Posts Tagged ‘gratitude’

The playful joy of effortless creation displayed by Donna Warwick inspired this haiku turned tanka

November 29, 2019

Author, visual artist, and TM teacher Donna Warwick posts digital paintings on her Instagram as @artsfusionist. She created this painting that expresses the effortless mysterious process of creation. The Absolute becoming Relative. BEing BEcoming. To me it looks like the moment of conception, and also the sprouting of a seed idea. Either way, it’s creation. It inspired me to write this haiku, then extend it to a tanka. Read Donna’s description below.

Effortless Creation

Inspired by a painting by Donna Warwick

I AM THAT I AM
I AM ONE — Become Many
BEING Becoming

I AM therefore I Create
An Idea of My Self

®Ken Chawkin
Nov. 29, 2019

Donna added this description for Thanksgiving Day: Thought and Action:
It is the frictionless flow between thought and action that produces effortless achievement in life. One feels the profound connection between the source of thought and the fulfillment of the action. The sweetest thing is that the result of this is the bliss of experiencing something greater than our small selves. For the true source of all success is not the ego. Nor is it the wide assortment of details about one’s personality/individuality. That is why the experience of unity with unbounded pure consciousness is so fulfilling. Consciousness is that which is shared by all. For me, that experience is one of the natural results of my practice of the Transcendental Meditation technique. On this Thanksgiving I feel waves of gratitude to my TM teacher.

Mary Oliver is the Messenger for Thanksgiving

November 28, 2019

Mary Oliver’s poem, Messenger, was written in her own unique voice, but it must have been influenced by her favorite American poet, Walt Whitman. It’s a perfect poem to share for Thanksgiving, since her poetry is a thanksgiving for being alive in the world, appreciating every living thing in it, and singing their praises. “My work is loving the world…mostly standing still and learning to be astonished…which is mostly rejoicing…which is gratitude…a mouth with which to give shouts of joy.”

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.
 
Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,
 
which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,
 
which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

You can read more about Mary Oliver and her astonishing poetry in this memorial acknowledgment of her poetic legacy to us.

Here is an added footnote: “Attention is the beginning of devotion.”

I remember Maharishi telling us whatever we put our attention on will grow stronger in our life. The cornerstone to Mary Oliver’s appreciation of and love for the natural world around her was the power of her attention. She was awake to everything and was always astonished. Her sustained empathic attention to the land and its inhabitants inspired devotional poetry. In this interview, On Being’s Krista Tippett asks Mary Oliver about the role of attention in her work.

Ms. Tippett: I’d like to talk about attention, which is another real theme that runs through your work, both the word and the practice. I know people associate you with that word. But I was interested to read that you began to learn that attention without feeling is only a report. That there is more to attention than for it to matter in the way you want it to matter. Say something about that learning.

Ms. Oliver: You need empathy with it rather than just reporting. Reporting is for field guides. And they’re great. They’re helpful. But that’s what they are. They’re not thought provokers. They don’t go anywhere. And I say somewhere that attention is the beginning of devotion, which I do believe. But that’s it. A lot of these things are said but can’t be explained.

You can listen to and read a transcript of the whole interview.

Mary Oliver’s poem, Praying, is a lesson on attention, receptivity, listening and writing

March 14, 2013

Praying

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch

a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway

into thanks, and a silence in which
another voice may speak.

~ Mary Oliver ~

(Thirst)

An inspiration for a poem came to me from such receptivity to a tree. The first words entered my mind while admiring it. I wrote them down, and the next morning, I rewrote them as a stanza, and then the sequential stanzas naturally followed, reiterating what Mary Oliver describes. It was as if I was given a creative seed and it sprouted. This gift from the tree was much appreciated. I later called it Being in Nature. Its sequel, trees, was about the nature of trees, and what we can learn from them. Another poem once came to me from a rock with a sense of humor. You can read RIVER ROCK SPEAKS in my Vancouver Park Poems.

An early encounter with nature inspired my creativity. It turned into my first published poem, which won an award: ODE TO THE ARTIST, Sketching Lotus Pads at Round Prairie Park.


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