Writing is a series of letting go’s
of our preconceived notions of how it goes
and allowing a deeper part of you to tell you what it knows;
when the writing’s good, it shows.
Because, ultimately, when we do,
that recognition of what’s true,
comes from the deepest part of you.
So let the writing speak to itself,
and let the writer listen, for
ODE TO THE ARTIST Sketching Lotus Pads at Round Prairie Park
Black lines briefly sketched on paper capture our appearance but not our essence.
Your attention interests us, although others have never before. Your watchful eyes tell us we are apart of you.
Can you feel our thoughts? Can you think our feelings? We do yours and we thank you for committing us to memory.
For long after we’ve gone and transmuted ourselves back into nature our likeness will remind you that we were. And your response will touch our hearts.
I glanced at her and took my glasses
off—they were still singing. They buzzed
like a locust on the coffee table and then
ceased. Her voice belled forth, and the
sunlight bent. I felt the ceiling arch, and
knew that nails up there took a new grip
on whatever they touched. “I am your own
way of looking at things,” she said. “When
you allow me to live with you, every
glance at the world around you will be
a sort of salvation.” And I took her hand.
They want a wilderness with a map—
but how about errors that give a new start?—
or leaves that are edging into the light?—
or the many places a road can’t find?
Maybe there’s a land where you have to sing
to explain anything: you blow a little whistle
just right and the next tree you meet is itself.
(And many a tree is not there yet.)
Things come toward you when you walk.
You go along singing a song that says
where you are going becomes its own
because you start. You blow a little whistle—
Some time when the river is ice ask me
mistakes I have made. Ask me whether
what I have done is my life. Others
have come in their slow way into
my thought, and some have tried to help
or to hurt: ask me what difference
their strongest love or hate has made.
I will listen to what you say.
You and I can turn and look
at the silent river and wait. We know
the current is there, hidden; and there
are comings and goings from miles away
that hold the stillness exactly before us.
What the river says, that is what I say.
UPDATE (May 1, 2018): A little over seven years since posting this poem, I found a video of him reading it. William Stafford was a guest speaker at the City Club of Portland on July 25, 1986. He spoke about writing and teaching, read some of his poems, and answered questions. The video, listed as You Must Revise Your Life, the title of his new poetry book at the time, was the first book I had ever read of his. It opened up a whole new world of possibilities to me as a writer. He concluded with reading Ask Me. It’s one of my favorite Stafford poems along with The Way It Is, You and Art, When I Met My Muse, Something That Happens Right Now, and others posted on my blog, including the last poem he wrote the day he died, “Are you Mr. William Stafford?”.
Henry Lyman interviewed William Stafford for NPR’s series, Poems to a Listener, later posted on YouTube. Stafford reads several of his poems, including Ask Me. The wonderful discussion that follows this poem is about how Stafford turns “mistakes” into lines of poetry.
I later found him read Ask Me at The Poetry Center at Passaic County Community College’s Distinguished Poets Series in 1986.
Since the start of the Iraq war, record numbers of American soldiers are being diagnosed with post-traumatic stress disorder, which they carry from the battlefield into civilian life. One therapy being proposed to help them to overcome the illness is Transcendental Meditation, and some returning soldiers say it has saved their lives.