Archive for the ‘Other poems’ Category

Learning To Let Go

January 1, 2012

Learning To Let Go

You’ve been learning to let go
Accepting things as they are
And your bliss is zooming forth

That Being inside of you
It’s so full; it’s so vibrant
You’re becoming who you are

To me you’re the lucky one
But others would not know it
They only see what they see

If it wasn’t for my muse
I’d have no reason to write
This—the soul of the matter

© Ken Chawkin
Talking with Sali, my friend and muse
Saturday, December 31, 2011
Finalized Sunday, January 1, 2012
Fairfield, Iowa, USA

Before He Makes Each One by Rainer Maria Rilke

December 25, 2011

Before He Makes Each One

Before he makes each one
of us, God speaks.

Then, without speaking,
he takes each one
out of the darkness.

And these are the cloudy
words God speaks
before each of us begins:

“You have been sent out
by your senses. Go
to the farthest edge
of desire, and give me
clothing: burn like a great
fire so that the stretched-out
shadows of the things
of the world cover
me completely.
Let everything happen
to you: beauty and terror.
You must just go–
no feeling is the farthest
you can go. Don’t let
yourself be separated
from me. The country
called life is close.
By its seriousness,
you will know it.
Give me your hand.”

~ Rainer Maria Rilke  ~

(Translated by Annie Boutelle, Metamorphoses Fall 2001)

First published in German in 1905, by Rainer Maria Rilke, as Das Stundenbuch, The Book of Hours: Prayers to a Lowly God. There are several translations, known as Rilke’s Book of Hours: Love Poems to God. Here is another version, God speaks to each of us, translated by Anita Barrows and Joanna Macy.

Born: December 04, 1875 in Prague, Czech Republic
Died: December 29, 1926

Quotes by Rainer Maria Rilke

“Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.”

“The work of the eyes is done. Go now and do the heart-work on the images imprisoned within you.”

“The only journey is the one within.”

This idea was expressed more eloquently by American poet, lecturer and essayist (1803-1882) Ralph Waldo Emerson when he said: “What lies behind us and what lies before us are tiny matters compared to what lies within us.” I wonder if Rilke read Emerson?

See Letters to a Young Poet Quotes.

Also see: Singing Image of Fire, a poem by Kukai, with thoughts on language, translation, and creation.

Sweet Haiku for Sali

November 20, 2011

Sweet Haiku for Sali

Dancing eyes of light
A smile of pure delight
That’s my Sali gal

© Ken Chawkin
November 19, 2011
Fairfield, Iowa

See: Haiku For Sali, Hoku For SaliSally’s Smile (Haiku for Nurse Dan), and Haiku for Sali II and Haiku Muse.

Haiku for Sali II and Haiku Muse

November 20, 2011

Haiku for Sali II

Beautiful blue eyes
Soft silky silvery hair
Angel in disguise

Haiku Muse

The job of a Muse? —
Keeping her lover amused
Writing Poetry

© Ken Chawkin
Oct 8, 2011
Fairfield, Iowa

See: Haiku For Sali, Hoku For SaliSally’s Smile (Haiku for Nurse Dan), and Sweet Haiku for Sali.

Wild Geese by Mary Oliver, photo by Ken West

November 14, 2011

Wild Geese

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting
over and over announcing your place
in the family of things.

—Mary Oliver

From Dream Work published by Atlantic Monthly Press
 

This photo of a family of Canadian Geese was taken by Ken West Iowa Landscape and Nature Photography. Ken West and his unique landscape photographs are featured on IPTV show Iowa Outdoors.

For more on Mary Oliver see The Journey by Mary Oliver, with links to other poems and an interview with Maria Shriver.

Listen to Mary Oliver read “Wild Geese” for The On Being Project. This poem is featured in Mary Oliver’s extraordinary conversation with Krista Tippett—one of the few in-depth interviews she gave in her lifetime: “I got saved by the beauty of the world.” She describes her creative process On Being: Listening to the World. 

Mary Oliver Reads Wild Geese (14:36) from A Thousand Mornings (1986) at the 92nd St Y, New York in 2012. 

A beautiful soundtrack was later added to her reciting this poem and posted on Instagram by coffee_with_keats.

Mary Oliver’s poem, Swan, asks us if we see, hear, and feel what she does, drawing rich references to the beautiful aspects of a swan, culminating in two powerful questions.

Mary Oliver’s poem, Mockingbirds, teaches us how to listen, and experience the wonders around us.

See this remembrance of Mary Oliver with links to more of her poems.

POEM OF THE DAY: Mirror Lake by Rolf Erickson

October 11, 2011

MIRROR LAKE

One
trout
rises

to nibble
a
reflected star

sending ripples through the universe

© Rolf Erickson

Published in This Enduring Gift—A Flowering of Fairfield Poetry, 2010, and selected as the Poem of the Day, October 8, 2011.

Also see The Poet by Rolf Erickson.

Mary Oliver’s poem of a fish leaping At the Lake also captures this kind of magic in words.

Hoku For Sali

September 24, 2011

Hoku For Sali

A Goddess Dwells Within You
And She Is So Beautiful

© Ken Chawkin
September 24, 2011
Fairfield, Iowa

Also see Haiku For Sali and Sally’s Smile (Haiku for Nurse Dan)

Haiku For Sali

September 23, 2011

Haiku For Sali

We are true lovers
You are the key that unlocks
The Beauty in me

© Ken Chawkin
September 23, 2011
Fairfield, Iowa

Also see Hoku For Sali and Sally’s Smile (Haiku for Nurse Dan)

Sally’s Smile (Haiku for Nurse Dan)

September 23, 2011

Whenever Nurse Dan came into Sally’s room to dispense her meds, he would cheerfully call out her name and greet her with a big smile. We were always happy to see him and Sally would light up. Dan told us he was going to be leaving the facility to work at just his other job. But he added there was one thing he was going to miss around here, and that was Sally’s smile. Sally does have a beautiful smile, and I thought that was a great title for a poem. So as soon as Dan left the room I wrote this haiku and dedicated it to him. The first two lines came easily, but I had to think about what was really going on when Sally smiled at someone who acknowledged her. She watched me writing and saying it to myself. When I read it to her, she quietly said, “Thank you.”

Sally’s Smile
(Haiku for Nurse Dan)

Flooded with Sunshine
From the Glow of Sally’s Smile
You Know Your Own Worth

© Ken Chawkin
September 22, 2011
In the presence of my muse,
Sali M. Peden

Also see: Sweet Haiku for Sali | Haiku For Sali | Hoku For Sali

See these newer poems: Sali’s Nature and Tanka For Sali Upholding Her Wonderful Nature.

At last—the truth about Frankenstein

August 19, 2011

This is one of my favorite poems, written by a good friend and a fine poet, Bill Graeser. The title now links to his new website where the poem has since been divided into seven stanzas. 

What You May Not Know About Frankenstein

Although he had not the hands to crochet, the patience to build birdhouses or the nerve to push a hook through a worm in the hope of pulling a fish from the sea, he did write poems and wrote often and late into the night.  Was it pain that made him write?  The pain of all those stitches, of shoes that despite their size were still too small?  Was it psychological pain of social non-acceptance?  Or the electricity that years later still snapped between his fingers?

No, it was simply what his brain wanted to do, the brain they dug up and sowed into his head, it was just grave-robbing luck.  At poetry readings, where everyone is welcome, he read his poems sounding like a man who having fallen into a well and cried out for years was now finally being heard.

Like this there are many so-called monsters with poems to share.  The same is true of angels, of gangsters, shepherds, anyone who fits words together like body parts, revises, revises again, until magically, beautifully, lightning leaps from the pen and the poem opens its eyes, sits up from the page, staggers into the world, and whether it is seen as monster, or friend, it is alive, every word it says is real and it comes not from the grave, but from the sky.

© Bill Graeser

Also see Bill Graeser memorializes Ansel Adams in his award-winning poem “Magic Light”.

In an interview for the Fall 2001 issue of Paris Review, George Plimpton asks US Poet Laureate Billy Collins to describe what it takes to be a poet.

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