense of self. “My body is asleep. Only my eyes and brain are awake. … I can no longer tell where I begin and leave off.” In this expanded state he becomes aware of different aspects of nature being collectively self-aware with an “eye that sees itself.”
The Heart of Herakles
Lying under the stars,
In the summer night,
Late, while the autumn
Constellations climb the sky,
As the Cluster of Hercules
Falls down the west
I put the telescope by
and watch Deneb
Move towards the zenith.
My body is asleep. Only
My eyes and brain are awake.
The stars stand around me
Like gold eyes, I can no longer
Tell where I begin and leave off.
The faint breeze in the dark pines,
And the invisible grass,
The tipping earth, the swarming stars
Have an eye that sees itself.
You can hear Kenneth Rexroth read The Heart of Herakles in this July 13, 1955 recording, from 27:36 to 28:13, posted by The Poetry Center.
That blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened: — that serene and blessed mood,
In which the affections gently lead us on —
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
His initial experience of transcending within his own mind has matured as he recognizes that same transcendental essence throughout nature, thereby unifying his inner Self with the same Self of all conscious things.
And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things.