Archive for the ‘Poetry’ Category

Leonard Cohen said there’s a crack in everything — how the light gets in. It came through him and lit up a broken humanity.

September 10, 2017

True to the end, Leonard Cohen‘s work charted the arc of his career, between life and death (Sept 21, 1934 – Nov 7, 2016). His search for redemption also influenced his fans. Cohen’s evolving understanding of life, beautifully expressed through his music, shone a light through the cracks of a broken humanity in a dark suffering world. He never claimed to have found all the answers, but seemed to have reached a kind of inner peace toward the end of his life, between himself and his God.

There is a repeated stanza in one of his songs, Anthem, that conveys the redeeming acceptance of light illuminating the darkness, compassion and love overcoming bigotry and hatred: “Ring the bells that still can ring/ Forget your perfect offering/ There is a crack in everything/ That’s how the light gets in.”

There may be a crack in everything, but how does the light get in—from without, or is it released from within? I’ve often thought about the profundity of those lines, and there have been many interpretations of what he may be implying. See mine below.* I think he sang about finding that divinity within and among our broken humanity. I wrote this tanka in honor of Leonard Cohen.

Leonard Cohen’s music lit up a dark world
A tanka in honor of the poet by Ken Chawkin

Leonard Cohen said
There’s a crack in everything
How the light gets in

It came through him and lit up
a broken humanity

Of course there is a kind of irony here when he says, “Forget your perfect offerings,” since he labored for months, sometimes years, on getting the lyrics to his songs perfect. At some point, though, he must’ve given up, admitted his imperfection, and sent them out into the world. As Leonardo da Vinci once said: Art is never finished, only abandoned. Other famous artists and writers have said and done the same thing.

Artistic Genius—Two Creative Approaches

There is a story about Leonard Cohen and Bob Dylan. They happened to be in Paris at the same time and decided to meet at a certain café. During their conversation, Dylan, one of the first to sing Cohen’s song “Hallelujah” in his concerts, asked Cohen how long it took him to write it. Cohen was embarrassed to tell him the truth so he lied and said 2 years. Then Leonard asked Bob how long it took him to write “I And I“, and he replied 15 minutes. I think he said he wrote it in the back of a cab. Cohen later told this story to an interviewer and confessed that it took him more like 5 years to write that song. He never could complete it, even after 30 verses! Their styles reflect the different philosophical approaches of ‘first thought, best thought’ versus ‘revise, revise, revise’.

You can read the fascinating history of that song in Alan Light’s book, The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah”. Malcolm Gladwell, in Season 1, Episode 7 of his Revisionist History podcast, discusses the history of “Hallelujah” with Alan Light. That segment starts at 21:35 and explains how this obscure song was first covered by only a few artists 15 years after Cohen had recorded it. The theme is about two kinds of artists—those who seem to create spontaneously, and others who labor for a very long time—the differences between Mozart and Beethoven, or Picasso and Cezanne. It first aired July 28, 2016. Later added on YouTube March 8, 2023 starting at 18:13. Also listen to BBC – SOUNDS – Soul Music – Series 20 – Hallelujah. First broadcast on BBC Radio 4 in April 14, 2015. (27:50)

During Leonard Cohen’s final public appearance at the Canadian consulate in Los Angeles on October 13, 2016, the day Bob Dylan was awarded the Nobel Prize in Literature, he was asked what he thought about that and said: “To me, it’s like pinning a medal on Mount Everest for being the highest mountain.”

Hallelujah: Leonard Cohen, a Journey, a Song

I later read the Guardian article (6-29-2022) that this book served as the basis for the new documentary Hallelujah: Leonard Cohen, A Journey, A Song. Directed and produced by Dayna Goldfine and Dan Geller, the film takes both a micro and macro view of the song and Cohen, along with their respective and deeply intertwined places in culture. See ‘More than a song’: the enduring power of Leonard Cohen’s Hallelujah. In a new documentary, fans and experts explore the legacy of a song originally shunned before becoming a timeless classic.

I saw this documentary at the FilmScene in Iowa City (Saturday, August 6, 2022). It was very well put together. The ending moved me to tears. Netflix later offered it: Hallelujah: Leonard Cohen, A Journey, A Song. From there it would later move to Hulu and Disney+. You can rent it on Amazon and other platforms. 

See Leonard Cohen’s website www.leonardcohen.com with links to more.

I tweeted (9-19-2107) Leonard Cohen’s biographer, Sylvie Simmons, asking her what he meant about the light getting in through the cracks, and she pointed me to Allan Showalter’s Cohencentric website and a post about it. He transferred it to his new website: “The light is the capacity to reconcile your experience, your sorrow, with every day that dawns” Leonard Cohen On The Light In Anthem.

Leonard later spent time in Bombay, India having conversations with Ramesh Balsekar, a teacher of Advaita Vedanta. It made a profound impression on him; his life-long depression had finally lifted. He also befriended an Indian gentleman, a fan, Ratnesh Mathur. You can read about their relationship and see photos in these posts that were transferred to Allan Showalter’s new website in his Leonard Cohen section: Leonard Cohen, India, & Me By Ratnesh Mathur; Leonard Cohen’s Spiritual Sojourn In India By Ratnesh Mathur; and Unpublished Photos Of Leonard Cohen (And Unidentified Companion) In India – With Ratnesh & Sangeeta Mathur. BBC reported: When the light got in for Leonard Cohen.

Murals mark 1-year anniversary of Leonard Cohen’s death

Montreal murals of Leonard Cohen

Montreal murals made by Gene Pendon (l) and Kevin Ledo (r)

November 7, 2017 is the 1-year anniversary of Leonard Cohen’s death. To personally commemorate this date, Sylvie Simmons tweeted a picture of herself standing in front of a large mural of Leonard Cohen painted by Kevin Ledo on the side of a 9-storey Montreal building close to where Leonard kept a home. It was the center piece for the fifth Mural International Public Art Festival in June. CBC Arts interviewed Kevin Ledo while he was working on it: Montreal Remembers Leonard Cohen With This Massive Mural. The Montreal Gazette’s Bill Brownstein had written an article about the making of it. He also mentions another mural, a tribute to Leonard Cohen made by artist Gene Pendon, which was painted on the side of a 20-storey downtown building, as part of Montreal’s 375th billion dollar birthday bash. The Globe and Mail described them in detail: Leonard Cohen and a tale of two Montreal murals. ET Canada reported on the official inauguration today, a year after Cohen’s passing. Josée Cloutier posted photos of both murals in one tweet, shown above. 

CBC broadcaster Eleanor Wachtel tweeted that the photograph of Leonard Cohen, which served as the basis for the large downtown mural, was taken by his daughter Lorca. Interesting that Leonard named his daughter after the famous Spanish poet Federico García Lorca, who had greatly influenced his work. See: Leonard Cohen on Federico García Lorca: “His books taught me that poetry can be pure and profound – and at the same time”

The M.A.C.’s Exhibition on Leonard Cohen: A Crack in Everything

The Guardian published Leonard Cohen: A Crack in Everything – Montreal’s tribute to its favourite son. The new exhibition was conceived as part of the city’s 375th anniversary celebrations – but has morphed into a thorough investigation of all things Cohen. On 9 November, the Musée d’art contemporain de Montréal (AKA the Mac) will open the doors to Leonard Cohen : une brèche en toute chose/A Crack in Everything, a tribute to the artist, poet and musician, filled with multi-disciplinary works inspired by Cohen’s songs of life. This special exhibition at the Montreal Museum of Contemporary Art will conclude 9 April 2018.

The show takes its title from Cohen’s song Anthem, which contains the famous line “There is a crack in everything, that’s how the light gets in.” The song also inspired artist Kara Blake’s piece for the show, an immersive installation called The Offerings. “The song apparently took Cohen 10 years to craft and is just one example of his many artistic offerings that get inside the beautifully flawed nature of being human,” says Blake. “I wanted my piece to present visitors with a sampling of the creativity, wit and insight Cohen has gifted us with.”

Julia Holter contributed a cover of Cohen’s Take This Waltz, which will play on rotation in the Listening Room. “I enjoyed getting into the feeling of this passionate, seductive, demented waltz,” says Holter, who incorporated field recordings she made during a visit to the Greek island of Hydra, where Cohen had a home. “Being there was incredible,” she says.

For Holter, being invited to contribute to the show is the perfect way for her to give back to an artist she was introduced to as a child and who inspired her love of poetry. “What was special about Leonard Cohen’s work was its calm mystery. I think that can be an inspiration to the world right now,” she says. “The world needs this subtle beauty right now.”

And of course, who could ever forget Suzanne, Leonard’s mysterious poetic song that started it all, thanks to Judy Collins who wanted to cover it right after she heard Leonard sing it to her. It launched his career as a singer-songwriter. The song was inspired by Suzanne Verdal, the then estranged wife of his friend, sculptor Armand Vaillancourt. Read Suzanne’s 1998 BBC Radio 4 interview

Leonard Cohen biographer Sylvie Simmons

As part of the week’s celebrations, Eleanor Wachtel interviewed Sylvie Simmons on CBC Books Writers and Company, for broadcast on Sunday, November 12, 2017: Remembering Leonard Cohen: biographer Sylvie Simmons on Montreal’s beloved poet.

I enjoyed reading Sylvie’s wonderful biography, I’m Your Man: The Life of Leonard Cohen. It will be published next year in a new French edition with an added afterword that will be included in a revised English edition by McClelland & Stewart.

The afterword is Cohen’s response to the question about what was the driving force that propelled his output. Simmons calls it Traveling Light, and quotes Cohen’s answer in this interview for The Senior Times: Biographer Sylvie Simmons pays tribute to Montreal’s favourite son.

Leonard Cohen was very active towards the end of his life. Due to his declining health he tried to bring as many projects to completion as possible. One of them was his last album, You Want It Darker, produced by his son Adam Cohen. A new poetry book, The Flame, will be released next year.

The Flame: Poems Notebooks Lyrics Drawings

On Oct 1, 2018 CBC q host Tom Power interviewed Adam Cohen on the legacy of his father Leonard Cohen. It’s been almost two years since the passing of Leonard Cohen, but we’re about to hear from the legendary singer and poet again. The Flame is a posthumous collection of his final writing that features never before published poems that Leonard Cohen wrote in the final few years of his life. The day before it’s release, Adam Cohen returns to q to talk about mourning his father’s life and and celebrating his legacy on the morning of the book’s release.

*My reply to Quora question about the crack and the light

Quora posted this question: What did Leonard Cohen mean by his lyrics: “There is a crack, a crack in everything/ That’s how the light gets in?” About a dozen people posted their suggestions. Here is my reply:

I agree with a number of interpretations posted here, quoting William Blake, the Kabbalah, and other esoteric sources, to explain what Leonard Cohen may be referring to in that line. They all make good sense to me. I also think that the light, of clarity, understanding, call it what you will, comes from within, not without. Metaphorically we may imagine light coming into a dark broken place from outside. But it can also light up the darkness from inside, if one knows how to turn on the switch. Another interpretation then, is no matter how broken, incomplete we are, with the proper approach, meditation technique, one can transcend, go beyond our limitations and just Be, experience that unbroken inner light of pure consciousness. With repeated exposures to one’s inner divine nature, the outer vessel, our body, can begin to heal, mend the broken cracks, and become whole. One way to experience this inner and outer development is with the regular practice of Transcendental Meditation.

Speaking of cracks and light, the Japanese art of kintugi turns damaged bowls into something even more beautiful. See my Japanese style poem, kintsugi tanka: japanese pottery inspires poetry.

This Canadian writer used the same metaphor, but from a different perspective: Richard Wagamese bravely entered the cracks in his life to reveal the hidden gold buried within.

New information on this topic later found and added

I recently discovered a quote by Rumi, which led me to believe this is where Leonard may have received the idea of the light entering the crack. Rumi wrote: “The wound is the place where the Light enters you.”

In the documentary, Andrea Bocelli – The Power of Silence, the interviewer quotes Rumi to Andrea. Here, ‘wound’ replaces ‘crack’, and he changes ‘you’ to ‘the heart’, but the idea is the same. It seems more intimate. “The wound is the place where the Light enters the heart.” They discuss the notion of the value of suffering and he asks him, “When did the light enter your heart? When did that light strike Andrea?” 

Andrea gives him an unexpected, beautiful, religious answer. “So the vision of Rumi the philosopher that you quoted is very interesting and I agree with what he says. In my case I didn’t think it was a wound, not such a painful wound that opened up and allowed the light to enter. No, I think the light entered my heart thanks to the grace of God.”  

He asks him, “Are you happy?” and Bocelli replies, “I am happy, yes, but more importantly, I am serene. To me happiness is a transitory condition and it can sometimes be a bit dangerous; whereas being serene is a state of mind that can be consolidated and it can stay with us forever.”  

Speaking of the Light entering us, see Marie Howe’s poem, Annunciation.

Additional interviews, documentaries, a new film, and album

Leonard Cohen SONGS FROM THE LIFE OF LEONARD COHEN, a 1988 documentary filmed in London, Paris, Hydra, Athens and New York.

“LEONARD” – Adrienne Clarkson – Leonard Cohen Documentary, 1989. Leonard Cohen tells Adrienne Clarkson about his original idea of making a living: “I don’t want to work for pay, but I want to be paid for my work.

In 1991 media mogul Moses Znaimer inducted Leonard Cohen into the Canadian Music Hall of Fame at The JUNO Awards in Vancouver. Leonard gave a brilliant and humorous acceptance speech.

In 2006, Adrienne Clarkson narrated a retrospective of Leonard Cohen’s work and movingly inducted him into the Canadian Songwriters Hall of Fame. In his acceptance speech, Cohen said: “If I knew where the good songs came from, I’d go there more often.” He humbly went on to say “that we shuffle behind our songs into the Hall of Fame, shuffle awkwardly, not quite believing that we wrote them, but happy that you do,” which elicited laughter and massive applause.

k.d. lang agreed to pay tribute to the legendary singer-songwriter with a rendition of his beloved song, “Hallelujah.” She had never performed the song for Cohen and “was excruciatingly nervous” knowing he would be in the audience. She received a standing ovation, and as the credits began to roll, she ran down the stage steps towards Leonard to offer him her reverence and appreciation. He rose to meet her and they warmly, respectfully embraced. Cohen’s partner, singer Anjani Thomas, looked at Cohen and said, “Well, I think we can lay that song to rest now! It’s really been done to its ultimate blissful state of perfection.” He agreed. A few years later, in a CBC interview, Cohen recalled that performance and said, “that really touched me.” He was asked about the history of that song, and said, “the only person who seemed to recognize the song was Dylan.” During her world tour in 2008, lang gave a beautiful performance of the song backed by the BBC Concert Orchestra in a concert filmed at St. Luke’s Church in London. And two years later, lang sang Leonard Cohen’s “Hallelujah” at the Vancouver 2010 Olympics Opening Ceremony. It was spectacular!

Interview with Leonard Cohen and Anjani Thomas | SVT/NRK/Skavlan, 2007. Asked if we are able to make a change for the better, Leonard discusses where catastrophes start and where we need to change: “The real weapons of mass destruction are the hardened hearts of humanity.

In 2008, Leonard Cohen was inducted into the Rock & Roll Hall of Fame. Read the Hall of Fame Essay by Anthony DeCurtis: Leonard Cohen.

Leonard Cohen on Q TV (CBC exclusive). To celebrate Q’s 2nd anniversary — poet, novelist, songwriter, legend…a special exclusive feature interview with Leonard Cohen… recorded at his home in Montreal. Posted Apr 15, 2009.

How I Got My Song, Leonard Cohen’s speech at the Oct 21, 2011 Prince of Asturias Awards, posted by Allan Showalter. Cohen humbly and with great appreciation, tells the story of his cultural indebtedness to Spain.

LEONARD COHEN : His Last Interview (COMPLETE), September 2016, ​by David Remnick from The New Yorker.​

The Globe and Mail’s Robert Everett-Green also wrote about Leonard Cohen’s Montreal: refuge and escape. Published October 14, 2016. Updated April 10, 2018.

Marianne & Leonard: Words of Love

The poem, Days of Kindness, read by Leonard Cohen, concludes the 2019 film, Marianne & Leonard: Words of Love, an in-depth look at the relationship between Leonard and his Norwegian muse Marianne Ihlen.

Listen to CBC Radio’s As It Happens interview Marianne’s close friend, filmmaker Jan Christian Mollestad, the week she died: So long, Marianne. Leonard Cohen’s final letter to his muse. At Marianne’s request, Jan had conveyed a message to Leonard that she was dying. He wrote back to her, the subject of the interview. There is also a link to Leonard Cohen’s Facebook page with Jan’s reply to Leonard, saying his letter to Marianne gave her deep peace of mind, and described her peaceful passing to him.

Jan Christian Mollestad was one of the executive producers on the film. He had posted a video celebrating Marianne’s 80th birthday that previous year on Hydra, including Adam Cohen singing “So long, Marianne” in Oslo, and Marianne and Judy Collins enjoying singing “Famous Blue Raincoat” together.

Listen to the beautiful soundtrack by Nick Laird-Clowes: Marianne & Leonard: Words of Love (Original Score) https://lnk.to/WordsOfLove. Where you can watch the movie.

Leonard and Marianne: A portrait of Leonard Cohen and Marianne Ihlen, the woman who inspired Cohen’s song ‘So Long, Marianne’. Based on Kari Hesthamar’s NRK award-winning documentary ‘So Long, Marianne’. Falling Tree Productions made this 27:33 minute piece. Produced by Alan Hall, it was first broadcast August 2, 2008 on BBC Radio 4. Leonard Cohen’s muse when he turned from poetry to song-writing was a beautiful Norwegian woman immortalised in the song So Long, Marianne—this is their story. Listen to in on SoundCloud. It won Best Feature Bronze Award at the Sony Radio Academy Awards (2009).

November 22, 2019 brings the release of the first posthumous Leonard Cohen album, Thanks For the Dance. For the nine-track LP, Cohen’s son, Adam, took leftover sketches and poems from his father’s 2016 LP, You Want it Darker, and fleshed them out with the assistance of Beck, Damien Rice, The National’s Bryce Dessner, and others. Following last month’s teaser track, “The Goal”, “Happens to the Heart” has now been released as the album’s first official single.

November 30, 2016 Rolling Stone published a retrospective of his life: Leonard Cohen: Remembering the Life and Legacy of the Poet of Brokenness. June 2020 Pocket republished it with permission.

Jan 18, 2021, Award-winning writer Michael Posner speaks with Banyen Books & Sound about his new biography: Leonard Cohen, Untold Stories.

February 24, 2022, The Guardian published Leonard Cohen: previously unpublished novel to be released in autumn. Written in 1956, A Ballet of Lepers will be published alongside other short fiction and a radio play from Cohen’s early career.

June 29, 2022, The Guardian published ‘More than a song’: the enduring power of Leonard Cohen’s Hallelujah. In a new documentary, fans and experts explore the legacy of a song originally shunned before becoming a timeless classic.

July 7, 2022, Directors Dan Geller and Dayna Goldfine, and head of the Cohen estate/Executive Producer Robert Kory discuss HALLELUJAH: Leonard Cohen, A Journey, A Song at the Rock & Roll Hall of Fame. This was the first RRHF screening and discussion since the covid pandemic had shut them down for a year. See the 42-minute video.

Speaking of The Coming of Wisdom in Time, as William Butler Yeats put it, Leonard Cohen came to a similar realization when he said: “The older I get, the surer I am that I’m not running the show.” 

This Google search lists recorded interviews. This resource, The Leonard Cohen Files, is a tribute to the music and poetry of the Canadian singer-songwriter-poet-novelist Leonard Cohen. Launched in 1995 in Finland by Jarkko Arjatsalo, the extensive website contents also has a Leonard Cohen Forum, a meeting point for members and fans with the latest news about Leonard. I later found Jarkko’s September 2012 Interview with Sylvie Simmons.

I later found this video posted on YouTube by AirGigs on Jan 18, 2022: 10 Pearls Of Wisdom From Leonard Cohen. In this episode we look at his thoughts on success, writing, talent and much more.

Apr 9, 2024, Contra Costa JCC presented, Leonard Cohen: Untold Stories. Award-winning writer, playwright, journalist, and author of seven books, Michael Posner, joined the Under One Tent audience online on Tuesday, April 9, 2024. He introduced the third volume of his book, “Leonard Cohen: Untold Stories,” a must-read for fans of Leonard Cohen.

May 26, 2024, I posted For Carlos Santana, the purpose of playing music is creating holy moments, and Leonard Cohen did.

November 21, 2024: CBC: Sting, Courtney Love, k.d. lang and others celebrate Leonard Cohen’s life in stunning concert documentary. Leonard Cohen: If It Be Your Will, a new concert documentary featuring stunning performances and tributes. The article includes two video excerpts from the show. It aired Nov 20 and can now be streamed, but only in Canada.

To see other inspiring artists featured on The Uncarved Blog, scroll through the Archive of the ‘Music’ Category.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

‘In Our Loving Eyes’ a poem by @kenchawkin remembering a special love with Sally Peden

August 31, 2017

In Our Loving Eyes

Some people are stargazers
We were soul-gazers
Looking in each other’s eyes

Windows to the Soul
A Self-reflecting mirror
Drawing us nearer

Love … looking … at Love

© Ken Chawkin
August 31, 2017
Fairfield, Iowa, USA

Written eleven months after she had passed, I would later record this and two earlier love poems for Sali (COMMITTED and This Quiet Love) for a 2019 Valentine’s Day program on KHOE, MIU’s campus radio station. Click here to read and listen to them.

Related: For Us—a tanka honoring Sali and what we shared.

Related poem posted September 22, 2013: Haiku of the Heart – for Sali.

Added October 1, 2017, A tanka remembering Sali and her gift to me on the one-year anniversary of her passing.

This new post, added November 12, 2017, is relevant: 1st anniversary of my India trip to spread Sali’s ashes on the Narmada River, visit Bijouri campus and Maharishi Vedic Pandits at the Brahmasthan.

Posted June 28, 2019: Poem for Sali—An Undying Love—heals the heart.

On August 6, 2025 Bob Roth, CEO of the David Lynch Foundation, completed the morning Zoom world group meditation at 30:40 with this introduction: “This is a beautiful poem by Kenny Chawkin called, In Our Loving Eyes, about the late love of his life.” He then read the poem, twice, and quietly concluded, “Beautiful….” It was emotional for both of us, as he later confirmed in a phone call two minutes after I had emailed to thank him. Sali’s loving memory still lives deep within our hearts.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

David Whyte describes the mysterious way a poem starts inside you with the lightest touch

August 18, 2017

David Whyte on the physical act of writing poetry

David Whyte recites a poem to Krista Tippett and audience describing the physical bodily act of writing poetry during an interview hosted by Cambridge Forum about her book Becoming Wise: An Inquiry into the Mystery and Art of Living.

The Lightest Touch

Good poetry begins with
the lightest touch,
a breeze arriving from nowhere,
a whispered healing arrival,
a word in your ear,
a settling into things,
then, like a hand in the dark,
it arrests the whole body,
steeling you for revelation.

In the silence that follows
a great line,
you can feel Lazarus,
deep inside
even the laziest, most deathly afraid
part of you,
lift up his hands
and walk toward the light.

River Flow: New and Selected Poems (RP)
© David Whyte and Many Rivers Press (2012)

In a similar vein, before New York poet laureate Marie Howe read “Annunciation” to Krista Tippett On Being, she described how, after tearing up several versions, she gave up, and then, it just came through her. This revelatory description of mystical conception, in Mary’s words, parallels that of poetic creation, in Marie’s words.

My first published poem, ODE TO THE ARTIST: Sketching Lotus Pads at Round Prairie Park, was a similar experience. After several attempts at writing a poem about the lotus pads in front of us, I got out of my self and wondered about their perspective. Much to my surprise the poem quickly wrote itself. Other parts of poems would present themselves while Being in Nature, which I would later complete.

This process of getting out of the way and allowing poetry to innocently come through you was expressed by my son after his class was assigned to write a poem for homework. He felt strongly that you couldn’t will a poem into existence; it had to be inspired. He was barely eleven years old when he wrote INSPIRATION, a poem by Nathanael Chawkin.

With reference to “the silence that follows a great line,” Billy Collins discusses the value of getting to the end of a poem and what can happen afterwards.

Beautiful wise poem by Carol Palma honoring a friend who had crossed over to the other side

August 14, 2017

When I was going through a difficult time with Sali’s illness getting worse, Carol Palma and her husband Greg came to visit us. Carol later sent me a lovely little poem as a gift to help me cope. Previously written for a friend, it was profound and went deep! In a way, what was expressed in the poem would prepare me for the inevitable. And to understand that it was not the end. It was all about letting go, in more ways than one. And the repeated end-rhyme gently reinforced the point.

I’m in a place where there is no night
We experience each other with divine sight
I wear a robe of shimmering light
With golden threads that hug me tight

I cling to you with all my might
Tethered to earth like string to kite
You let me go and I take flight

I always wanted to share this perfect poem with friends. I bumped into Carol at the Dome Market last night and she approved my posting it.

potted purple petunias poem @kenchawkin pays homage to @W_C_Williams’s red wheelbarrow

August 2, 2017

Norman and I get into my car parked across the street from Thai Deli where we just had lunch. It’s hot so we wait for the AC to kick in and cool down. He points out the beautiful petunias on the sidewalk in front of us. They’re purple, planted in pots, and placed on both sides of a doorway. Playing with the ‘p’ sound, I come up with a line that has seven syllables in it. I’m reminded of The Red Wheelbarrow by William Carlos Williams and think of a similar opening. Noticing the backdrop, I finish the last line of the haiku. Coincidentally, I later discover it has the same word ‘white’ in it. I return the next day to take this photo to go with it.

potted purple petunias

Potted Purple Petunias Poem
Haiku in Homage to William Carlos Williams

there’s something about
potted purple petunias
by a white brick wall

©Ken Chawkin
July 31, 2017
Fairfield, Iowa

For Us—a tanka honoring Sali and what we shared

June 30, 2017

Sali with MaharishiHere is a picture of Sally Peden showing Maharishi a photo that may have been taken during their trip To Jyotir Math with western scientists in the spring of 1975 to tell the Shankaracharya about the Dawn of the Age of Enlightenment. I think it was a picture of the 2,500-year-old banyan tree under which Adi Shankaracharya used to meditate. She had a blurry one of Jerry Jarvis sitting under the tree, but I never saw the framed photo.

Kenny & Sally in Columbia 2007This photo was taken in late May, 2007 at Sali’s step-mother, Petch Peden‘s house in Columbia, MO. I never would have imagined sharing a loving relationship with such a pure, brilliant devotee who had worked closely with Maharishi for so many years. There was obviously a very deep level of recognition between our souls. How else could such a thing have happened?

Sally+Ken bldg opening

At inauguration of Veda Bhavan May 27, 2003

These words, “We’re buddies,” had come into my head when we were introducing ourselves at MUM (another story) around 10 years after we had first met in Washington, DC, summer of 1993, but had both forgotten. She had registered some of us at a large group meditation course.

Years later, not long after she had to move into Parkview Care Center (January 19, 2010), I recalled that incident during one of my visits, and reminded her of it. I also shared the two thoughts that had entered my mind at the time, when she walked up to me to ask my name and check it on her list. I never forgot them—Too bad I just got married (again); Too bad she’s on Mother Divine. She paused, remembered it too, and smiled. What a surprise for both of us!

A Jyotishi, Indian astrologer, who came to town with ancient palm leaves, told us of our past lives together. He said we shared a deep bond of friendship and spirituality, this was a karmic repayment, I was now going to fulfill the promises I had made to her in ancient Vedic times, and that she should be with me at all times—her life depended on it. He also said I had never properly served a woman, that I was spoiling Sali, how it should be. Many adverse situations would spring up over time to test that bond, but I was there for her, right up to the end, and beyond.

Adversity—she experiencing and me watching the challenging changes she would go through in her mind and body due to Dementia—drew us even closer together. I lovingly cared for her, and experienced joy when we were together, even as I continued to grieve and worry about her when we were apart. It also fulfilled a lifelong desire to experience what devotion, spiritual love, was about. It was transforming, to say the least!

I joked that she was making me look good because her friends were calling me a saint, and we both laughed. Early on, when she was going through neurological imbalances that affected her mental stability, I remember saying, “It’s so intense, Sal, what you’re going through, but look at it this way, you must be burning off a lot of karma; you’re evolving quickly.” She looked up at me and quipped, “Hello? So are you!” And we both cracked up laughing. She was my little munchkin.

Sali never lost her sense of humor. Years later, when she could no longer speak, she would still smile and giggle, bringing joy to some of the nurses and aides who looked after her. Her inner nature remained the same; it was always uplifting to be with her.

It will be 9 months on July 1st, 2017 since my sweetheart passed. Sali was a fellow devotee on the spiritual path, my best friend and muse. I have written many poems for, about, and because of her. Most of them are on this blog. They trace a lot of what we went through together. As difficult as it was at times, I would not change any of it.

Our friends would often say how lucky she was to have me in her life, but I always told them I was the lucky one. We both acknowledged the blessing we were given—loving each other at that transitional time in our lives. It’s summed up in this Haiku for Her, repeated here with the hoku from The Rare Gift of Love, now put together in a new tanka.

For Us
A tanka honoring Sali and what we shared

You gave me a taste
Of true Love and Unity
For Eternity

What we shared was glorious
A Gift from God and Guru

Jai Guru Dev

© Ken Chawkin
June 30, 2017
Fairfield, Iowa

Related: ‘In Our Loving Eyes’ a poem by @kenchawkin remembering a special love with Sally Peden

Added October 1, 2017, A tanka remembering Sali and her gift to me on the one-year anniversary of her passing.

Added November 12, 2017: 1st anniversary of my India trip to spread Sali’s ashes on the Narmada River, visit Bijouri campus and Maharishi Vedic Pandits at the Brahmasthan.

Added June 28, 2019: Poem for Sali—An Undying Love—heals the heart.

I would later record these love poems for Sali (COMMITTED, This Quiet Love, In Our Loving Eyes) for a 2019 Valentine’s Day program on KHOE, MUM’s campus radio station. Click here to read and listen to them.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

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Cliffhouse and Arbutus blossoms inspire haiku by Ken Chawkin and paintings by Betsy Randel

May 15, 2017

Today, I posted this haiku and the story behind it with these images on a website page about Arbutus Tree blossoms. I kept expanding and refining the story and decided to post it here as well. It’s approved and ready to be shared: Arbutus Flower Inspires Haiku.

Arbutus Tree in The Cliffhouse Cottage deck

About 20 years ago, a friend of mine took me on a holiday weekend getaway to Galiano Island. We stayed at The Cliffhouse Cottage. It was beautiful there! I remember sitting on the deck at dusk looking out over the tranquil ocean. Everything was completely still. Quiet. I heard a small sound, like something had fallen from somewhere, and wondered what it was. I bent down and found a small white flower beside my chair. It resembled a tiny bell. I then looked up and saw a cluster of flower blossoms in the tree above me. My friend said it was an Arbutus Tree. That experience inspired this haiku.

Cliffhouse Deck at Dusk

Tiny bells call me
Arbutus blossoms falling
Sounding the Silence

© Ken Chawkin

The poem was later included in a grouping titled: 13 Ways to Write Haiku: A Poet’s Dozen, and published in The Dryland Fish, An Anthology of Contemporary Iowa Poets, December 12, 2003.

Galiano Island Art Cards by Betsy Randel composite image

My friend, Betsy Randel, made these beautiful watercolor cards of the Arbutus Tree and Cliffhouse. Visit her new website, BetsyRandel.com, to see her other cards, paintings, and poetry books. Her work can also be seen on fineartamerica.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

Growth, a spontaneous haiku/tanka @kenchawkin

April 11, 2017

Here’s a little poem that came about as I was waking up on a Saturday morning, April 1, 2017. Around 7:15 a.m. CT, I reached for my journal and started writing it down. It took about 3 minutes. I had been thinking about life and how we all go through a series of lessons, a process of self-realization, whether we know it or not, and this poem started forming itself in my mind, first as a haiku, and then extended to a tanka.

Growth
A spontaneous haiku/tanka

Whatever happens
to and by you is also
happening for you

Everything is a lesson
for you to learn and grow from

© Ken Chawkin

Related: Growth Haiku written by @kenchawkin and his son Nathanael Chawkin @integralsensei.

Celebrating Poetry Month with one of my poems, Poetry—The Art of the Voice, and what inspired it

April 10, 2017

Since 1996, the Academy of American Poets have designated April as National Poetry Month as a way to increase awareness and appreciation of poetry in the United States. Since 1998, National Poetry Month has also been celebrated each April in Canada. Being a Canadian living in the United States, I have 2 reasons to celebrate it with a poem I wrote on the subject 17.5 years ago. I’d also like to share what inspired me to write it.

One morning, while recuperating from a cold in my room, I had been listening to the Diane Rehm Show. At the end she announced her guest for the next day, Bill Moyers, who would talk about his latest poetry project. I tuned in and recorded it on Tues, Oct 05, 1999, 10-11 a.m. ET.

In that episode of the show, Moyers discussed his upcoming PBS poetry special: Fooling with Words with Bill Moyers, the result of a visit to the Dodge Poetry Festival, which featured readings by US Poet Laureate Robert Pinsky and other leading poets. He also mentioned his accompanying book, Fooling With Words: A Celebration of Poets and Their Craft (William Morrow). You can actually see Part One and Part Two of Fooling With Words, produced by and archived at Moyers & Company.

Moyers mentioned that television lends itself well to the human voice reading poetry. He said, “Poetry is music for the human voice,” but what really made an impression on him was watching “people listening to poetry.” His cameras focused in on both the poets reading their poems, and members of the audience listening attentively.

What Bill Moyers said about this dynamic caught my attention: “Poetry is reflected in the face of the listener, in the eyes, and in the intensity of the listener’s response. It’s like a mirror to the poet’s own face. And you watch those faces and you really see that poetry is sinking in, and meeting an audience in that individual listener.”

Diane and Bill then invited 3 poets on the show to read a poem and explain how they came to write it: Marge Piercy, Mark Strand (16:44), and Jane Hirshfield (32:57). After listening to the ideas and images expressed in the conversations and poems, I was so inspired that I wrote a poem about it called: Poetry—The Art of the Voice.

Poetry—The Art of the Voice

How fine will your breath become
from listening to these words?
How soft will they seem to be
as they settle through the mind
like silent snowflakes falling
from a windless winter sky?

I often marvel at the mystery—
how words can work
on a listener’s heart and mind,
upon hearing a poet’s thoughts,
a poet’s breath, flowing
from an inner voice—

a windless wind, speaking
through a voiceless voice.

© Ken Chawkin

Years later, when Freddy Fonseca put out a call for poems from Fairfield poets for This Enduring Gift-A Flowering of Fairfield Poetry (2010), I sent it in along with some other poems.  At Freddy’s suggestion I changed one word, which caused me to refine it even more, taking it to the intended level. He published it, five haiku, and a tanka, and later selected it as POEM OF THE DAY: Poetry – The Art of the Voice, by Ken Chawkin.

Over the years, Bill Moyers has welcomed some of America’s best poets to share their works and inspiration. Many of those writers have performed at the Geraldine R. Dodge Poetry Festival, which Bill and his colleagues covered for television specials including Fooling with Words (1999), The Language of Life (1995) and Sounds of Poetry (1999). Enjoy Poets in Performance, a showcase of such poetry from past and recent productions from Moyers & Company, performed by the poets who dreamed them up, or by other artists who, like Bill, simply adore poetry.

Another poem I wrote at that time was Thinking of You Today. It was inspired by reading Jorie Graham’s poem, Salmon (PDF), included in The New Yorker article about her. The spirit of beauty in that poem touched me and I had to write one too. It came out in one take, not a word changed.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

The film Arrival asks: If you could see your whole life from start to finish, would you change things?

March 12, 2017

The main question posed in the 2016 sci fi film Arrival is, If you could see your whole life from start to finish, would you change things?

Arrival (2106)

When mysterious spacecraft touch down across the globe, Colonel Weber (Forest Whitaker) recruits Dr. Louise Banks (Amy Adams), a renowned linguist, and Dr. Ian Donnelly (Jeremy Renner), a theoretical physicist, to try and communicate with the Aliens and find out why they have landed on Earth. Dr. Banks races against time to decipher their intent. As tensions mount between fearful governments, she discovers the Aliens’ true purpose and, to avert global war, takes a chance that could threaten her life, and quite possibly humanity. This mesmerizing masterpiece has a mind-blowing ending that will leave you wondering what happened and how.

That’s the external story, but the essential message of this movie is more internal. It’s about love, determinism and choice.

Based on the award-winning science fiction novella, Story of Your Life, by Ted Chiang, it was convincingly transformed into a screenplay by Eric Heisserrer. Having read the book and been moved by it, director Denis Villeneuve wondered how it could be turned into a science fiction film, a genre he had been thinking about for years. When he received the script he decided he finally had to make this film, but with Amy Adams in the lead as Dr. Louise Banks. Even though she was taking a break from filmmaking, after reading the script, she was in. Everyone involved with making the film read the book and loved the story.

In the opening scenes we learn that Professor Louise Banks is losing her daughter Hannah to a rare disease. As a child, Hannah asks her mother how she chose her name. Louise tells her she has a special name, because it is a palindrome. It’s spelled and read the same way, forwards and backwards.

This is a clue that may help you make sense of certain events in the film that appear as flashbacks. Or are they flashforwards? Yet, in retrospect, it’s not the beginnings and endings that are important to Louise, but how she lived her life, the choice she made to love, regardless of the outcome.

Watching this movie was a right-brain experience; it’s non-linear. Dr. Banks goes through changes as she learns the Alien language. Their images communicate ideas in circles without reference to tense or time. Comprehending their language transforms Louise’s brain. She begins to experience the events in her life from a less sequential, more holistic perspective.

This is reality parsed and put together from a female perspective. She is the only one who can save the situation when she finally understands why the Aliens are here. The other challenge now is communicating it to a male-dominated world intent on destroying itself. This Chinese quote is another important clue: “In war there are no winners, only widows.”

Towards the end of the film, having collaborated with and seen how brilliant, brave, and compassionate Louise has been throughout their encounter with the Aliens, and the Army, Ian realizes he’s fallen in love with her. As much as he was amazed by his encounters with the Aliens, his “greatest surprise” he tells her, “is you.”

To love is human. It takes us out of our time, because Love Is Eternal. It always Is. We participate in It. If we are lucky enough. I wrote this as a comment to my son who purchased the film and sent me the link. I couldn’t help turning it into a tanka.

After watching “Arrival” (2016)

To love is human
It takes us out of our time
Love Is Eternal

We participate in It
If we are lucky enough

© Ken Chawkin
Mon Apr 6, 2017
Fairfield, Iowa

You should see this film twice to better understand and appreciate it. Below is the trailer, followed by the Featurette on the DVD Extras.

This DVD Featurette gives you a perspective of what went into the making of the film: Arrival (2016) | Behind the Scenes | Understanding Arrival | Full Extras | Full HD.

You can now rent or buy Arrival on Prime Video, or watch it Free with ads on YouTube Movies & TV. After seeing the movie twice, this article and these videos will help you make better sense of it all.

Nick Statt wrote a great article for The Verge on living with the power of choice: How the short story that inspired Arrival helps us interpret the film’s major twist. ScreenPrism offers an intelligent explanation of the ending of this film. ChewingSand shares good insights in this video: Why ARRIVAL is Great Sci-Fi. See Logos Made Flesh: Arrival Explained, FilmComicsExplained: ARRIVAL (2016) Ending + Creature EXPLAINED, and Heavy Spoilers: ARRIVAL Breakdown | Ending Explained, Easter Eggs, Hidden Details & Things You Missed. Sendarya posted this Feb 16, 2024: Arrival || FULLY DECODED || Deep Dive and Analysis, which looks at everything from sounds design to thematic framing to find the answers. See The Director’s Cut by Jilloms: Denis Villeneuve on How He Directed Arrival. Many more explanations and reviews are available on YouTube.

See a fun, informative post-screening SAG-AFTRA Foundation interview: Conversations with Amy Adams and Denis Villeneuve of ARRIVAL.

Links to the beautiful Arrival Soundtrack – On The Nature Of Daylight by Max Richter and Jóhann Jóhannsson – Heptapod B [From “Arrival” Soundtrack / Pseudo Video].

Wikipedia gives a comprehensive review/explanation of the film, which might include some spoilers if you haven’t already seen it yet.

Also see these favorite romantic films of mine. They reveal the transformational power of love over time.

 — Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.