Archive for the ‘My poems’ Category

Thinking of You Today

February 4, 2011

Thinking of You Today

Looking out onto the world
between the slats of the blind—
too beautiful a day
to stay inside—
the light white on everything
the wind almost nowhere to be found
the trees stand motionless
some leaves slowly undulating
like the waves on the surface
of a calm ocean
reflecting sparkling lights
off the thin skin of the water

I think of you today
and how your world will be
when you awaken
three hours later—earlier
three thousand miles apart
as if time and space
had their own domains
and consigned us
confined us
to our own
separate
realities

But you and I—
our consciousness—stretches
across time
across space
weaving our own connections
under the surface fabric of things
to always remain
one singularity
separate—but joined
at the trunk
of the tree
of this universe

© Ken Chawkin

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Writing—a poem on the writing process

January 18, 2011

Writing

Writing is a series of letting go’s
of our preconceived notions of how it goes
and allowing a deeper part of you to tell you what it knows;
when the writing’s good, it shows.

Because, ultimately, when we do,
that recognition of what’s true,
comes from the deepest part of you.

So let the writing speak to itself,
and let the writer listen, for

writing is listening on paper.

© Ken Chawkin

Also see Storytelling—a poem on the storytelling process and Sometimes Poetry Happens: a poem about the mystery of creativity.

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Ode to the Artist: a magical day looking at lotus pads

January 16, 2011

ODE TO THE ARTIST
Sketching Lotus Pads at Round Prairie Park

Black lines briefly sketched on paper
capture our appearance but not our essence.

Your attention interests us,
although others have never before.
Your watchful eyes tell us
we are apart of you.

Can you feel our thoughts?
Can you think our feelings?
We do yours
and we thank you for committing us to memory.

For long after we’ve gone
and transmuted ourselves back into nature
our likeness will remind you that we were.
And your response will touch our hearts.

© Ken Chawkin

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Sometimes Poetry Happens: a poem about the mystery of creativity

January 16, 2011

Sometimes Poetry Happens
(Sequel to ODE TO THE ARTIST)

Some poets can write
from reflected experience
referring back to what was written.

Others need to be there,
in full view of their subject,
opening up to what’s being given.

Sometimes poetry happens between the two.

It’s then you don’t really write the poem.
It writes you!
You just put it down on paper.

When you see it there,
You’ve captured it.
Or, rather, it’s captured you.

What really happened between the two?

To explore that space
between you and me
is to discover who we are.

For deep within,
at the source of the gap
lie the togetherness of the three—

the seer, the seen, and the poetry … in between.

© Ken Chawkin

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CRYSTAL MORNING

January 16, 2011

CRYSTAL MORNING

Winter crystal morning bright
after raining night.

Dark tree branches frozen tight
in shiny shells of ice.

A strange and wondrous sight.
Transparent bones of light!

© Ken Chawkin

For more poems about trees see Being in Nature—a gift from a tree, with links to others.

Seeing Is Being

January 14, 2011

“The sight occupies the seer, transforms seer into sight.”
Maharishi Mahesh Yogi (Life Magazine, November 1990)

Seeing Is Being

Seeing outside the Self
Forgetting the Inner Light
The Seer becomes the Sight
Transforming Day to Night

Living Night for Day
The Seer can’t find The Way
Mistaking Sight for Seer
Becoming what’s on the Mirror
Forsaking what’s truly Dear

When Self is finally Clear
We Remember How we’re Here
It’s the One Becoming the Three
The Way To See Is To Be
Since Seer Sight and Seeing
Are All Three Ways of Being
And Being Is Being Being Being*

© Ken Chawkin

————————————–

*From a Q & A session:
Course participant: Maharishi, What is Being?
Maharishi: (laughs) Being? Being is Being Being Being.
Then Maharishi and everyone laugh.

I read that poem at a World Peace Assembly in Maharishi University’s Golden Dome in the early 90’s. It was followed by The Enlightened Heart, a poem by Ken Chawkin.

Also relevant: Maharishi describes the nature of inner life: bondage and liberation, and gaining bliss consciousness through Transcendental Meditation.

This Enduring Gift-A Flowering of Fairfield Poetry

January 6, 2011

This Enduring Gift

A Flowering of Fairfield Poetry

76 Poets Who Found Common Ground in One Small Prairie Town

Compiled and selected with introductions by Freddy Niagara Fonseca and a foreword by Donovan. Endorsed by two US Poets Laureate. Paperback and Hardcover versions with 300 poems, 16 chapters and 796 pages. Publisher: 1st World Publishing. Links to TEG‘s Website and Facebook.

Pictured below, Freddy invites Roger Pelizzari to read his poem, The Beginning of Real Time, during the book launch at Revelations Cafe and Bookstore in Fairfield, Iowa, September 24, 2010.

The room was filled with poets and guests that night. I’m sitting in the front row, and was also invited to read a poem. Since we were running out of time, I read the short tanka. Here are my poems, selected from the ones submitted, published in This Enduring Gift: Five Haiku, the tanka, Cold Wet Night, and Poetry—The Art of the Voice, which was later selected as the POEM OF THE DAY: Poetry – The Art of the Voice, by Ken Chawkin.

Poetry—The Art of the Voice

January 6, 2011

Poetry—The Art of the Voice is another one of my poems published in This Enduring Gift – A Flowering of Fairfield Poetry, 2010. Editor Freddy Niagara Fonseca posted this poem on his Amazon.com page: VISITING POET Ken Chawkin: Poetry – The Art of the Voice, which links to the complete version on his Live Journal.

Poetry—The Art of the Voice

How fine will your breath become
from listening to these words?
How soft will they seem to be
as they settle through the mind
like silent snowflakes falling
from a windless winter sky?

I often marvel at the mystery—
how words can work
on a listener’s heart and mind,
upon hearing a poet’s thoughts,
a poet’s breath, flowing
from an inner voice—

a windless wind, speaking
through a voiceless voice.

© Ken Chawkin
Published in This Enduring Gift – A Flowering of Fairfield Poetry, 2010
http://www.thisenduringgift.com

This poem came out of the inspiration listening to the Diane Rhem Show: Bill Moyers on Poetry, when she invited him on to talk about his latest PBS special on the Poetry Festival he had attended and filmed, and his new book of it, “Fooling With Words: A Celebration of Poets and Their Craft” (William Morrow). They had invited 3 poets: Marge Piercy, former poet laureate Mark Strand, and Jane Hirschfield, to call in and discuss the inspiration for a poem they had written and share it with the listening audience. The effect on the Festival audiences was also discussed. See , with links to the program, book, and each poet reading their poem.

When the call went out for poems from Fairfield poets for This Enduring Gift-A Flowering of Fairfield Poetry, I sent it in along with some haiku and a tanka. It was published and later selected as the POEM OF THE DAY: Poetry – The Art of the Voice, by Ken Chawkin.

Cold Wet Night (a tanka)

January 6, 2011

Cold Wet Night
A Tanka

Rain on the trailer
Beating down its dismal song
Drop, by cold, wet, drop

A monotonous rhythm
Driving home … the loneliness

© Ken Chawkin
Fairfield, Iowa
Dec 20, 2006

Published in This Enduring Gift – A Flowering of Fairfield Poetry, 2010. See my other published poems in that book.

This poem was written in the presence of my muse, Sally Peden (Sali), as I was demonstrating to her how easy it was to write a haiku, which extended to this tanka. It tells the story of what was happening at the time. It was a very blissful process. Nothing depressing or lonely about it. I just selected the words that best conveyed such an image and accompanying mood.

Three years later things would change. On Jan 19, 2010, Sali would have to move into Parkview Care Center because of her dementia. Over 9 years later, I wrote this short, sad, 4-line Teapot Poem. In the 5th Response, I explain how it came to be written. Using the creative process described there brought relief from the grief I was feeling at the time.

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.

Five Haiku

January 6, 2011

Five Haiku was published in This Enduring Gift — A Flowering of Fairfield Poetry, 2010. These 5 haiku were selected from 13 Ways to Write Haiku: A Poet’s Dozen, where they were originally published in The Dryland Fish, An Anthology of Contemporary Iowa Poets, 2003. The University of Iowa’s “Iowa Writes” program heard of This Enduring Gift and asked the Fairfield Poets to submit our poems to them. They published Five Haiku on The Daily Palette, January 5, 2011.

Five Haiku

Defined

3 lines, 2 spaces,
17 feet to walk thru;
then,  the unending

Translated
(Inspired by Australian artist Gareth Jones-Roberts’ painting
Egrets in Morning Light
)

on the edge of space
two egrets in morning light
woken from a dream

The Fall

sudden drop of leaves
a negligée to the floor
trees stand stark naked

Winter Memo

On seeing snowflakes
written on a piece of bark
I copied this down

Forest Flowers

tiny white flowers
a constellation of stars
so low yet so high

© Ken Chawkin

Also see Another Fall Haiku

— Written and compiled (citing sources) by Ken Chawkin for The Uncarved Blog.