True to the end, Leonard Cohen‘s work charted the arc of his career, between life and death (Sept 21, 1934 – Nov 7, 2016). His search for redemption also influenced his fans. Cohen’s evolving understanding of life, beautifully expressed through his music, shone a light through the cracks of a broken humanity in a dark suffering world. He never claimed to have found all the answers, but seemed to have reached a kind of inner peace toward the end of his life, between himself and his God.
There is a repeated stanza in one of his songs, Anthem, that conveys the redeeming acceptance of light illuminating the darkness, compassion and love overcoming bigotry and hatred: “Ring the bells that still can ring/ Forget your perfect offering/ There is a crack in everything/ That’s how the light gets in.”
There may be a crack in everything, but how does the light get in—from without, or is it released from within? I’ve often thought about the profundity of those lines, and there have been many interpretations of what he may be implying. See mine below.* I think he sang about finding that divinity within and among our broken humanity. I wrote this tanka in honor of Leonard Cohen.
Leonard Cohen’s music lit up a dark world
A tanka in honor of the poet by Ken Chawkin
Leonard Cohen said
There’s a crack in everything
How the light gets in
It came through him and lit up
a broken humanity
Of course there is a kind of irony here when he says, “Forget your perfect offerings,” since he labored for months, sometimes years, on getting the lyrics to his songs perfect. At some point, though, he must’ve given up, admitted his imperfection, and sent them out into the world. As Leonardo da Vinci once said: Art is never finished, only abandoned. Other famous artists and writers have said and done the same thing.
Artistic Genius—Two Creative Approaches
There is a story about Leonard Cohen and Bob Dylan. They happened to be in Paris at the same time and decided to meet at a certain café. During their conversation, Dylan, one of the first to sing Cohen’s song “Hallelujah” in his concerts, asked Cohen how long it took him to write it. Cohen was embarrassed to tell him the truth so he lied and said 2 years. Then Leonard asked Bob how long it took him to write “I And I“, and he replied 15 minutes. I think he said he wrote it in the back of a cab. Cohen later told this story to an interviewer and confessed that it took him more like 5 years to write that song. He never could complete it, even after 30 verses! Their styles reflect the different philosophical approaches of ‘first thought, best thought’ versus ‘revise, revise, revise’.
You can read the fascinating history of that song in Alan Light’s book, The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah”. Malcolm Gladwell, in Season 1, Episode 7 of his Revisionist History podcast, discusses the history of “Hallelujah” with Alan Light, around 20 minutes into the conversation, for about 10 minutes. The theme is about two kinds of artists—those who seem to create spontaneously, and others who labor for a very long time—the differences between Mozart and Beethoven, or Picasso and Cezanne.
See Leonard Cohen’s website www.leonardcohen.com with links to more.
As a footnote, I just tweeted (9-19-2107) Leonard Cohen’s biographer, Sylvie Simmons, asking her what he meant about the light getting in through the cracks, and she pointed me to Allan Showalter’s website, Cohencentric: Leonard Cohen Considered, and this post: Leonard Cohen On “The Light” In Anthem That “Allows You To Live A Life And Embrace The Disasters And Sorrows And Joys”.
Leonard later spent time in Bombay, India having conversations with Ramesh Balseka, a teacher of Advaita Vedanta. It made a profound impression on him; his life-long depression had finally lifted. He also befriended an Indian gentlemen, a fan, Ratnesh Mathur. You can read about their relationship and see photos on Cohencentric. Also read this BBC report: When the light got in for Leonard Cohen.
Murals mark 1-year anniversary of Leonard Cohen’s death
Montreal murals made by Gene Pendon (l) and Kevin Ledo (r)
November 7, 2017 is the 1-year anniversary of Leonard Cohen’s death. To personally commemorate this date, Sylvie Simmons tweeted a picture of herself standing in front of a large mural of Leonard Cohen painted by Kevin Ledo on the side of a 9-storey Montreal building close to where Leonard kept a home. It was the center piece for the fifth Mural International Public Art Festival in June. The Montreal Gazette’s Bill Brownstein had written an article about the making of it. He also mentions another mural, a tribute to Leonard Cohen made by artist Gene Pendon, which was painted on the side of a 20-storey downtown building, as part of Montreal’s 375th billion dollar birthday bash. The Globe and Mail described them in detail: Leonard Cohen and a tale of two Montreal murals. ET Canada reported on the official inauguration today, a year after Cohen’s passing. Josée Cloutier posted photos of both murals in one tweet, shown above.
CBC broadcaster Eleanor Wachtel tweeted that the photograph of Leonard Cohen, which served as the basis for the large downtown mural, was taken by his daughter Lorca. Interesting that Leonard named his daughter after the famous Spanish poet Federico García Lorca, who had greatly influenced his work. “His books taught me that poetry can be pure and profound – and at the same time.”
The M.A.C.’s Exhibition on Leonard Cohen: A Crack in Everything
The Guardian published Leonard Cohen: A Crack in Everything – Montreal’s tribute to its favourite son. The new exhibition was conceived as part of the city’s 375th anniversary celebrations – but has morphed into a thorough investigation of all things Cohen. On 9 November, the Musée d’art contemporain de Montréal (AKA the Mac) will open the doors to Leonard Cohen : une brèche en toute chose/A Crack in Everything, a tribute to the artist, poet and musician, filled with multi-disciplinary works inspired by Cohen’s songs of life. This special exhibition at the Montreal Museum of Contemporary Art will conclude 9 April 2018.
The show takes its title from Cohen’s song Anthem, which contains the famous line “There is a crack in everything, that’s how the light gets in.” The song also inspired artist Kara Blake’s piece for the show, an immersive installation called The Offerings. “The song apparently took Cohen 10 years to craft and is just one example of his many artistic offerings that get inside the beautifully flawed nature of being human,” says Blake. “I wanted my piece to present visitors with a sampling of the creativity, wit and insight Cohen has gifted us with.”
Julia Holter contributed a cover of Cohen’s Take This Waltz, which will play on rotation in the Listening Room. “I enjoyed getting into the feeling of this passionate, seductive, demented waltz,” says Holter, who incorporated field recordings she made during a visit to the Greek island of Hydra, where Cohen had a home. “Being there was incredible,” she says.
For Holter, being invited to contribute to the show is the perfect way for her to give back to an artist she was introduced to as a child and who inspired her love of poetry. “What was special about Leonard Cohen’s work was its calm mystery. I think that can be an inspiration to the world right now,” she says. “The world needs this subtle beauty right now.”
Leonard Cohen biographer Sylvie Simmons
As part of the week’s celebrations, Eleanor Wachtel interviewed Sylvie Simmons on CBC Books Writers and Company, for broadcast on Sunday, November 12, 2017: Remembering Leonard Cohen: biographer Sylvie Simmons on Montreal’s beloved poet.
I enjoyed reading Sylvie’s wonderful biography, I’m Your Man: The Life of Leonard Cohen. It will be published next year in a new French edition with an added afterword that will be included in a revised English edition by McClelland & Stewart.
The afterword is Cohen’s response to the question about what was the driving force that propelled his output. Simmons calls it Traveling Light, and quotes Cohen’s answer in this interview for The Senior Times: Biographer Sylvie Simmons pays tribute to Montreal’s favourite son.
Leonard Cohen was very active towards the end of his life. Due to his declining health he tried to bring as many projects to completion as possible. One of them was his last album, You Want It Darker, produced by his son Adam Cohen. A new poetry book, The Flame, will be released next year.
*My reply to Quora question about the crack and the light
Quora posted this question: What did Leonard Cohen mean by his lyrics: “There is a crack, a crack in everything/ That’s how the light gets in?” About a dozen people posted their suggestions. Here is my reply:
I agree with a number of interpretations posted here, quoting William Blake, the Kabbalah, and other esoteric sources, to explain what Leonard Cohen may be referring to in that line. They all make good sense to me. I also think that the light, of clarity, understanding, call it what you will, comes from within, not without. Metaphorically we may imagine light coming into a dark broken place from outside. But it can also light up the darkness from inside, if one knows how to turn on the switch. Another interpretation then, is no matter how broken, incomplete we are, with the proper approach, meditation technique, one can transcend, go beyond our limitations and just Be, experience that unbroken inner light of pure consciousness. With repeated exposures to one’s inner divine nature, the outer vessel, our body, can begin to heal, mend the broken cracks, and become whole. One way to experience this inner and outer development is with the regular practice of Transcendental Meditation.
Speaking of cracks and light, the Japanese art of kintugi turns damaged bowls into something even more beautiful. See my Japanese style poem, kintsugi tanka: japanese pottery inspires poetry.
