I remember this incident as if it was yesterday, even though it happened around 50 years ago. I had purchased a ticket to see a well-known rock group perform that evening at Place Des Arts, Montreal’s newest and most beautiful arts center at the time.
I had learned Transcendental Meditation a few years earlier and was conscientious about getting both 20-minute meditations in every day. The morning one was easy, but fitting in the evening session could sometimes be a bit of a challenge depending on where I was.
There was a long intermission between performances, when people could go to restrooms or get refreshments on the mezzanine. As audience members around me got up to leave, I decided to stay and do my evening meditation. I closed my eyes and meditated undisturbed. I could hear the buzz of people socializing on the other side of the closed doors to the concert hall, but it didn’t bother me.
After I finished, I went out to see what was happening. People were milling about and talking. There were several oval-shaped bars located on the floor with a few servers behind them. Some people had formed separate lines on all sides leading up to them to purchase drinks or snacks. I joined one of the lines closest to me. I felt calm, relaxed and refreshed, and was in no hurry.
We were moving slowly. Some people spoke casually among themselves. The lady in front of me was antsy. She kept looking at the barman at the front of our line serving customers, wanting him to hurry up and get to her. Frustrated, she blurted out, “He’s everywhere but in front of him.”
“He’s everywhere but in front of him.”
I looked and noticed the barman taking an order from the person in front of him. He then ran to serve a drink to someone further down the bar. Next, he gave change to a customer who had just paid for their drink from another side. He was all over the place.
After seeing how busy he was, I rearranged her words from a different perspective and said, “But everywhere is in front of him!”
“But everywhere is in front of him!”
She anxiously looked again, and this time noticed that he was quickly trying his best to serve as many people as possible. My observational joke had broken the tension. She laughed and said, “That’s a good one.”
I was just as surprised as her at what had spontaneously come out of my mouth. I smiled and said, “You like it? It’s yours.”
Visibly relaxed, she smiled and thanked me. Good thing I had done my TM! Just goes to show you the effect we can have on each other for good.
True to the end, Leonard Cohen‘s work charted the arc of his career, between life and death (Sept 21, 1934 – Nov 7, 2016). His search for redemption also influenced his fans. Cohen’s evolving understanding of life, beautifully expressed through his music, shone a light through the cracks of a broken humanity in a dark suffering world. He never claimed to have found all the answers, but seemed to have reached a kind of inner peace toward the end of his life, between himself and his God.
There is a repeated stanza in one of his songs, Anthem, that conveys the redeeming acceptance of light illuminating the darkness, compassion and love overcoming bigotry and hatred: “Ring the bells that still can ring/ Forget your perfect offering/ There is a crack in everything/ That’s how the light gets in.”
There may be a crack in everything, but how does the light get in—from without, or is it released from within? I’ve often thought about the profundity of those lines, and there have been many interpretations of what he may be implying. See mine below.* I think he sang about finding that divinity within and among our broken humanity. I wrote this tanka in honor of Leonard Cohen.
Leonard Cohen’s music lit up a dark world A tanka in honor of the poet by Ken Chawkin
Leonard Cohen said There’s a crack in everything How the light gets in
It came through him and lit up a broken humanity
Of course there is a kind of irony here when he says, “Forget your perfect offerings,” since he labored for months, sometimes years, on getting the lyrics to his songs perfect. At some point, though, he must’ve given up, admitted his imperfection, and sent them out into the world. As Leonardo da Vinci once said: Art is never finished, only abandoned. Other famous artists and writers have said and done the same thing.
Artistic Genius—Two Creative Approaches
There is a story about Leonard Cohen and Bob Dylan. They happened to be in Paris at the same time and decided to meet at a certain café. During their conversation, Dylan, one of the first to sing Cohen’s song “Hallelujah” in his concerts, asked Cohen how long it took him to write it. Cohen was embarrassed to tell him the truth so he lied and said 2 years. Then Leonard asked Bob how long it took him to write “I And I“, and he replied 15 minutes. I think he said he wrote it in the back of a cab. Cohen later told this story to an interviewer and confessed that it took him more like 5 years to write that song. He never could complete it, even after 30 verses! Their styles reflect thedifferent philosophical approaches of ‘first thought, best thought’ versus ‘revise, revise, revise’.
You can read the fascinating history of that song in Alan Light’s book, The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah”. Malcolm Gladwell, in Season 1, Episode 7 of his Revisionist History podcast, discusses the history of “Hallelujah”with Alan Light. That segment starts at 21:35 and explains how this obscure song was first covered by only a few artists 15 years after Cohen had recorded it. The theme is about two kinds of artists—those who seem to create spontaneously, and others who labor for a very long time—the differences between Mozart and Beethoven, or Picasso and Cezanne. It first aired July 28, 2016. Also listen to BBC – SOUNDS – Soul Music – Series 20 – Hallelujah. First broadcast on BBC Radio 4 in April 14, 2015. (27:50)
During Leonard Cohen’s final public appearance at the Canadian consulate in Los Angeles on October 13, 2016, the day Bob Dylan was awarded the Nobel Prize in Literature, he was asked what he thought about that and said: “To me, it’s like pinning a medal on Mount Everest for being the highest mountain.”
I later read the Guardian article (6-29-2022) that this book served as the basis for the new documentary Hallelujah: Leonard Cohen, A Journey, A Song. Directed and produced by Dayna Goldfine and Dan Geller, the film takes both a micro and macro view of the song and Cohen, along with their respective and deeply intertwined places in culture. See ‘More than a song’: the enduring power of Leonard Cohen’s Hallelujah. In a new documentary, fans and experts explore the legacy of a song originally shunned before becoming a timeless classic.
I saw this documentary at the FilmScene in Iowa City (Saturday, August 6, 2022). It was very well put together. The ending moved me to tears. Netflix later offered it: Hallelujah: Leonard Cohen, A Journey, A Song.
Murals mark 1-year anniversary of Leonard Cohen’s death
Montreal murals made by Gene Pendon (l) and Kevin Ledo (r)
November 7, 2017 is the 1-year anniversary of Leonard Cohen’s death. To personally commemorate this date, Sylvie Simmons tweeted a picture of herself standing in front of a large mural of Leonard Cohen painted by Kevin Ledo on the side of a 9-storey Montreal building close to where Leonard kept a home. It was the center piece for the fifth Mural International Public Art Festival in June. CBC Arts interviewed Kevin Ledo while he was working on it: Montreal Remembers Leonard Cohen With This Massive Mural. The Montreal Gazette’s Bill Brownstein had written an article about the making of it. He also mentions another mural, a tribute to Leonard Cohen made by artist Gene Pendon, which was painted on the side of a 20-storey downtown building, as part of Montreal’s 375th billion dollar birthday bash. The Globe and Mail described them in detail: Leonard Cohen and a tale of two Montreal murals. ET Canada reported on the official inauguration today, a year after Cohen’s passing. Josée Cloutier posted photos of both murals in one tweet, shown above.
The M.A.C.’s Exhibition on Leonard Cohen: A Crack in Everything
The Guardian published Leonard Cohen: A Crack in Everything – Montreal’s tribute to its favourite son. The new exhibition was conceived as part of the city’s 375th anniversary celebrations – but has morphed into a thorough investigation of all things Cohen. On 9 November, the Musée d’art contemporain de Montréal (AKA the Mac) will open the doors to Leonard Cohen : une brèche en toute chose/A Crack in Everything, a tribute to the artist, poet and musician, filled with multi-disciplinary works inspired by Cohen’s songs of life. This special exhibition at the Montreal Museum of Contemporary Art will conclude 9 April 2018.
The show takes its title from Cohen’s song Anthem, which contains the famous line “There is a crack in everything, that’s how the light gets in.” The song also inspired artist Kara Blake’s piece for the show, an immersive installation called The Offerings. “The song apparently took Cohen 10 years to craft and is just one example of his many artistic offerings that get inside the beautifully flawed nature of being human,” says Blake. “I wanted my piece to present visitors with a sampling of the creativity, wit and insight Cohen has gifted us with.”
Julia Holter contributed a cover of Cohen’s Take This Waltz, which will play on rotation in the Listening Room. “I enjoyed getting into the feeling of this passionate, seductive, demented waltz,” says Holter, who incorporated field recordings she made during a visit to the Greek island of Hydra, where Cohen had a home. “Being there was incredible,” she says.
For Holter, being invited to contribute to the show is the perfect way for her to give back to an artist she was introduced to as a child and who inspired her love of poetry. “What was special about Leonard Cohen’s work was its calm mystery. I think that can be an inspiration to the world right now,” she says. “The world needs this subtle beauty right now.”
And of course, who could ever forget Suzanne, Leonard’s mysterious poetic song that started it all, thanks to Judy Collins who wanted to cover it right after she heard Leonard sing it to her. It launched his career as a singer-songwriter.
I enjoyed reading Sylvie’s wonderful biography, I’m Your Man: The Life of Leonard Cohen. It will be published next year in a new French edition with an added afterword that will be included in a revised English edition by McClelland & Stewart.
The afterword is Cohen’s response to the question about what was the driving force that propelled his output. Simmons calls it Traveling Light, and quotes Cohen’s answer in this interview for The Senior Times: Biographer Sylvie Simmons pays tribute to Montreal’s favourite son.
Leonard Cohen was very active towards the end of his life. Due to his declining health he tried to bring as many projects to completion as possible. One of them was his last album, You Want It Darker, produced by his son Adam Cohen. A new poetry book, The Flame, will be released next year.
The Flame: Poems Notebooks Lyrics Drawings
On Oct 1, 2018 CBC q host Tom Power interviewed Adam Cohen on the legacy of his father Leonard Cohen. It’s been almost two years since the passing of Leonard Cohen, but we’re about to hear from the legendary singer and poet again. The Flame is a posthumous collection of his final writing that features never before published poems that Leonard Cohen wrote in the final few years of his life. The day before it’s release, Adam Cohen returns to q to talk about mourning his father’s life and and celebrating his legacy on the morning of the book’s release.
*My reply to Quora question about the crack and the light
I agree with a number of interpretations posted here, quoting William Blake, the Kabbalah, and other esoteric sources, to explain what Leonard Cohen may be referring to in that line. They all make good sense to me. I also think that the light, of clarity, understanding, call it what you will, comes from within, not without. Metaphorically we may imagine light coming into a dark broken place from outside. But it can also light up the darkness from inside, if one knows how to turn on the switch. Another interpretation then, is no matter how broken, incomplete we are, with the proper approach, meditation technique, one can transcend, go beyond our limitations and just Be, experience that unbroken inner light of pure consciousness. With repeated exposures to one’s inner divine nature, the outer vessel, our body, can begin to heal, mend the broken cracks, and become whole. One way to experience this inner and outer development is with the regular practice of Transcendental Meditation.
In 1991 media mogul Moses Znaimer inducted Leonard Cohen into the Canadian Music Hall of Fame at The JUNO Awards in Vancouver. Leonard gave a brilliant and humorous acceptance speech.
k.d. lang agreed to pay tribute to the legendary singer-songwriter with a rendition of his beloved song, “Hallelujah.” She had never performed the song for Cohen and “was excruciatingly nervous” knowing he would be in the audience. She received a standing ovation, and as the credits began to roll, she ran down the stage steps towards Leonard to offer him her reverence and appreciation. He rose to meet her and they warmly, respectfully embraced.
During her world tour in 2008, she gave a beautiful performance of the song backed by the BBC Concert Orchestra in a concert filmed at St. Luke’s Church in London. After hearing it Cohen’s partner, singer Anjani Thomas, looked at Cohen and said, “Well, I think we can lay that song to rest now! It’s really been done to its ultimate blissful state of perfection.” He agreed. Lang later sang Leonard Cohen’s “Hallelujah” at the Vancouver 2010 Olympics Opening Ceremony. It was spectacular!
Leonard Cohen on Q TV (CBC exclusive). To celebrate Q’s 2nd anniversary — poet, novelist, songwriter, legend…a special exclusive feature interview with Leonard Cohen… recorded at his home in Montreal. Posted Apr 15, 2009.
November 22, 2019 brings the release of the first posthumous Leonard Cohen album, Thanks For the Dance. For the nine-track LP, Cohen’s son, Adam, took leftover sketches and poems from his father’s 2016 LP, You Want it Darker, and fleshed them out with the assistance of Beck, Damien Rice, The National’s Bryce Dessner, and others. Following last month’s teaser track, “The Goal”, “Happens to the Heart” has now been released as the album’s first official single.
Speaking of The Coming of Wisdom in Time, as William Butler Yeats put it, Leonard Cohen came to a similar realization when he said: “The older I get, the surer I am that I’m not running the show.”
A list of recorded interviews can be found on this Google search.
I later found this video posted on YouTube by AirGigs on Jan 18, 2022: 10 Pearls Of Wisdom From Leonard Cohen. In this episode we look at his thoughts on success, writing, talent and much more.