Archive for the ‘Other poems’ Category

Winding up the year with inspiration from Hafiz

December 29, 2014

We are coming to the end of the year 2014. It seemed like a rough one for many, personally, and collectively for the world. I’ve finished reading A Year With Hafiz: Daily Contemplations, translated by Daniel Ladinsky. There is usually one poem a day per page. It was a gift from friend and author Steven Verney. Here are 3 poems towards the end of the book, end of the year, that talk about endings, and, in a way, new beginnings. May they inspire you as we transition into the new year, and for some, into a new life in 2015.

A Prayer I Sometimes Say

It is the Beloved who is revealed in every
face, sought in every sign,

gazed upon by every eye, worshipped in
every object that is adored, pursued in the
visible and in the unseen.

Not a single one of His creatures, not a
single one, my dears, will

fail to someday find the divine Source
in all of its primordial and glorious nature.

And be forever united with the Infinite,
because that—God—is really you.

Muhyiddin Ibn ‘Arabi, look what your
words have become—the restoration of
Truth, the regeneration of Life itself.

December 23, page 391

* * * * *

The Tender Mouth Of The Earth

What will the burial of my body be? The
pouring of a sacred cup of wine into the earth’s

tender mouth and making my dear sweet lover
laugh one more time.

What is the passing of a body? The glorious
lifting of the spirit into the sacred arms of the

Sky, and making existence smile, one more, one
more time.

December 28, page 396

* * * * *

A River Understands

I used to know my name. Now I don’t. I
think a river understands me.

For what does it call itself in that blessed
moment when it starts emptying into the
Infinite Luminous Sea,

and opening every aspect of self wider than
it ever thought possible?

Each drop of itself now running to embrace
and unite with a million new friends.

And you were there, in my union with All,
everyone who will ever see this page.

December 29, page 397

* * * * *

One poem about a river is beautifully told by William Stafford in his poem, Ask Me, where he looks to the stillness in the river to inform him, and the person asking him about his life, and, in a way, the creative process in the moment. Another poem of his, Something That Happens Right Now, also leaves you with a similar unbounded feeling as this last Hafiz poem does.

See other inspiring poems by Hafiz, translated by Ladinsky, posted here.

Hafiz, via Ladinsky, reminds us when we love those in our care we are brought closer to God

December 21, 2014

Another small but profound poem by Hafiz is titled Riches Everywhere. Published in A Year With Hafiz: Daily Contemplations, and translated by Daniel Ladinsky, each poem is read for a specific day of the year. This poem, found on page 389, is dated for today, December 21.

Riches Everywhere

Don’t envy my talents, or seek them.
For few could bear the suffering it took
to mine the jewels I have brought to town.

There are divine riches everywhere. The
most natural way for most to find them
is by caring for those who are close to
you as if they were our Beloved.

This poem reminds us to not covet other people’s wealth, but to find riches everywhere, most naturally within our own hearts.  By loving those close to us as we would love God, our hearts come to know the divine within them, and ourselves, the only true and lasting riches. In loving, we come to be loved; we come to the Beloved.

Other beautiful poems by Hafiz selected for posting on The Uncarved Blog are: Hafiz’s poem, God Pours Light, awakens the soul and frees the mind from debating words about it | Winding up the year with inspiration from Hafiz | 3 beautiful and profound short poems by Hafiz about the nature of God within us | Hafiz via Ladinsky describes the spiritual transformation of loving deeply within himself | For Hafiz the role of an enlightened poet is to connect humanity with the joy of the divine | Hafiz said to leave something in the marketplace, and Jesse Winchester sure did before he left us.

Poetry helps us imagine what it’s like to be human. ~ Mark Strand (1934–2014)

December 5, 2014

Mark Strand, former U.S. poet laureate (1990-1991) and winner of the Pulitzer Prize for Poetry (1999), felt strongly that writing and reading poetry could make us better human beings. “Poetry helps us imagine what it’s like to be human,” he said in an Inscape interview last year.

Percy Bysshe Shelley had famously said, “Poets are the unacknowledged legislators of the world.” When Mark Strand was asked what he thought the function of poetry was in today’s society, he replied: “It’s not going to change the world, but I believe if every head of state and every government official spent an hour a day reading poetry we’d live in a much more humane and decent world. Poetry has a humanizing influence. Poetry delivers an inner life that is articulated to the reader.”

Indeed, especially if they were as transformed by poetry as Mark Strand, who wanted to feel himself “suddenly larger . . . in touch with—or at least close to—what I deem magical, astonishing. I want to experience a kind of wonderment.”

Last week, one of my poet friends, Roger Pelizzari, emailed me about the passing of Mark Strand, and included a favorite poem of his, My Name. Roger included a link to an earlier Paris Review interview: Mark Strand, The Art of Poetry No. 77, with his friend Wallace Shawn, from which I’ve included interesting excerpts.

I was surprised and sorry to hear the news of Strand’s passing and checked the Paris Review for an update. I found Memoriam Mark Strand, 1934–2014, under The Daily by Dan Piepenbring, and sent it to Roger.

Media from around the world published Obituaries reviewing the Canadian-born, American poet’s accomplished literary career. The LA Times described Mark Strand as “a revelatory poet who addressed love and death in his poems, but in radically lyrical, revelatory ways.”

This poem is filled with the wonderment he sought, and seems a fitting memorial, prophetically written in the poet’s own magical words.

My Name

Once when the lawn was a golden green
and the marbled moonlit trees rose like fresh memorials
in the scented air, and the whole countryside pulsed
with the chirr and murmur of insects, I lay in the grass,
feeling the great distances open above me, and wondered
what I would become and where I would find myself,
and though I barely existed, I felt for an instant
that the vast star-clustered sky was mine, and I heard
my name as if for the first time, heard it the way
one hears the wind or the rain, but faint and far off
as though it belonged not to me but to the silence
from which it had come and to which it would go.

(more…)

Poets Kenneth Rexroth and William Wordsworth Experienced Transcendence and Self-Awareness

December 3, 2014

Transcendence and a self-referral awareness are described by great poets when they interact deeply with nature. In the process, they experience their own inner nature. Their poetic expressions describe a state similar to what practitioners of Transcendental Meditation experience, where the body is deeply restful, more than deep sleep, and the mind is highly alert, peaceful, unobstructed by thoughts, unbounded.

Kenneth Rexroth

Kenneth Rexroth describes this experience in his poem, The Heart of Herakles, (The Collected Shorter Poems of Kenneth Rexroth). Looking up into the night sky through a telescope, he sees the enormous constellations and soon loses his sense of self. “My body is asleep. Only my eyes and brain are awake. … I can no longer tell where I begin and leave off.” In this expanded state he becomes aware of different aspects of nature being collectively self-aware with an “eye that sees itself.”

The Heart of Herakles

Lying under the stars,
In the summer night,
Late, while the autumn
Constellations climb the sky,
As the Cluster of Hercules
Falls down the west
I put the telescope by
and watch Deneb
Move towards the zenith.
My body is asleep. Only
My eyes and brain are awake.
The stars stand around me
Like gold eyes, I can no longer
Tell where I begin and leave off.
The faint breeze in the dark pines,
And the invisible grass,
The tipping earth, the swarming stars
Have an eye that sees itself.

You can hear Kenneth Rexroth read The Heart of Herakles in this July 13, 1955 recording, from 27:36 to 28:13, posted by The Poetry Center.

William Wordsworth

William Wordsworth describes a similar experience of an inner physical suspension along with a deep seeing and joyful knowing while recalling a transcendental experience in his poem, Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour. July 13, 1798. Here are some excerpts from that long poem.

That blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened: — that serene and blessed mood,
In which the affections gently lead us on —
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

His initial experience of transcending within his own mind has matured as he recognizes that same transcendental essence throughout nature, thereby unifying his inner Self with the same Self of all conscious things.

And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things.

(more…)

3 beautiful and profound short poems by Hafiz about the nature of God within us

October 23, 2014

Hafiz reveals the brilliant, compassionate nature of God within us

Here are 3 beautiful and profound short poems by Hafiz that reveal the hidden compassionate nature of God within us, and in a God-realized person. Published in “A Year With Hafiz: Daily Contemplations,” and translated by Daniel Ladinsky, each poem is for a specific day of the year.

Hidden

Even the shadow of God is brilliant, so brilliant,
so much so even God has trouble looking at
Himself as that . . . unless He is more disguised,
hidden in illusion, hidden as He can be, in us.

May 19, page 155

* * * * *

It Is My Nature

It is the nature of this world to share
its burden with you.

And it is my nature to remove it from
your back.

August 19, page 255

* * * * *

Once A Young Woman Said To Me

Once a young woman said to me, “Hafiz, what
is the sign of someone who knows God?”

I became very quiet, and looked deep into her
eyes, then replied,

“My dear, they have dropped the knife. Someone
who knows God has dropped the cruel knife

that most so often use upon their tender self
and others.”

January 31, page 33

Other beautiful poems by Hafiz are also posted here: Hafiz’s poem, God Pours Light, awakens the soul and frees the mind from debating words about it | Winding up the year with inspiration from Hafiz | Hafiz via Ladinsky describes the spiritual transformation of loving deeply within himself | For Hafiz the role of an enlightened poet is to connect humanity with the joy of the divine | Hafiz said to leave something in the marketplace, and Jesse Winchester sure did before he left us | Hafiz, via Ladinsky, reminds us when we love those in our care we are brought closer to God

For Emily Dickinson the brain is wider than the sky and deeper than the sea—a finite infinity

August 27, 2014

untapped brain potential

The Brain—is wider than the Sky—
For—put them side by side—
The one the other will contain
With ease—and You—beside—

The Brain is deeper than the sea—
For—hold them—Blue to Blue—
The one the other will absorb—
As Sponges—Buckets—do—

The Brain is just the weight of God—
For—Heft them—Pound for Pound—
And they will differ—if they do—
As Syllable from Sound—

See Emily Dickinson’s Solitude is Vedic Nivartatwam and Emily Dickinson succinctly describes the eternal nature of Love in this short but powerful poem.

Read how Emily Dickinson wanted her poems to look on the page, described in Rebecca Mead’s Back of the Envelope in The New Yorker: Poesy Dept. | January 27, 2014 Issue. See Emily D.-envelope poems.

See my playful response to this: Poem: For—Emily D— From—Kenny C—.

(more…)

Emily Dickinson succinctly describes the eternal nature of Love in this short but powerful poem

August 26, 2014

Love—is anterior to Life—
Posterior—to Death—
Initial of Creation, and
The Exponent of Breath—

This description of Love reminds me of the nature of the Self described in chapter two of the Gita: It is eternal. It was never born, nor will it ever die. It cannot be destroyed when the body is destroyed.

When it comes to mystical conception and creative inspiration, Love is expressed in a beautiful poem by New York poet laureate Marie Howe. Listen to her read Annunciation to Krista Tippett On Being.

For another Vedic perspective from America’s greatest poet, see Emily Dickinson’s Solitude, where she describes the self-referral process of the self integrating with the Self, finite infinity.

Read how Emily Dickinson wanted her poems to look on the page, described in Rebecca Mead’s Back of the Envelope in The New Yorker: Poesy Dept. | January 27, 2014 Issue. See Emily D.-envelope poems.

Here is another cosmic love poem by another one of America’s greatest poets: i carry your heart with me by e.e. cummings.

See A Blessing of Solitude by John O’Donohue, from Anam Cara: A Book of Celtic Wisdom, which profoundly complements Derek Walcott’s poem Love After Love.

Famous Poets and Poems lists 1779 of Emily Dickinson’s poems!

Charles Bukowski sang the life victorious, thanks to his having learned Transcendental Meditation

August 17, 2014

I first posted this wonderful poem by Charles Bukowski in the summer of 2014 and later found out that he had learned Transcendental Meditation towards the end of his life. So I’ve updated it in early 2021 with three different sources behind this story.

a song with no end

when Whitman wrote, “I sing the body electric”

I know what he
meant
I know what he
wanted:

to be completely alive every moment
in spite of the inevitable.

we can’t cheat death but we can make it
work so hard
that when it does take
us

it will have known a victory just as
perfect as
ours.

“a song with no end” by Charles Bukowski (1920-1994), from The Night Torn with Mad Footsteps. © Black Sparrow Press, 2001. (On Amazon)

he apparently loved meditation

Towards the end of a Dec 31, 2006 New York Times article, David Lynch’s Shockingly Peaceful Inner Life, Alex Williams writes: The filmmaker sees no contradiction between inner harmony and external edginess. “I heard Charles Bukowski started meditation late in his life,” Mr. Lynch said, referring to the poet laureate of Skid Row, who died in 1994. “He was an angry, angry guy, but he apparently loved meditation.”

meditation allowed him to be creative in his later months

In this 89.3 KPCC interview Bukowski’s wife said that he lost some ground after being diagnosed with leukemia at age 73. He got it back with transcendental meditation. “It allowed him to open up a space within himself to say these words about himself dying,” said Linda Bukowski. “These later poems, death poems, are so acute and so awake and aware and I think that had a lot to do with how meditation allowed him to be creative in his later months and write these poems, that I still cannot read.”

I checked with a friend who has taught TM to many celebrities and she replied: “I instructed Charles (or Hank as he liked to be called) and his wife, Linda, a few years before he passed away. He was a lovely man at that time of his life. I wonder if he was meditating when he wrote this beautiful piece.”

That’s probably how David Lynch would have known since they’re longtime TM friends. She later emailed to say that she had taught Bukowski around 1992. So based on this information and what Linda had said, chances are this poem could have been written during those final years of his life while he was meditating regularly.

a related post

Cartoon wisdom from Karl Stevens appears in this week’s print edition of The New Yorker. Time Out Boston wrote on the back of his book, Failure, “Karl Stevens may be the closet thing to a Charles Bukowski equivalent working in comic art. Except Stevens is way classier….” When Stevens was working on Failure, “I was struggling with alcoholism which I think was where the comparison lies. I stopped drinking a couple months before beginning to learn TM. Obviously the practice was crucial to helping me focus on living a cleaner life. ”Peace of mind and heart arrives when we accept what is.”

accepting what is

William Butler Yeats wrote about The Coming Of Wisdom With Time. It seems to have come to Bukowski toward the end of his life. See his full quote posted on NITCH’s Instagram. Only now did I realize who Karl Stevens was quoting!

“I have been alone but seldom lonely. I have satisfied my thirst at the well of my self and that wine was good, the best I ever had, and tonight sitting staring into the dark I now finally understand the dark and the light and everything in between. Peace of mind and heart arrives when we accept what is: having been born into this strange life we must accept the wasted gamble of our days and take some satisfaction in the pleasure of leaving it all behind. Cry not for me. Grieve not for me. Read what I’ve written then forget it all. Drink from the well of your self and begin again.”

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

Another “death poem” was found and posted: Charles Bukowski’s poem The Laughing Heart instructs us to find the light and improve our life. I added more content about his learning TM towards the end of his life.

Emily Dickinson’s Solitude is Vedic Nivartatwam

August 17, 2014

Emily Dickinson beautifully, concisely describes the transcendental self-referral value of true inner solitude by realizing her unbounded Self.

There is a solitude of space
A solitude of sea
A solitude of death, but these
Society shall be
Compared with that profounder site
That polar privacy
A soul admitted to itself —
Finite infinity.

When Emily admits the self to the Self, she reiterates the Vedic injunction to transcend, retire, Nivartatwam, into that infinitely silent, Shivam, infinitely peaceful, Shantam, undivided, Advaitam, fourth, Chaturtham, state of consciousness, Atma, the Self.

Emily Dickinson succinctly describes the eternal nature of Love in this short but powerful poem.

Derek Walcott had his own way of describing this return to love, to one’s Self, in Love after Love.

Read how Emily Dickinson wanted her poems to look on the page, described in Rebecca Mead’s Back of the Envelope in The New Yorker: Poesy Dept. | January 27, 2014 Issue. See Emily D.-envelope poems.

Related poem: For Emily Dickinson the brain is wider than the sky and deeper than the sea—a finite infinity.

Famous Poets and Poems lists 1779 of Emily Dickinson’s poems!

Wendell Berry’s “No going back” is about the generosity of the evolving self through time

July 29, 2014

No Going Back
(Wendell Berry)

No, no, there is no going back.
Less and less you are
that possibility you were.
More and more you have become
those lives and deaths
that have belonged to you.
You have become a sort of grave
containing much that was
and is no more in time, beloved
then, now, and always.
And so you have become a sort of tree
standing over a grave.
Now more than ever you can be
generous toward each day
that comes, young, to disappear
forever, and yet remain
unaging in the mind.
Every day you have less reason
not to give yourself away.

(The Sabbath Poems, 1993, I)

Just added: Wendell Berry’s stepping over stones in a stream shows us how he writes a poem and takes a stand, which contains a link to a Bill Moyers PBS profile on the poet.

Here is a National Endowment For The Humanities interview with Wendell E. Berry, Awards & Honors: 2012 Jefferson Lecturer. These poems by Walcott, O’Donohue, Hafiz, and Oliver complement Berry’s theme: Love after Love, by Derek Walcott, A Blessing of Solitude by John O’Donohue, The Root of The Rose by Hafiz, translated by Daniel Ladinsky, and The Journey by Mary Oliver.

Just added another poem: The Peace of Wild Things by Wendell Berry, with a link to On Being of him reading this poem and 5 others.