Archive for the ‘Other poems’ Category

Let’s remake the world with words — Gregory Orr

May 15, 2013

Let’s remake the world with words.
Not frivolously, nor
To hide from what we fear,
But with a purpose.
Let’s,
As Wordsworth said, remove
“The dust of custom” so things
Shine again, each object arrayed
In its robe of original light.

And then we’ll see the world
As if for the first time.
As once we gazed at the beloved
Who was gazing at us.

~ Gregory Orr ~

(Concerning The Book That Is the Body Of The Beloved)

Listen to Gregory Orr read this poem at On Being.org

Other poems by Gregory Orr

Concerning the Book that is the Body of the Beloved, a poem by Gregory Orr

Not the loss alone — a poem by Gregory Orr

Concerning the Book that is the Body of the Beloved, a poem by Gregory Orr

May 15, 2013

Concerning the Book that is the Body of the Beloved

Resurrection of the body of the beloved,
Which is the world
Which is the poem
Of the world, the poem of the body.

Mortal ourselves and filled with awe,
we gather the scattered limbs
Of Osiris.
That he should live again.
That death not be oblivion.

When I open the book
I hear the poets whisper and weep,
Laugh and lament.

In a thousand languages
They say the same thing:
“We lived. The secret of life
is love, that casts its wing
over all suffering, that takes
in its arms the hurt child,
that rises green from the fallen seed.”

Sadness is there, too.
All the sadness in the world.
Because the tide ebbs,
Because wild waves
Punish the shore
And the small lives lived there.
Because the body is scattered.
Because death is real
And sometimes death is not
Even the worst of it.

If sadness did not run
Like a river through the Book,
Why would we go there?
What would we drink?

Oh, there’s blood enough, and sap
From the stalks. Tears, too.
A raindrop and the dark water
Of bogs. It’s a rich ink.
Indelible, invisible
(hold up the page to the light,
hold the page near a flame).

The world comes into the poem.
The poem comes into the world.
Reciprocity – it all comes down
To that.
As with lovers:
When it’s right you can’t say
Who is kissing whom.

Lighten up, lighten up.
Let go of the heaviness.
Was it a poem from the Book
That so weighed you down?

Impossible. Less than a feather.
Less than the seed a milkweed
Pod releases in the breeze.

Lifted, it drifts out to settle
In a field, with all that’s inside it
Waiting to become
Root and tendril, to come alive.

Now the snow is falling
Even more than an hour ago.
The pine in the backyard
Bows with the weight of it.

Two years ago, my father
Died. What love we had
Hidden under misery,
Weighed down with years
Of silence.

And now,
Maybe the poem can free
Us, maybe the poem can express
The love and let the rest
Slide to the earth as the snow
Does now, freeing the tree
Of its burden.

To be alive: not just the carcass
But the spark.
That’s crudely put, but . . .

If we’re not supposed to dance,
Why all this music?

Time to shut up.
Voltaire said the secret
Of being boring
Is to say everything.

And yet I held
Back about love
All those years:
Talking about death
Insistently, even
As I was alive;
Talking about loss
As if all was loss,
As if the world
Did not return
Each morning.
As if the beloved
Didn’t long for us.

No wonder I go on
So. I go on so
Because of the wonder.

~ Gregory Orr ~

(Meridian, Issue 14, Fall/Winter 2004)

Other poems by Gregory Orr:

Let’s remake the world with words — Gregory Orr

Not the loss alone — a poem by Gregory Orr

Haiku With My Muse, Sali, inspired by Paul Horn

March 20, 2013

Haiku With My Muse

You are my soul mate
With you, I can be mySelf
Together, We Are

© Ken Chawkin
With Sali at Parkview
Sunday, March 17, 2013

See Celebrating Paul Horn and his Contribution to Jazz, World Music, Meditation and Spirituality.

(more…)

Varanasi by Mary Oliver in A Thousand Mornings

March 16, 2013

I previously posted Mary Oliver’s poem, Praying, and Philip Goldberg emailed me to say that someone recently showed him the last poem in her new collection (A Thousand Mornings). He said, “It’s called ‘Varanasi,’ and it’s exquisite.” I started looking for it and found the poem posted by another poet, Bob Arnold, on his website. After reading it I agreed – it’s stunning! That’s why I’m posting it here for you to enjoy. I also came across a musical video of the poem with images from the Ganges. After you’ve read the poem, see Diane Walker’s poetic reaction to it below. But take a break from this busy introduction, and then enjoy the enlightened peaceful simplicity of Mary Oliver’s visit to Varanasi.

VARANASI

Early in the morning we crossed the ghat,

where fires were still smoldering,

and gazed, with our Western minds, into the Ganges.

A woman was standing in the river up to her waist;

she was lifting handfuls of water and spilling it

over her body, slowly and many times,

as if until there came some moment

of inner satisfaction between her own life and the river’s.

Then she dipped a vessel she had brought with her

and carried it filled with water back across the ghat,

no doubt to refresh some shrine near where she lives,

for this is the holy city of Shiva, maker

of the world, and this is his river.

I can’t say much more, except that it all happened

in silence and peaceful simplicity, and something that felt

like that bliss of a certainty and a life lived

in accordance with that certainty.

I must remember this, I thought, as we fly back

to America.

Pray God I remember this.

_______________________

Mary Oliver
A Thousand Mornings
(Penguin, 2012)

Now read this beautiful poetic reaction to the poem, Mary Oliver’s Varanasi, that Diane Walker, a contemplative photographer, posted on her website.

Among the NPR Poetry series is this interview ‘A Thousand Mornings’ With Poet Mary Oliver. You can also read the transcript here. I especially love this remark she makes about poetry:

“One thing I do know is that poetry, to be understood, must be clear. It mustn’t be fancy. I have the feeling that a lot of poets writing now are – they sort of tap dance through it. I always feel that whatever isn’t necessary shouldn’t be in a poem.”

Enjoy this wonderful Maria Shriver Interview With Mary Oliver.

See this remembrance of Mary Oliver with links to more of her poems.

Speaking of another famous American visiting the Ganges, see Prudence Farrow — subject of the Beatles song Dear Prudence — visits India’s Kumbh Mela.

Mary Oliver’s poem, Praying, is a lesson on attention, receptivity, listening and writing

March 14, 2013

Praying

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch

a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway

into thanks, and a silence in which
another voice may speak.

~ Mary Oliver ~

(Thirst)

Another example of this theme is her poem, Mindful, in this later post: Attentive to and delighting in her surroundings, Mary Oliver lived a life writing astonishing poetry.

An inspiration for a poem came to me from such receptivity to a tree. The first words entered my mind while admiring it. I wrote them down, and the next morning, I rewrote them as a stanza, and then the sequential stanzas naturally followed, reiterating what Mary Oliver describes. It was as if I was given a creative seed and it sprouted. This gift from the tree was much appreciated. I later called it Being in Nature. Its sequel, trees, was about the nature of trees, and what we can learn from them. Another poem once came to me from a rock with a sense of humor. You can read RIVER ROCK SPEAKS in my Vancouver Park Poems.

An early encounter with nature inspired my creativity. It turned into my first published poem, which won an award: ODE TO THE ARTIST, Sketching Lotus Pads at Round Prairie Park.

Her poem also reminds me of The nurturing effect of rainwater in Mary Oliver’s poems Lingering In Happiness At Blackwater Pond and William Stafford’s poem, B.C., which I later added.

Read about Mary Oliver (1935-2019) and her astonishing poetry in this memorial acknowledgment to her poetic legacy. It contains links to articles, interviews, and poetry readings, as well as many of her favorite poems I’ve loved and posted over the years.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

Journeying god—traditional Ghanaian prayer song

March 10, 2013
journeying god
I found this beautiful traditional prayer song from Ghana, and photo, posted in the Panhala Archive. The translator is unknown.

Journeying god,
pitch your tent with mine
so that I may not become deterred
by hardship, strangeness, doubt.
Show me the movement I must make
toward a wealth not dependent on possessions,
toward a wisdom not based on books,
toward a strength not bolstered by might,
toward a god not confined to heaven.
Help me to find myself as I walk in other’s shoes.

Reposting that wonderful poem by E.E. Cummings for Valentine’s Day

February 5, 2013

Ken Chawkin's avatarThe Uncarved Blog

For Valentine’s Day: i carry your heart with me by E.E. Cummings

[i carry your heart with me(i carry it in]

i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
                                                      i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart

i carry your heart(i carry it in my heart)

“[i carry…

View original post 237 more words

Read a beautiful poem Today by William Stafford

November 1, 2012
“Today” is a beautiful poem written by William Stafford, selected from his book My Name is William Tell by Beth Atchison and contributed to Panhala, which is how I found out about it today.

Today

The ordinary miracles begin. Somewhere
a signal arrives: “Now,” and the rays
come down. A tomorrow has come. Open
your hands, lift them: morning rings
all the doorbells; porches are cells for prayer.
Religion has touched your throat. Not the same now,
you could close your eyes and go on full of light.

And it is already begun, the chord
that will shiver glass, the song full of time
bending above us. Outside, a sign:
a bird intervenes; the wings tell the air,
“Be warm.” No one is out there, but a giant
has passed through town, widening streets, touching
the ground, shouldering away the stars.

~ William Stafford ~

Two spontaneous haiku while talking to Sali

June 17, 2012

These two haiku were composed spontaneously while talking to my friend Sali. She’s also my muse, and keeps me, both of us, amused.

I

Our body’s a purse
containing the universe.
Can you spare some change?

II

The bib testifies
to the lunch that was eaten—
Boy, that was good food!

© Ken Chawkin
Fairfield, Iowa

Phrases come out spontaneously while talking with Sali. I count the syllables and realize they make up the first two lines of a haiku, then come up with the third line. Don’t know where they come from, but the juxtapositions make us laugh. The first haiku was composed mid-morning, and the second while feeding Sali her lunch, on Saturday, June 16, 2012. Posted them today, Fathers Day, Sunday, June 17, 2012.

What To Remember When Waking by David Whyte

April 30, 2012

WHAT TO REMEMBER WHEN WAKING

In that first
hardly noticed
moment
to which you wake,
coming back
to this life
from the other
more secret,
moveable
and frighteningly
honest
world
where everything
began,
there is a small
opening
into the new day
which closes
the moment
you begin
your plans.

What you can plan
is too small
for you to live.

What you can live
wholeheartedly
will make plans
enough
for the vitality
hidden in your sleep.

To be human
is to become visible
while carrying
what is hidden
as a gift to others.

To remember
the other world
in this world
is to live in your
true inheritance.

You are not
a troubled guest
on this earth,
you are not
an accident
amidst other accidents
you were invited
from another and greater
night
than the one
from which
you have just emerged.

Now, looking through
the slanting light
of the morning
window toward
the mountain
presence
of everything
that can be,
what urgency
calls you to your
one love? What shape
waits in the seed
of you to grow
and spread
its branches
against a future sky?

Is it waiting
in the fertile sea?
In the trees
beyond the house?
In the life
you can imagine
for yourself?
In the open
and lovely
white page
on the waiting desk?

~ David Whyte ~

(The House of Belonging)

Thanks to Joe Riley of Panhala for posting this one!

Here are some complementary poems by John O’Donohue you may also enjoy reading: For a New Beginning and The Inner History of a Day.

And here are two poems I wrote on the subject: Upon waking uP by Ken Chawkin and A Wake-Up Haiku.