Posts Tagged ‘Mary Oliver’

Mary Oliver’s poem, Praying, is a lesson on attention, receptivity, listening and writing

March 14, 2013

Praying

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch

a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway

into thanks, and a silence in which
another voice may speak.

~ Mary Oliver ~

(Thirst)

Another example of this theme is her poem, Mindful, in this later post: Attentive to and delighting in her surroundings, Mary Oliver lived a life writing astonishing poetry.

An inspiration for a poem came to me from such receptivity to a tree. The first words entered my mind while admiring it. I wrote them down, and the next morning, I rewrote them as a stanza, and then the sequential stanzas naturally followed, reiterating what Mary Oliver describes. It was as if I was given a creative seed and it sprouted. This gift from the tree was much appreciated. I later called it Being in Nature. Its sequel, trees, was about the nature of trees, and what we can learn from them. Another poem once came to me from a rock with a sense of humor. You can read RIVER ROCK SPEAKS in my Vancouver Park Poems.

An early encounter with nature inspired my creativity. It turned into my first published poem, which won an award: ODE TO THE ARTIST, Sketching Lotus Pads at Round Prairie Park.

Her poem also reminds me of The nurturing effect of rainwater in Mary Oliver’s poems Lingering In Happiness At Blackwater Pond and William Stafford’s poem, B.C., which I later added.

Read about Mary Oliver (1935-2019) and her astonishing poetry in this memorial acknowledgment to her poetic legacy. It contains links to articles, interviews, and poetry readings, as well as many of her favorite poems I’ve loved and posted over the years.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

Wild Geese by Mary Oliver, photo by Ken West

November 14, 2011

Wild Geese

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting
over and over announcing your place
in the family of things.

—Mary Oliver

From Dream Work published by Atlantic Monthly Press
 

This photo of a family of Canadian Geese was taken by Ken West Iowa Landscape and Nature Photography. Ken West and his unique landscape photographs are featured on IPTV show Iowa Outdoors.

For more on Mary Oliver see The Journey by Mary Oliver, with links to other poems and an interview with Maria Shriver.

Listen to Mary Oliver read “Wild Geese” for The On Being Project. This poem is featured in Mary Oliver’s extraordinary conversation with Krista Tippett—one of the few in-depth interviews she gave in her lifetime: “I got saved by the beauty of the world.” She describes her creative process On Being: Listening to the World. 

Mary Oliver Reads Wild Geese (14:36) from A Thousand Mornings (1986) at the 92nd St Y, New York in 2012. 

A beautiful soundtrack was later added to her reciting this poem and posted on Instagram by coffee_with_keats.

Mary Oliver’s poem, Swan, asks us if we see, hear, and feel what she does, drawing rich references to the beautiful aspects of a swan, culminating in two powerful questions.

Mary Oliver’s poem, Mockingbirds, teaches us how to listen, and experience the wonders around us.

See this remembrance of Mary Oliver with links to more of her poems.