These days we are constantly bombarded with social media and advertising messages on our portable devices. Life has become a lot more complicated than in the past. This short poem by Wu-Men reminds us to take time to notice the simple pleasures that each season brings. And with a peaceful mind we can enjoy our best life.
I first discovered this text as one of a four-book compilation by Paul Reps and Nyogen Senzaki in Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings, published by Tuttle in 1957. I had bought a paperback copy of the 1961 Doubleday Anchor Book from a Montreal used book store in 1967 and carried it around with me.
That summer, I had an awakening experience, and those contradictory koans I read somehow made sense. I had become a seeker and learned Transcendental Meditation (TM) on September 30, 1967, three weeks after Maharishi had visited Expo 67 to speak at the Youth Pavilion. This was during Canada’s Centennial Year and what was considered to be one of the most successful World’s Fairs of the 20th century.
When the school year started, I set up a SIMS club—a chapter of the Students International Meditation Society—then arranged for and publicized a TM Introductory Lecture on the Loyola College campus. Other new meditators had done the same at McGill University, and Sir George Williams University, which, with Loyola, would later become Concordia University.
Many hundreds of students learned TM that school year in Montreal, and some of us would go on to become TM teachers. The same situation occurred in cities across Canada and the United States. It was an exciting time, especially when the Beatles had learned TM and went to Rishikesh, India to study with Maharishi. “Dear Prudence” Farrow Bruns was on that course, along with Beach Boy Mike Love and Donovan. From June 10-14, 1968, I joined other meditators to study with Maharishi at Lake Louise.
I never imagined that posting a little poem by Zen master Wu-men would awaken memories of reading Zen Flesh, Zen Bones, and learning to meditate all those years ago. TM continues to help me live a better life.
Also enjoy reading the fine poetry of Ryōkan, another Zen master.
Stephen Mitchell later translated and read Tao Te Ching by Lao Tzu (The Book of The Way). I first enjoyed reading The Way of Life According to Laotzu translated by Witter Bynner. George Harrison was inspired to write “The Inner Light” based on Chapter 47 of this ancient text. It was first released March 15, 1968 by the Beatles as a B-side to “Lady Madonna”.
— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.
I recently discovered Ada Limón. I found her refreshing and her poetry accessible. She is the author of six poetry collections and is the recipient of fellowships from the Guggenheim Foundation, the New York Foundation for the Arts, the Provincetown Fine Arts Work Center, and the Kentucky Foundation for Women. This past summer she was selected as the 24th U.S. Poet Laureate for 2022-2023.
Here are 3 related sequential videos: a Library of Congress interview, followed by a PBS interview and announcement, and Ada Limón giving her inaugural reading as the 24th Poet Laureate Consultant in Poetry at the Library of Congress. I added a bonus video at the bottom, from 2019—Life of a Poet: Ada Limón.
1. July 12, 2022: Ada Limón: 24th Poet Laureate (19 min)
Ada Limón talks about her poetry and her appointment as U.S. Poet Laureate with Library of Congress Chief Communications Officer Roswell Encina, in the Library’s Poetry Room.
When asked how she writes, Ada explains that composing a poem is an all-body experience for her. She involves all her senses, not just her mind. She is asked what inspires her, and replies: “I find inspiration in so many different things. I always say the muse is, or my muse is the world. It’s everything.”
At 6:45, she expresses the essence of what it means to be a poet.
But I think I’m always amazed by how deep attention can turn into a poem, that deep looking is a way of loving. And it can transform the smallest thing into something of great importance. And no matter how many years I’ve been writing poems and no matter what I’ve done, that is the thing that brings me the most joy, that gives me shivers, the way that looking and attention and really giving your all to something can transform it.
I’m always amazed by how deep attention can turn into a poem, that deep looking is a way of loving…can transform the smallest thing into something of great importance…the thing that brings me the most joy, that gives me shivers, the way that looking and attention and really giving your all to something can transform it. (edited)
Ada Limón, 24th U.S. Poet Laureate
The other side of the equation, of course, is how the poet is also transformed by this process. It is obvious that Ada Limón was meant to be a poet, and now a poet laureate.
But what she said reminds me very much of what Rainer Maria Rilke wrote about this experience. I discovered it in Jane Hirshfield’s book, Nine Gates: Entering the Mind of Poetry, in the chapter on Poetry and the Mind of Indirection, pages 119-120. Rilke gets to the essence of what that deep attention, deep looking (and loving), can bring a devoted poet. Hirshfield writes:
Both readings of Novalis’s aphorism—that an awareness in the things we wish to observe and know, and that the way we come to them matters—enter into a letter from Rilke, sent in the winter of 1920 to Baladine Klossowska, a lover and fellow writer with whom he shared a passionate correspondence.
This next paragraph, translated by Stephen Mitchell, reveals that essential art of deep seeing, and its surprising hidden reward of spiritual transformation.
These Things whose essential life you want to express first ask you. “Are you free? Are you prepared to devote all your love to me . . . ?” And if the Thing sees that you are otherwise occupied with even a particle of your interest, it shuts itself off; it may perhaps give you some slight sign of friendship, or word or a nod, but it will never give you its heart, entrust you with its patient being, its sweet sidereal constancy, which makes it so like the constellations in the sky. In order for a Thing to speak to you, you must regard it for a certain time as the only one that exists, as the one and only phenomenon which, through your laborious and exclusive love, is now placed at the center of the universe, and which, in that incomparable place, is on that day attended by angels.
These Things whose essential life you want to express first ask you. “Are you free? Are you prepared to devote all your love to me . . . ?” … In order for a Thing to speak to you, you must regard it for a certain time as the only one that exists, as the one and only phenomenon which, through your laborious and exclusive love, is now placed at the center of the universe, and which, in that incomparable place, is on that day attended by angels. (edited)
Rainer Maria Rilke in a letter to Baladine Klossowska
For John Keats, this experience of reverse deep seeing was to inhabit a state of being perceived outside himself. It involved negating his Self to become The Other, what he described as ‘negative capability’.
2. Jul 27, 2022: PBS NewsHour: Ada Limón on becoming the new U.S. poet laureate (6 min)
Ada Limón has been named the nation’s new poet laureate. Jeffrey Brown recently met with Limón to learn more about her life’s path, one that includes backyard groundhogs, Kentucky bluegrass, pokeweed and plenty of poetry. It’s part of our arts and culture series, “CANVAS.”
3. Sept 29, 2022: Live! at the Library: U.S. Poet Laureate Ada Limón Opening Reading (56 min)
Award-winning poet Ada Limón will give her inaugural reading as the 24th Poet Laureate Consultant in Poetry at the Library of Congress, with an introduction by Librarian of Congress Carla Hayden. The historic reading marks the beginning of Limón’s laureateship, and it traditionally launches the Library’s literary season.
4. January 30, 2019: Hill Center poetry series, The Library of Congress. (63 min)
Poet Ada Limón discussed her work with Ron Charles, book critic at the Washington Post. It was a rich interactive and intimate conversation, introducing and then commenting on her reading certain meaningful poems from her life. Enjoy Life of a Poet: Ada Limón.
“I do, because it involves a wonderful contradiction, which is, in order for it to happen, you have to be there, and you have to disappear. Both. You know, nothing feels as good as that. Being there and disappearing—being possessed by something else. Something happening through you, but you’re attending it. There are few other things in the world like that, but writing is pretty much a relief from the self—and yet the self has to be utterly there.”
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